ORCID Profile
0000-0002-3009-1471
Current Organisation
Universitas Padjadjaran
Does something not look right? The information on this page has been harvested from data sources that may not be up to date. We continue to work with information providers to improve coverage and quality. To report an issue, use the Feedback Form.
Publisher: Institute of Research and Community Services Diponegoro University (LPPM UNDIP)
Date: 09-12-2019
DOI: 10.14710/HUMANIKA.V26I2.23940
Abstract: Artikel ini berjudul representasi drag queen pada tokoh ambu dalam upacara adat mapag panganten Sunda. Artikel ini membicarakan bagaimana tubuh laki-laki men ilkan diri sebagai perempuan dalam sosok tokoh ambu dit ilkan dalam upacara adat mapag panganten Sunda dan bagaimana praktik drag queen dalam upacara adat mapag panganten mewujud dalam berbagai sosok tokoh ambu. Praktik ini juga dapat diargumentasikan sebagai upaya mengekspresikan hasrat gender non-normatif para pelaku ambu. Metode yang digunakan dalam penelitian ini adalah metode deskriptif melalui pendekatan kualitatif terhadap lima pelaku ambu. Pengumpulan data dilakukan dengan teknik observasi, wawancara, studi literatur dan dokumentasi. Penelitian ini berargumentasi bahwa tokoh ambu yang dimanifestasi oleh tubuh laki-laki men ilkan bentuk-bentuk ekspresi gender yang lebih beragam dan melintasi konstruksi gender yang normatif. Selain itu, penelitian ini juga mengkategorisasi wujud tokoh ambu dalam upacara adat mapag panganten dalam tiga kelompok: karakter cantik, karakter nenek-nenek dan karakter fantasi. Kata kunci : Drag queen upacara adat pelaku ambu
Publisher: SAGE Publications
Date: 07-2021
DOI: 10.1177/21582440211032660
Abstract: Situated in popular culture, celebrity auto/biography becomes both space and instrument for self-representation that illuminates the issues of public rivate, global/local, normative/disruptive, and fact/fiction dichotomies. This article works on five auto/biographies of Indonesian female celebrities published in the 2000s, namely, Lenny Marlina, Krisdayanti, Tiara Lestari, Yuni Shara, and Dorce Gamalama. By conducting a close reading of the texts and how the celebrities present their lives, the article seeks to argue that the auto/biographies represent the complexity of Indonesian celebrity femininities that are culturally intertwined. The article also shows that the auto/biographies contribute to establishing their celebrity status and how they present their lives as exemplary. Finally, this study aims at contributing to the understanding of how celebrity auto/biographies complicate the notion of the feminine within Indonesian celebrity culture.
Publisher: Balai Bahasa Jawa Timur
Date: 30-12-2017
DOI: 10.24257/ATAVISME.V20I2.391.123-137
Abstract: This research aims at conyeving the representation of monstrous feminine in novel Mantra Lilith by Hendri Yulius (2017). The issue discussed is how the representation of monstrous feminine in Mantra Lilith. The theory used in this research is the monstrous feminine theory proposed by Creed (2003) and the abject theory of Kristeva (1982). This research used analytical descriptive method. The data from the novel is described to obtain an overview of the representation of monstrous feminine. The results show that female sexuality is a monstrous that it is represented as a snake in a novel narrative. Monstrosity is also constructed to two mother figures who refused to live in the confines of patriarchal ideology by choosing to be widows. In addition, the representation of monstrous feminine is presented through allusion to stories that have been known before such as the stories of Red Riding Hood, Timun Mas, and The Little Mermaid
Publisher: Informa UK Limited
Date: 02-10-2017
Publisher: Universitas Negeri Semarang
Date: 23-04-2019
DOI: 10.15294/KOMUNITAS.V11I1.18478
Abstract: The article aims to describe the process of commodification of the Malangese Mask Wayang Art at Asmorobangun Art Center, Pakisaji Sub-district, Malang, Indonesia. Asmorobangun Art Center is one of the surviving art centers engaged in the efforts to preserve and develop the Malangese mask wayang art. The data used in this qualitative study were collected by means of interview, observation, and examination of relevant documents. The results show that the process of commodification of the Malangese mask wayang art manifests in three practices namely the gebyak senin-legian mask wayang performances, art tourism packaging, and mask production. Commodification has transformed the art into commodities roducts that are part of the local tourism industry.
Publisher: Balai Bahasa Bali
Date: 03-01-2021
DOI: 10.29255/AKSARA.V32I2.421.191-208
Abstract: Abstrak Artikel ini membahas dua cerita pendek, yakni Hair Jewellery karya Margaret Atwood dan The Blush karya Elizabeth Taylor. Kedua cerpen menunjukkan bagaimana tokoh perempuan menegosiasi dan mengupayakan subjektivitasnya dalam suatu konteks kultural dan sosial tertentu. Penelitian ini bertujuan untuk menunjukkan bagaimana subjektivitas perempuan dit ilkan melalui deskripsi fisik tokoh utama, perilaku serta pandangan tokoh tersebut terhadap dirinya, serta bagaimana tokoh mempersepsi tubuh dalam membentuk subjektivitasnya di dalam konteks budaya yang berkelindan. Dengan berfokus pada isu tubuh dan penubuhan para tokoh perempuan, isu kelas, relasi personal para tokoh perempuan, serta bagaimana mereka melakukan perlintasan yang terus-menerus antara ranah domestik dan publik, artikel ini berargumentasi bahwa kedua cerpen men ilkan tokoh perempuan yang berusaha merangkul dan membangun subjektivitas perempuan yang feminin dan feminis. Kedua cerpen men ilkan berbagai bentuk subjektivitas yang tidak ajek dan senantiasa berproses. Subjektivitas juga digambarkan berimplikasi kepatuhan, penolakan, dan transgresi terhadap norma gender. Kata kunci: cerpen, perempuan, subjektivitas, Elizabeth Taylor, Margaret Atwood Abstract This article examines two short stories, namely Hair Jewellery by Margaret Atwood and The Blush by Elizabeth Taylor. The two stories show how the female characters negotiate and develop their subjectivities within a certain cultural and social context. The article aims to elaborate on how woman’s subjectivity is presented through the physical descriptions of the main characters, their attitude and behavior toward themselves, and how their perception of how their body contributes to the formation of their subjectivity within a cultural and social context. By focusing on the issues of woman’s body and embodiment, the female characters’ personal relations, and the continuous traversion between domestic and public spheres, the article argues that both stories present women who strive to embrace and develop feminine and feminist woman’s subjectivity. Both stories present a varied forms of subjectivity, all of which is not fixed and is always in-process. Subjectivity is also portrayed to imply different degrees of acceptance, rejection, and transgression of gender norms. Keywords: short stories, women, subjectivity, Elizabeth Taylor, Margaret Atwood
Publisher: Hipatia Press
Date: 21-06-2020
Abstract: The global metal scene has long provided narratives and methods for solving issues of masculinities since in their particular environment in the music industry, and they are generally considered masculine. This article explores the stereotypical construction of masculinities in the Bandung metal music scene. This analysis based on in-depth interviews with Bandung professional metal male musicians who are aged 39-44 years old and are married. This investigation examines how these metal musicians negotiate alternative masculinities in various contexts, taking into account the predominantly Muslim culture in Indonesia. Using an ethnographic approach and borrowing from Millett's concepts of temperament, role, and status, this paper argues that metal music, which is generally considered hypermasculine, does not display the same construction in their performing their functions in the family. Through their roles as breadwinner, musicians maintain normative Indonesian masculinity, as well as fulfilling their responsibility to their family. However, they negotiate equity in the private space, which regards household labor ision, childcare, and sharing of income. This paper argues that to some extent, musicians in the metal music scene in Bandung provide a role model of masculinity that is more gender-sensitive and egalitarian.
No related grants have been discovered for Aquarini Priyatna.