ORCID Profile
0000-0002-5573-2212
Current Organisations
University of New South Wales
,
Griffith University
,
Studio Tomás Saraceno
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Publisher: Springer Science and Business Media LLC
Date: 21-06-2021
Publisher: The Royal Society
Date: 09-2018
Abstract: Spiders are abundantly found in nature and most ecosystems, making up more than 47 000 species. This ecological success is in part due to the exceptional mechanics of the spider web, with its strength, toughness, elasticity and robustness, which originate from its hierarchical structures all the way from sequence design to web architecture. It is a unique ex le in nature of high-performance material design. In particular, to survive in different environments, spiders have optimized and adapted their web architecture by providing housing, protection, and an efficient tool for catching prey. The most studied web in literature is the two-dimensional (2D) orb web, which is composed of radial and spiral threads. However, only 10% of spider species are orb-web weavers, and three-dimensional (3D) webs, such as funnel, sheet or cobwebs, are much more abundant in nature. The complex spatial network and microscale size of silk fibres are significant challenges towards determining the topology of 3D webs, and only a limited number of previous studies have attempted to quantify their structure and properties. Here, we focus on developing an innovative experimental method to directly capture the complete digital 3D spider web architecture with micron scale resolution. We built an automatic segmentation and scanning platform to obtain high-resolution 2D images of in idual cross-sections of the web that were illuminated by a sheet laser. We then developed image processing algorithms to reconstruct the digital 3D fibrous network by analysing the 2D images. This digital network provides a model that contains all of the structural and topological features of the porous regions of a 3D web with high fidelity, and when combined with a mechanical model of silk materials, will allow us to directly simulate and predict the mechanical response of a realistic 3D web under mechanical loads. Our work provides a practical tool to capture the architecture of sophisticated 3D webs, and could lead to studies of the relation between architecture, material and biological functions for numerous 3D spider web applications.
Publisher: Informa UK Limited
Date: 02-01-2022
Publisher: Springer International Publishing
Date: 2019
Publisher: Proceedings of the National Academy of Sciences
Date: 09-08-2021
Abstract: Spiders, silks, and webs have survived and prospered for millions of years, making them an evolutionary success. Learning how spiders used their silks and webs to adapt to environmental pressures have fascinated many fields of research such as biomedicine, biology, and engineering. Because of silk’s nanoscale size and the complex web architecture, little is known about the architecture and mechanics of three-dimensional (3D) spider webs during construction. This work comprehensively investigates the structure, mechanics, and functionality of a 3D spider web under construction, using consistent imaging and computational simulations methods. This work could inspire efficient spider-inspired fabrication sequences or fiber geometries in engineered materials, as demonstrated here for 3D-printed prototype materials.
Publisher: MIT Press
Date: 2020
DOI: 10.1162/COMJ_A_00580
Abstract: Three-dimensional spider webs feature highly intricate fiber architectures, which can be represented via 3-D scanning and modeling. To allow novel interpretations of the key features of a 3-D Cyrtophora citricola spider web, we translate complex 3-D data from the original web model into music, using data sonification. We map the spider web data to audio parameters such as pitch, litude, and envelope. Paired with a visual representation, the resulting audio allows a unique and holistic immersion into the web that can describe features of the 3-D architecture (fiber distance, lengths, connectivity, and overall porosity of the structure) as a function of spatial location in the web. Using granular synthesis, we further develop a method to extract musical building blocks from the sonified web, transforming the original representation of the web data into new musical compositions. We build a new virtual, interactive musical instrument in which the physical 3-D web data are used to generate new variations in sound through exploration of different spatial locations and grain-processing parameters. The transformation of sound from grains to musical arrangements (variations of melody, rhythm, harmony, chords, etc.) is analogous to the natural bottom–up processing of proteins, resembling the design of sequence and higher-level hierarchical protein material organization from elementary chemical building blocks. The tools documented here open possibilities for creating virtual instruments based on spider webs for live performances and art installations, suggesting new possibilities for immersion into spider web data, and for exploring similarities between protein folding, on the one hand, and assembly and musical expression, on the other.
No related grants have been discovered for Ally Bisshop.