ORCID Profile
0000-0001-7454-8659
Current Organisation
KTH Royal Institute of Technology
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Publisher: Informa UK Limited
Date: 10-2020
Publisher: ACM
Date: 14-02-2021
Publisher: ACM
Date: 20-03-2017
Publisher: Informa UK Limited
Date: 14-05-2018
Publisher: MIT Press - Journals
Date: 2021
DOI: 10.1162/LEON_A_01965
Abstract: The article discusses the making of O que vos nunca cuidei a dizer, a gallery work for interactive garment, transducer-based interface and live electronics. A technical description of the work is framed by an account of the creative process, with reference to media archaeological methodology and a discussion of the role of composed instruments in the new paradigms of artistic research.
Publisher: ACM
Date: 19-04-2023
Publisher: ACM
Date: 02-12-2014
Publisher: ACM
Date: 26-02-2023
Publisher: Informa UK Limited
Date: 04-05-2018
Publisher: MDPI AG
Date: 17-07-2022
DOI: 10.3390/MTI6070055
Abstract: Research on Accessible Digital Musical Instruments (ADMIs) has highlighted the need for participatory design methods, i.e., to actively include users as co-designers and informants in the design process. However, very little work has explored how pre-verbal children with Profound and Multiple Disabilities (PMLD) can be involved in such processes. In this paper, we apply in-depth qualitative and mixed methodologies in a case study with four students with PMLD. Using Participatory Design with Proxies (PDwP), we assess how these students can be involved in the customization and evaluation of the design of a multisensory music experience intended for a large-scale ADMI. Results from an experiment focused on communication of musical haptics highlighted the ersity in employed interaction strategies used by the children, accessibility limitations of the current multisensory experience design, and the importance of using a multifaceted variety of qualitative and quantitative methods to arrive at more informed conclusions when applying a design with proxies methodology.
Publisher: ACM Press
Date: 2015
Publisher: MIT Press - Journals
Date: 2021
DOI: 10.1162/LEON_A_02033
Abstract: This position statement describes the transformation of an interactive installation from an instrumental piece of art and science pedagogy into a meaningful performative piece, which forced its creators to adopt a political stance in the light of a period of social unrest taking place in Chile beginning in October 2019. It describes how an apparently nonpartisan installation transitioned into a tool for political expression and refuge. It also allowed the artists to rethink their role in the community as facilitators of art spaces for self-dialogue.
Publisher: BCS Learning & Development
Date: 2018
Publisher: MDPI AG
Date: 03-0002
DOI: 10.3390/MTI2010005
Publisher: Pontificia Universidad Catolica de Chile
Date: 29-08-2019
Publisher: ACM
Date: 19-04-2023
No related grants have been discovered for Claudia Núñez-Pacheco.