ORCID Profile
0000-0002-8126-1696
Current Organisation
Monash University - Caulfield Campus
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Research Topics
In Research Link Australia (RLA), "Research Topics" refer to ANZSRC FOR and SEO codes. These topics are either sourced from ANZSRC FOR and SEO codes listed in researchers' related grants or generated by a large language model (LLM) based on their publications.
Top 5 Research Topics
ANZSRC Field of Research (FoR)
Cinema Studies | Screen And Media Culture | Cultural Theory | Cultural Studies |
ANZSRC Socio-Economic Objective (SEO)
Related Links
Publications
Remakes, Sequels, Prequels
Publisher: Oxford University Press
Date: 05-04-2017
DOI: 10.1093/OXFORDHB/9780199331000.013.15
Abstract: Film remakes, sequels, and prequels are often understood as forms of adaptation: that is, modes of cinematic remaking characterized by strategies of repetition, variation, and expansion. This essay seeks to examine the circumstances in which these modes of serialization have been taken up in the first decades of the new millennium. It analyzes the practice, aesthetics, and politics of cinematic remaking to build an inventory of contexts, descriptions, and knowledges that contribute to the cultural and economic currency of serial forms. Specifically, the essay interrogates a new millennial context that has mobilized a set of discourses around intermediality, transnationalism, and a logic of convergence to determine how these factors have been worked in and through the concepts of adaptation and remaking.
Australian international pictures
Publisher: Informa UK Limited
Date: 2010
Blondie knows best: Columbia Pictures’ Blondie series (1938–50)
Publisher: Oxford University Press (OUP)
Date: 2020
Another green world: The mad max series
Publisher: Wiley
Date: 12-04-2019
Introduction: Remake | Remodel
Publisher: Palgrave Macmillan UK
Date: 2012
Before and after ACMI: a case study in the cultural history of Australia's State film centres
Publisher: Informa UK Limited
Date: 02-01-2018
Introduction: Three Times
Publisher: Palgrave Macmillan UK
Date: 2012
The Cinematic Return
Publisher: University of Michigan Library
Date: 12-2015
Film Remakes, Adaptations and Fan Productions
Publisher: Palgrave Macmillan UK
Date: 2012
Bizarre love triangle: The creature trilogy
Publisher: Palgrave Macmillan UK
Date: 2012
A Personal Matter: H Story
Publisher: Palgrave Macmillan UK
Date: 2012
Mike Figgis: Time Code and the Screen
Publisher: Edinburgh University Press
Date: 19-05-2005
Interview with Jon Lewis, Corvallis, Oregon, September 21, 2008
Publisher: SAGE Publications
Date: 06-01-2011
Abstract: In this interview Jon Lewis reflects on his period as editor of Cinema journal and discusses changes in the historical-critical emphases at play in the field of film and media studies as it begins to engage more directly with the claims of television studies and the emerging field of new media studies. He further discusses the shifts he has observed in film and media studies as an area of academic publication, over the course of his academic career, noting the impact of the current context of more limited or competitive publication possibilities on younger academics hoping for a career in the profession. Finally, he discusses his own recent research and publications, and speculates on two further, ongoing areas of research: his work on HUAC, and even more specifically his work on the memoirs of HUAC survivors and his involvement with research into the place of soccer in US sporting and cultural life.
Remaking Film
Publisher: Manchester University Press
Date: 2004
DOI: 10.7227/FS.4.6
Abstract: What is film remaking? Which films are remakes of other films? How does remaking differ from other types of repetition, such as quotation, allusion, adaptation? How is remaking different from the cinemas ability to repeat and replay the same film through reissue, redistribution and re-viewing? These are questions which have seldom been asked, let alone satisfactorily answered. This article refers to books and essays dealing directly with ‘film remakes’ and the concept of ‘remaking film’, from Michael B. Druxman‘s Make It Again, Sam (1975) to Horton and McDougal‘s Play It Again, Sam (1998) and Forrest and Koo‘s’ Dead Ringers: The Remake in Theory and Practice (2002). In addition, this article draws upon Rick Altman‘s Film/Genre , developing from that book the idea that, although film remakes (like film genres) are often ‘located’ in either authors or texts or audiences, they are in fact not located in any single place but depend upon a network of historically variable relationships. Accordingly this discussion falls into three sections: the first, remaking as industrial category , deals with issues of production, including industry (commerce) and authors (intention) the second, remaking as textual category , considers texts (plots and structures) and taxonomies and the third, remaking as critical category , deals with issues of reception, including audiences (recognition) and institutions (discourse).
‘Moldy Art’: The exotic world of Jack Smith
Publisher: Intellect
Date: 12-2010
'Whose side are you on?' the Slap (2011/2015)
Publisher: Informa UK Limited
Date: 09-2015
Bizarre Love Triangle
Publisher: Palgrave Macmillan
Date: 2012
Kangaroo: The Australian Story
Publisher: Informa UK Limited
Date: 03-09-2017
After taste: Cultural value and the moving image
Publisher: Informa UK Limited
Date: 10-2010
Interview with Jon Lewis, Corvallis, Oregon, September 21, 2008
Publisher: SAGE Publications
Date: 06-01-2011
Abstract: In this interview Jon Lewis reflects on his period as editor of Cinema journal and discusses changes in the historical-critical emphases at play in the field of film and media studies as it begins to engage more directly with the claims of television studies and the emerging field of new media studies. He further discusses the shifts he has observed in film and media studies as an area of academic publication, over the course of his academic career, noting the impact of the current context of more limited or competitive publication possibilities on younger academics hoping for a career in the profession. Finally, he discusses his own recent research and publications, and speculates on two further, ongoing areas of research: his work on HUAC, and even more specifically his work on the memoirs of HUAC survivors and his involvement with research into the place of soccer in US sporting and cultural life.
Dead on Arrival: The Fate of Australian Film Noir
Publisher: Informa UK Limited
Date: 2010
Essays from the inaugural Screen Studies Association of Australia and Aotearoa New Zealand Conference (2016)
Publisher: Informa UK Limited
Date: 02-01-2018
Transnational television remakes
Publisher: Informa UK Limited
Date: 09-2015
A Personal Matter
Publisher: Palgrave Macmillan
Date: 2012
Related Organisations
Related Funding Activities
New Millennial Remakes: Practice, Poetics, Politics
Start Date: Start date not available
End Date: End date not available
Funder: Australian Research Council
View Funded ActivityMedia Seriality
Start Date: Start date not available
End Date: End date not available
Funder: Australian Research Council
View Funded ActivityBefore And After ACMI: A Case Study In The History Of State Film Centres
Start Date: Start date not available
End Date: End date not available
Funder: Australian Research Council
View Funded ActivityUnderstanding Media Transformation: Seriality In The New Millennium
Start Date: Start date not available
End Date: End date not available
Funder: Australian Research Council
View Funded ActivityGlobal Reception Of Contemporary Cult Cinema
Start Date: Start date not available
End Date: End date not available
Funder: Australian Research Council
View Funded ActivityAustralian International Pictures: International Feature Film Production In Australia, 1946–71
Start Date: Start date not available
End Date: End date not available
Funder: Australian Research Council
View Funded ActivityFilm In The Age Of COVID
Start Date: 2022
End Date: End date not available
Funder: Australian Research Council
View Funded ActivityAdapting Australia: Remaking Australian Literature Across The Creative Arts
Start Date: 2019
End Date: End date not available
Funder: Australian Research Council
View Funded ActivityBefore And After ACMI: The History And Future Of The New Screen Museum
Start Date: Start date not available
End Date: End date not available
Funder: Australian Research Council
View Funded ActivityEvaluating The Past, Present And Future Of The New Screen Museum
Start Date: 2021
End Date: End date not available
Funder: Australian Research Council
View Funded ActivityAustralian International Pictures, 1946–71
Start Date: 2020
End Date: End date not available
Funder: Australian Research Council
View Funded ActivityDiscovery Projects - Grant ID: DP0772733
Start Date: 01-2007
End Date: 07-2010
Amount: $138,216.00
Funder: Australian Research Council
View Funded Activity