Maryrose Casey

Coranderrk: We Will Show the Country

Publisher: Informa UK Limited

Date: 04-05-2015

DOI: 10.1080/1031461X.2015.1040581

Tales still to be told

Publisher: Peter Lang CH

Date: 21-07-2011

DOI: 10.3726/978-3-0351-0251-2

The Doll's Revolution: Australian Theatre and Cultural Imagination. By Rachel Fensham and Denise Varney, with Maryrose Casey and Laura Ginters. Melbourne: Australian Scholarly Publishing, 2005. Pp. ix + 415 + illus. AUD$39.95 Pb

Publisher: Cambridge University Press (CUP)

Date: 10-2006

DOI: 10.1017/S0307883306252416

The great Australian silence

Publisher: Palgrave Macmillan UK

Date: 2015

DOI: 10.1057/9781137362308

Aboriginal Performance as war by other means in the nineteenth century

Publisher: Queensland University of Technology

Date: 06-2015

DOI: 10.5204/IJCIS.V8I2.123

Abstract: Commercial performances for entertainment are usually assumed to be lightweight, cultural activities that serve little or no serious purpose. Perhaps because of this typical perspective, prior to the mid-twentieth century, Indigenous Australian performances drawing on their cultural practices for entertainment are often styled as either the result of oppressive exploitation by colonisers or cultural tourism. However, an examination of Indigenous Australian initiated and controlled performances, for entertainment in the nineteenth century, reveals a more complicated picture. In Australia, across the nineteenth century and well into the twentieth, Aboriginal people and the colonisers actively fought for physical, psychological and emotional sovereignty of the land through thousands of performances for entertainment purposes. This might be expected given that Australian Aboriginal cultures are probably the most performance-based in the world—in the sense that explicit, choreographed performances were used for a vast range of social and cultural purposes from education, through to spiritual practices, arranging marriage alliances, to judicial and diplomatic functions. What might be less expected, considering the dominant power position, are the multiple ways in which the white audiences attempted to intrude, interrupt and inhabit these performances. The Aboriginal performers displayed their strength, vitality, high status and continued survival literally in the face of the colonisers and charged them a fee to observe. In response, white audiences both desired these performances and acted in ways to prevent them, often taking over the performance space and bringing events to a quick finish, while complaining that the show did not go on. The battle continued in white performances of Aboriginal practices and the ways in which Aboriginal performance was documented. In the twenty-first century, Aboriginal sportsmen who display their pride in their Aboriginality and opposition to racism continue to negotiate the same fight for space.

Colour, movement and jostling in public

Publisher: Informa UK Limited

Date: 2006

DOI: 10.1080/14443050609388087

Nuwhju and the Archive

Publisher: Bloomsbury Publishing Plc

Date: 2020

DOI: 10.5040/9781350034327.0013

O discurso das Tidda

Publisher: Universidade do Estado de Santa Catarina

Date: 29-01-2013

DOI: 10.5965/1414573102212013192

Telling Stories: Aboriginal Australian and Torres Strait Islander Performance. By Maryrose Casey. Melbourne: Australian Scholarly Publishing, 2012. Pp. xiii + 183 + 8 illus. AU$39.95 Pb.

Publisher: Cambridge University Press (CUP)

Date: 04-06-2014

DOI: 10.1017/S0307883314000169

Creating Frames: Contemporary Indigenous Theatre. By Maryrose Casey. Brisbane: Queensland University Press, 2004. Pp. xxvii + 372. AUS $29.95

Publisher: Cambridge University Press (CUP)

Date: 03-1999

DOI: 10.1017/S0307883304340897

The challenges of benevolence

Publisher: Informa UK Limited

Date: 2005

DOI: 10.1080/14443050509388019

Colonists, settlers and aboriginal Australian war cries: Cultural performance and economic exchange

Publisher: Informa UK Limited

Date: 04-2013

DOI: 10.1080/13528165.2013.807169

Laughter and Trauma: Making Sense of Colonial Violence

Publisher: Intellect

Date: 07-2013

DOI: 10.1386/PEET.4.1.9_1

Referendums and reconciliation marches: What bridges are we crossing?

Publisher: Informa UK Limited

Date: 2006

DOI: 10.1080/14443050609388099

Monash University

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University Of Queensland

Location: Australia

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Flinders University

Location: Australia

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La Trobe University

Location: Australia

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Monash University

Location: Australia

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Latrobe University

Location: Australia

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Performing Indigenous Sovereignty: Aboriginal Australian Commercial Performances 1800-1949’

Start Date: 2010

End Date: 2012

Funder: Australian Research Council

Quandamooka Aboriginal Women On The Colonial Frontier In The Nineteenth Century

Start Date: Start date not available

End Date: 2019

Funder: Australian Research Council

Visualising Venues In Australian Live Performance Research

Start Date: 2017

End Date: 2017

Funder: Australian Research Council

AusStage, Phase 5: Australian Live Performance And The World - Global Networks, National Culture, Aesthetic Transmission

Start Date: 2014

End Date: 2014

Funder: Australian Research Council

Discovery Projects - Grant ID: DP0557272

Start Date: 2005

End Date: 12-2007

Amount: $218,000.00

Funder: Australian Research Council

Discovery Projects - Grant ID: DP1093266

Start Date: 2010

End Date: 05-2013

Amount: $155,000.00

Funder: Australian Research Council

ARC Future Fellowships - Grant ID: FT110100019

Start Date: 05-2012

End Date: 10-2016

Amount: $586,482.00

Funder: Australian Research Council

Discovery Projects - Grant ID: DP170101185

Start Date: 02-2017

End Date: 12-2023

Amount: $357,000.00

Funder: Australian Research Council

Linkage Infrastructure, Equipment And Facilities - Grant ID: LE0775527

Start Date: 2007

End Date: 12-2008

Amount: $300,000.00

Funder: Australian Research Council

Linkage Infrastructure, Equipment And Facilities - Grant ID: LE100100028

Start Date: 2010

End Date: 12-2013

Amount: $650,000.00

Funder: Australian Research Council

Linkage Infrastructure, Equipment And Facilities - Grant ID: LE170100003

Start Date: 05-2017

End Date: 12-2018

Amount: $465,000.00

Funder: Australian Research Council

Linkage Infrastructure, Equipment And Facilities - Grant ID: LE210100007

Start Date: 07-2021

End Date: 12-2023

Amount: $566,523.00

Funder: Australian Research Council

Linkage Infrastructure, Equipment And Facilities - Grant ID: LE140100024

Start Date: 06-2014

End Date: 12-2017

Amount: $325,000.00

Funder: Australian Research Council