ORCID Profile
0000-0002-0253-5135
Current Organisations
Various Theatre Companies & Venues
,
University of Melbourne
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In Research Link Australia (RLA), "Research Topics" refer to ANZSRC FOR and SEO codes. These topics are either sourced from ANZSRC FOR and SEO codes listed in researchers' related grants or generated by a large language model (LLM) based on their publications.
Cultural Studies | Drama, Theatre and Performance Studies | Culture, Gender, Sexuality
Gender and Sexualities | Conserving Intangible Cultural Heritage | The Performing Arts (incl. Theatre and Dance) |
Publisher: Springer International Publishing
Date: 2021
Publisher: Bloomsbury Publishing Plc
Date: 2022
Publisher: Informa UK Limited
Date: 03-04-2023
Publisher: Cambridge University Press (CUP)
Date: 30-08-2011
DOI: 10.1017/S0307883311000447
Abstract: Queer theorists from across a broad range of disciplines argue that we are in a ‘normalizing’ or ‘homonormative’ period, in which marginalized subjectivities strive to align themselves with hegemonic norms. In terms of LGBTQ rights and representation, it can be argued that this has resulted in an increased visibility of ‘desirable’ gays (monogamous – ideally civil-partnered, white, financially independent, able-bodied) and the decreased visibility of ‘undesirable’ gays (the sick, the poor, the non-white, the non-gender-conforming). Focusing specifically on the effects of this hierarchy on the contemporary theatrical representation of gay HIV/AIDS subjectivities, this article looks at two performances, Reza Abdoh's Bogeyman (1991) and Lachlan Philpott's Bison (2009–10). The article argues that HIV/AIDS performance is as urgently necessary today as in the early 1990s, and that a queer dramaturgy, unafraid to resist the lure of normativity or the ‘gaystreaming’ of LGBT representation, is a vital intervention strategy in contemporary (LGBT) theatre.
Publisher: Palgrave Macmillan UK
Date: 2015
Publisher: Informa UK Limited
Date: 02-01-2017
Publisher: Springer International Publishing
Date: 2018
Publisher: Palgrave Macmillan UK
Date: 2016
Publisher: Routledge
Date: 14-03-2019
Publisher: Cambridge University Press (CUP)
Date: 06-02-2015
DOI: 10.1017/S0307883314000601
Abstract: This short piece highlights a current spurt in queer researcher–practitioners doing practice as research (PaR) in higher education and explores potential reasons why PaR is so vital, appealing, useful and strategic for queer research. As a starting point, we offer the idea of messiness and messing things up as a way of describing the methods of PaR. Queer mess is to do with asserting the value and pleasure of formations of knowledge that sit outside long-standing institutional hierarchies of research. The latter places what Robin Nelson calls ‘hard knowledge’ above tacit, quotidian, haptic and embodied knowledge. The methodological and philosophical impulses of PaR make space for a range of research methods inherently bound up with the researcher as an in idual and the materiality of lived experience within research. Yet, in our experience, although each PaR project is in idual, PaR projects follow certain shared modes evolving largely from embodied and heuristic research methods adapted from social sciences, such as (auto)ethnography, participant observation, phenomenology and action research. PaR methodology in theatre and performance is composed of a bricolage of these openly embodied methods, which makes PaR, as an embodied resistance to sanitary boundaries, somewhat queer in academic terms already. It is unsurprising, then, that PaR is so attractive to queer practitioner–researchers bent on queering normative hierarchies of knowledge.
Publisher: Cambridge University Press (CUP)
Date: 06-02-2015
DOI: 10.1017/S030788331400056X
Abstract: The Queer Futures working group had its first formal meeting at the International Federation for Theatre Research's annual conference at Ludwig Maximilian University of Munich in 2010. That year those gathered decided on our group's name, mindful of queer theory's temporal turn, but more fundamentally hoping it would signal a commitment to fostering queer research within IFTR for years to come. While some of us working on queer theatre and performance projects had found supportive homes in other working groups in the past, there was a sense among the founding members that a working group specifically dedicated to queer research was long overdue, in order to adequately respond to the range and complexity of queer practices, theories and methods that we found ourselves grappling with. Although we were aware of a sense within certain sectors of the academy that queer theory's moment had passed, this was not entirely consistent with our personal and political beliefs, or scholarly pursuits. This conviction has since been vindicated by the growth and activity of the group.
Publisher: Springer International Publishing
Date: 2018
Publisher: Intellect
Date: 14-12-2011
Abstract: Adopting and adapting musicology's use of affect theories, specifically Jeremy Gilbert's idea of an 'affective analysis' and David Epstein's idea of 'shaping affect', this article looks at Martin Crimp's Attempts on Her Life from a practitioner's perspective. It investigates the challenges and benefits of adopting an 'affective approach' to directing recent theatre texts that stress the musicality and corporeality of language along with, and at times above, its signifying roles. Rather than locating Aristotelian dramatic climaxes based on narratological or characterological progression, an affective approach seeks to identify moments of affective intensity, which produce a different sort of impact by working on a 'body-first' methodology, rather than the directly cerebral. That this embodied impact is not ultimately meaningless is one of affect theory's most vital assertions. This approach has resonance in terms of how directors, performers and critics/theorists approach work of this type.
Publisher: Springer International Publishing
Date: 2018
Publisher: Springer International Publishing
Date: 2018
Publisher: Informa UK Limited
Date: 14-03-2023
Location: United Kingdom of Great Britain and Northern Ireland
Location: United Kingdom of Great Britain and Northern Ireland
Location: United Kingdom of Great Britain and Northern Ireland
Location: United Kingdom of Great Britain and Northern Ireland
Location: United Kingdom of Great Britain and Northern Ireland
Location: United Kingdom of Great Britain and Northern Ireland
Start Date: 05-2020
End Date: 12-2024
Amount: $249,678.00
Funder: Australian Research Council
View Funded Activity