ORCID Profile
0000-0001-5415-0416
Current Organisation
UNSW Sydney
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Publisher: Editora Edgard Blücher
Date: 02-2014
Publisher: Bloomsbury Publishing Plc
Date: 2016
Publisher: Bloomsbury Publishing Plc
Date: 2016
Publisher: Bloomsbury Publishing Plc
Date: 2016
Publisher: Bloomsbury Publishing Plc
Date: 2016
Publisher: Bloomsbury Publishing Plc
Date: 2022
Abstract: Building/Object addresses the space in between the conventional objects of design and the conventional objects of architecture, probing and reassessing the differences between the disciplines of design history and architectural history Each of the 13 chapters in this book examine things which are neither object-like or building-like, but somewhere in between – air conditioning bookshelves partition walls table-monuments TVs convenience stores cars – exposing particular political configurations and resonances that otherwise might be occluded. In doing so, they reveal that the definitions we make of objects in opposition to buildings, architecture in opposition to design, are not as fundamental as they seem. This book brings new aspects of the creative and experiential into our understanding of the human environment.
Publisher: Bloomsbury Publishing Plc
Date: 2016
Publisher: Bloomsbury Publishing Plc
Date: 2016
Publisher: Bloomsbury Publishing Plc
Date: 2016
Publisher: Bloomsbury Publishing Plc
Date: 2016
Publisher: Bloomsbury Publishing Plc
Date: 2016
Publisher: Bloomsbury Publishing Plc
Date: 2016
Publisher: Bloomsbury Publishing Plc
Date: 2016
Publisher: Oxford University Press (OUP)
Date: 28-07-2012
DOI: 10.1093/JDH/EPS024
Publisher: Bloomsbury Publishing Plc
Date: 2016
Publisher: Bloomsbury Publishing Plc
Date: 2016
Publisher: Oxford University Press (OUP)
Date: 22-03-2017
DOI: 10.1093/JDH/EPX007
Publisher: Oxford University Press (OUP)
Date: 03-03-2023
DOI: 10.1093/JDH/EPAC038
Abstract: Decolonial approaches foreground the necessity for design historians to rethink their methodologies and terms of debate to recognize the impact of colonial legacies. Only then is it possible to make changes toward social and cognitive justice. This piece explores new models for working collectively with history and memory across oral registers to include the colloquial and moments of pause, of taking breath. In mid-2020, four design historians teamed up to develop experimental, multimedia methods of working to explore new critical design histories. By using “otherwise” methods to look, listen, and read closely, this piece foregrounds the making of space for new interpretations of thinking and writing. The tensions between memories, stories, and histories are interpreted and challenged using concepts such as breath, voice, palimpsest, circle and rhythm. Exploring translation, opacity, embodiment, positionality, and nonlinearity emerged as crucial to questioning the terms under which design history can be transformed.
No related grants have been discovered for Livia Rezende.