ORCID Profile
0000-0003-2017-3091
Current Organisation
University of York
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Publisher: Informa UK Limited
Date: 29-03-2016
Publisher: Palgrave Macmillan UK
Date: 2016
Publisher: Informa UK Limited
Date: 05-02-2018
Publisher: Palgrave Macmillan UK
Date: 2016
Publisher: Equinox Publishing
Date: 02-06-2017
DOI: 10.1558/JWPM.33810
Publisher: University of Illinois Libraries
Date: 05-10-2014
Abstract: This paper investigates the missing link between music and material studies in analyses of everyday music reception. In light of the increasing material fragmentation and heterogeneity of contemporary modes of music consumption, I interrogate how to theorize the materiality of music technologies within everyday interactions with music. Thus, I review accounts on ‘music and everyday life’ before discussing contemporary modes of music consumption. Then I proceed to look at how recent technological changes have contributed in re-configuring questions of materiality in analyses of music reception. Ultimately, the article explores the relationship between in iduals and the technologies they use to listen to music. The multiplicity of material options at in iduals’ disposal accounts for both the presence and diffusion of music within everyday life.
Publisher: SAGE Publications
Date: 19-05-2014
Abstract: This article develops the notion of ‘sound environment’ as a new way of theorizing the relationship between music, audiences and everyday life. The article draws on findings from an empirical case study conducted with young people between the ages of 21 and 32. In focusing on this age range, we consider ‘mundane’ music consumption practices in contrast to the more ‘spectacular’ forms of youth cultural music consumption often documented in academic work. In an age characterized by the increasing omnipresence of music, young people hear or listen to music in various configurations, for ex le, by mobilizing a particular music technology and content or hearing music while shopping in a department store, visiting a friend at home, or travelling in an elevator. Drawing on the concept of the ‘sound environment’, this article looks at variables of space, time and body to explain the contextualization of music in everyday life.
Publisher: Informa UK Limited
Date: 27-05-2021
Publisher: Wiley
Date: 28-02-2021
Publisher: MIT Press - Journals
Date: 12-2016
DOI: 10.1162/LMJ_A_00961
Abstract: This article discusses how the digital age of music technologies has contributed to the transformation of the activities of music listening, highlighting cultural participation in distinct worlds through “adequate music.”
Publisher: Equinox Publishing
Date: 02-06-2017
DOI: 10.1558/JWPM.33590
Publisher: Informa UK Limited
Date: 02-07-2016
Publisher: Palgrave Macmillan UK
Date: 2016
Publisher: Palgrave Macmillan UK
Date: 2016
Publisher: mdwPress / transcript Verlag
Date: 05-11-2021
DOI: 10.14361/9783839456576-003
Abstract: At the turn of the 2020s, music is largely distributed and consumed via streaming services. This new »moment« in recorded music has attracted a lot of attention from scholars, with the aim of identifying the nature of transformations that are occurring at an economic and/or cultural level. This chapter critically assesses scholarly analyses of music production, distribution, and consumption in the age of streaming services. We note that accounts tend to work with specific assumptions underpinning the association between culture and technology, in particular in relation to the democratization of access. We argue in this chapter that music streaming services become a leitmotiv to anchor discourses about what music should ideally be, thus reproducing narratives that predate the emergence of music streaming.
Publisher: Informa UK Limited
Date: 18-05-2015
Publisher: Palgrave Macmillan UK
Date: 2016
Publisher: Palgrave Macmillan UK
Date: 2016
Publisher: Palgrave Macmillan UK
Date: 2016
Publisher: OpenEdition
Date: 30-12-2013
DOI: 10.4000/VOLUME.3808
Publisher: Palgrave Macmillan UK
Date: 2016
Publisher: Informa UK Limited
Date: 26-05-2020
Publisher: International Association for the Study of Popular Music (IASPM)
Date: 10-06-2013
Publisher: University of Illinois Libraries
Date: 05-10-2014
Abstract: This special issue and its range of contributions, from both emerging and established scholars with interests in digital music distribution, provides a particular and novel depth of vision, into both developments in digital music in the time since Napster, and the current issues and discussions in the field. As illustrated by the content of this issue, research is vibrant, drawn from a rich variety of disciplinary orientations, and shows especially the crucial and ongoing importance of music online, internationally and across academic communities.
Publisher: Palgrave Macmillan UK
Date: 2014
Publisher: Informa UK Limited
Date: 21-12-2015
Publisher: Palgrave Macmillan UK
Date: 2016
Publisher: Informa UK Limited
Date: 17-02-2016
Publisher: Informa UK Limited
Date: 13-07-2021
Location: United Kingdom of Great Britain and Northern Ireland
Location: United Kingdom of Great Britain and Northern Ireland
No related grants have been discovered for Raphaël Nowak.