ORCID Profile
0000-0001-9147-3310
Current Organisation
Universiteit Utrecht
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Publisher: Performance Studies international
Date: 31-12-2021
DOI: 10.33303/GPSV4N2A2
Publisher: Informa UK Limited
Date: 03-07-2019
Publisher: Informa UK Limited
Date: 12-2011
Publisher: Performance Philosophy
Date: 31-01-2017
Abstract: This editorial introduces Vol 2 No 2 of�Performance Philosophy.
Publisher: Routledge
Date: 21-11-2019
Publisher: Performance Philosophy
Date: 25-06-2017
Abstract: A brief introduction to Performance Philosophy Vol 3, No 1 (2017)
Publisher: MIT Press - Journals
Date: 12-2016
DOI: 10.1162/DRAM_R_00603
Publisher: Project MUSE
Date: 2012
Publisher: MIT Press - Journals
Date: 03-2015
DOI: 10.1162/DRAM_R_00442
Publisher: Informa UK Limited
Date: 03-09-2015
Publisher: Informa UK Limited
Date: 02-2013
Publisher: Performance Philosophy
Date: 30-11-2019
Abstract: This editorial introduces this special issue on the thresholds, borders, and dialogues between Hannah Arendt’s work and performance philosophy, bringing together contributions that investigate political resistance, thought, and practice. Arendt’s relevance to our times is ubiquitous: from the near constant citation of The Origins of Totalitarianism in relation to the recent rise in strong-man politics and resurgent ethnic nationalism, to her diagnosis of the plight of refugees, denied even the rights belonging to those that have broken the law, but instead placed outside the law. Contemporary political philosophy also bears numerous influences, in the thinking of Mouffe, Rancière, Nancy, Agamben, Brown, Butler, and more. For performance philosophy, we might engage with Arendt’s performative notion of politics itself, as exemplified in her idea of ‘spaces of appearance’, but also the performativity of thought, as well as the implications of Arendt’s work for phenomenology, governmentality, rights, and ecology. Contributors to this special issue also think through the relevance of Arendt’s work for an anti-colonial and anti-racist political praxis, and for post and non-human political ethics, judgment, and thinking.
Publisher: Informa UK Limited
Date: 08-2012
Publisher: Informa UK Limited
Date: 02-07-2020
Publisher: Performance Philosophy
Date: 30-08-2018
Abstract: The ubiquity of "crisis" and its sheer pervasiveness as a description of the contemporary world means that we do not so much write about crisis as much as we write from crisis. What type of thought is possible within crisis? If crisis extends to thought itself, insofar as we find ourselves in a crisis of thought (i.e., the crisis of not being able to think beyond the crisis of thought), then what kind of thinking is possible anymore? These are the questions raised by this special issue of Performance Philosophy, introduced here by the issue's co-editors.
Publisher: Palgrave Macmillan UK
Date: 2017
Publisher: Informa UK Limited
Date: 08-2010
Publisher: Informa UK Limited
Date: 03-04-2014
Publisher: Informa UK Limited
Date: 06-11-2020
Publisher: Performance Philosophy
Date: 13-06-2022
Abstract: This is the editorial for Performance Philosophy 7(2) (2022)
Publisher: Performance Philosophy
Date: 30-08-2018
Abstract: This collectively authored article is a curated response to a set of questions (or fragments of questions) derived from a year-long collaboration focused on the figure of the refugee. Delivered through mixed-media, the responses cover a vast range of territory, from the relation between refugees and global capitalism to the reign of bio- and necro-politics, from analytical philosophies of naming to continental philosophies of territorialized flows, and from conceptual mappings of interstitial space to concrete mappings of “refugee” movements across the globe.While the article addresses many different questions, the authors are concerned primarily with the following: How can performance philosophy conceptualize “crisis” in its methods and subjects of study? How is crisis organized, delivered and received in thought and performance? The form our response has taken is one of arranged fragments that speak to the “trailing off” of thought that so frequently occurs when faced with “big ideas.” Meanwhile, the content delivers multiple theses on the ways performance philosophy scholarship might grapple with the figure of the refugee, a figure that will surely dominate ethical discussions for years to come.
Publisher: Informa UK Limited
Date: 02-01-2014
Publisher: Informa UK Limited
Date: 04-2013
Publisher: Cambridge University Press (CUP)
Date: 15-04-2019
Publisher: Informa UK Limited
Date: 03-09-2015
Publisher: Informa UK Limited
Date: 17-02-2018
Publisher: Performance Philosophy
Date: 29-07-2016
Abstract: This editorial introduces Volume 2, Issue 1 of Performance Philosophy, including articles that respond to an open call for submissions and the introduction of a new section, [Margins], that supports�creative, non-standard approaches to the manifold relationships that may arise out of the conjunction between performance and philosophy.
Publisher: Informa UK Limited
Date: 04-07-2018
Publisher: SAGE Publications
Date: 20-10-2021
Abstract: This article brings into relation critical perspectives and practical tactics from a range of different fields—performance studies, visual art practice, pedagogy and educational theory, and activism and community organising—in order to create some space for re-imagining what might be possible within the dynamics of the Higher Education classroom. It proceeds through a series of speculative modes: ‘what if we think of the classroom as a market?’, which for many is the currently dominant metaphor under neoliberalist economies ‘what if we think of the work of art as a classroom?’, which traces the recent ‘pedagogical’ or ‘educational’ turn in visual art practice and finally, ‘what if we think of the classroom as a work of art?’, in which the creative impulses and tactics drawn from performance practices, activism and community organising, and socially engaged art are speculatively applied to the arts and humanities classroom.
Publisher: Performance Philosophy
Date: 10-04-2015
Abstract: If the philosopher has an analogue in the theatre, perhaps it is not with the performer, the one who shows, but with the stage-hand, the one who sets the stage. This is not, as some might argue, because the stage-hand has some special access to what is behind-the-scenes, or because she knows that what is on-stage is only illusion. The stage-hand’s work is not hidden. It is exactly the opposite: the work is there for all to see. It is because it is there that all can see. It is the work that makes the seeing possible.
Publisher: Cambridge University Press (CUP)
Date: 16-01-2019
Location: United Kingdom of Great Britain and Northern Ireland
Location: United Kingdom of Great Britain and Northern Ireland
No related grants have been discovered for Theron Schmidt.