ORCID Profile
0000-0002-5832-7853
Current Organisation
University of New South Wales
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Publisher: The Interior Design - Interior Architecture Educators Association
Date: 05-10-2022
Abstract: This essay investigates the creative approaches of how body–space relations can be enhanced in a design studio through the exploration of fantastic spaces. ‘Fantastic’ is defined as an ‘open work’ with reference to modern literature and a ‘fantastic space’ as an inventive ground that is neither real nor unreal, standing as a paraxial region. This essay analyses a first-year design studio on Fantastic Space it considers how the content was explored by students, what they designed, and the erse design approaches that emerged. In the studio, students analysed the spaces and characters of Hayao Miyazaki’s animated film, Spirited Away (2001) and reassembled the narrative of the animation by using architectural tools to prepare two- and three-dimensional representations of their designs. Focusing on body–space relations, the studio employed a critical approach to anthropocentrism and discussed human and non-human agencies within a body–space context. In its pursuit to challenge traditional dynamics of spatial representation, the project encouraged creating experimental works inspired by the unlimited potential interpretations of Miyazaki’s fantastic world. A content analysis of the designs of 156 students using both qualitative and quantitative methods was applied to analyse students’ conceptual and spatialproductions. The analysis reveals three key design strategies to categorise the students’ projects: character-based, space-based, and story-based approaches. The unique and overlapping qualities of these approaches were determined by reviewing the time–space and body–space relationships represented in the students’ projects. In this way, the imaginative, erse re-imaginings of their designs reveal the value of using fantastic spaces to encourage high student engagement and creative studio results.
Publisher: Informa UK Limited
Date: 12-04-2022
Publisher: SAGE Publications
Date: 09-2022
DOI: 10.1111/JOID.12219
Abstract: The sleep environment is considered one of the most private spaces for humans, primarily linked to a home. As the main actant of the sleep environment, a bed is usually associated with a comfortable private space: the bedroom. However, when the sleep environment is outside and visible to the public gaze, its function evolves into an urban role. This essay focuses on “beds” out of place, offering a differentiated recognition of rough sleepers. A rough sleeper's bed, as a symbolic reference to the materials placed in the public space, becomes an active part of urban life, a node where new interactions occur. Together with images of discarded mattresses left for public disposal and juxtaposed with the data based on sleep studies, this essay invokes the tension between the public and private domains of sleep. The visual images represent the discomfort of a publicly exposed bed, narrating the rough sleepers’ experience: sleeping without the benefit of privacy or security.
Publisher: MDPI AG
Date: 02-02-2023
DOI: 10.3390/BUILDINGS13020406
Abstract: The purpose of this study is to evaluate the multi-functional use of the domestic sleep environment (bedroom) and present evidence on outcomes that can be identified. By looking at the sleep environment in a broader context and considering the use of the bedroom space besides sleeping, this research responds to an information gap in sleep studies. A survey with multiple-choice questionnaire items was conducted with 304 participants in Australia to investigate the relationship between occupants’ use of the bedroom space and their sleep habits. We found evidence that today’s bedrooms are used for more than just sleeping, reflecting the respondents’ multi-functional needs. Of the respondents, 60% agreed to have a consistent sleeping routine, while 49% answered they have/might have a sleep problem. The mean hours spent in a sleeping environment are 9.31, while the sleeping mean hours are 7.12. While 40% reported using the bedroom as their living space, 61% said they prefer to use it only for sleep. Age, occupation and the bedroom’s location affect bedroom use and preferences. This study provides an initial inquiry into developing design strategies and understanding on the intertwined relationship between sleep and its environment.
Publisher: Cetus Publishing
Date: 2016
Publisher: Public Library of Science (PLoS)
Date: 13-04-2020
Publisher: MDPI AG
Date: 06-12-2021
DOI: 10.3390/BUILDINGS11120617
Abstract: The COVID-19 global health crisis has spatial implications concerning social isolation to control the spread of the virus. The preventive measures require travelers to stay in mandatory quarantine for 14 days upon arrival from another country. Due to a shortage of government facilities, more hotels have started to function as quarantine facilities. This research focuses on quarantine hotels in Australia, as one of the first countries to implement an international border restriction, to evaluate the spatial needs of users and what see outcomes can be identified. By primarily focusing on hotel users’ well-being during the isolation period, this paper responds to an information gap regarding the quarantine hotel system by providing user opinions on the negative and positive factors affecting their well-being. A survey with multiple-choice and open-ended questionnaire items was conducted with 54 participants to investigate their experiences in quarantine hotels. Among the nine key sources of well-being, the three highest-scored responses were an operable window (4.7), ventilation (4.5), and natural lighting (4.3). Access to the outdoor environment via a balcony or operable window was an acute and fundamental requirement for guests. Additionally, participants mentioned that they are unwilling to return to the hotel where they spent their quarantine, which raises issues regarding the future of hotels.
Publisher: Springer Nature Singapore
Date: 2020
Publisher: No publisher found
Date: 2020
Publisher: Universitas Indonesia, Directorate of Research and Public Service
Date: 30-01-2019
DOI: 10.7454/IN.V2I1.48
Abstract: This article discusses Icelandic installation artist Olafur Eliasson’s approach of the threshold as a productive liminal space rather than as a static boundary between the inside and the outside. Often defined as the physical ision between the interior and the exterior in architecture, the authors argue that by looking at Eliasson’s works in detail, the threshold’s inherent capacity of comprising a dynamic dialogue between inside and outside where one is determined by the other unfolds. This paper proposes that designing the relationships between inside and outside involves subtle renegotiations and redefinitions of conventionalised notions of their boundaries and a resultant emergence of new design strategies. Eliasson designs thresholds in erse ways that he analyses and provokes the spatial associations between inside and outside, interior and exterior. While in Eliasson`s work the categories of inside and outside remain mutually exclusive, they physically co-exist at the same time deliberately refracted, juxtapositioned, connected or confounded in an experimental yet rigorous approach that employs different scales and common characteristics. Seventeen of his works are analysed and grouped into four different threshold design strategies that result in an object, an association, an event and an immersive space.
No related grants have been discovered for Demet Dincer.