ORCID Profile
0000-0002-9290-5004
Current Organisation
Flinders University
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In Research Link Australia (RLA), "Research Topics" refer to ANZSRC FOR and SEO codes. These topics are either sourced from ANZSRC FOR and SEO codes listed in researchers' related grants or generated by a large language model (LLM) based on their publications.
Literary Studies | Australian Literature (excl. Aboriginal and Torres Strait Islander Literature) | Aboriginal and Torres Strait Islander Literature | Organisation of Information and Knowledge Resources | Film and Television | Interorganisational Information Systems and Web Services | Aboriginal and Torres Strait Islander Performing Arts
Understanding Australia's Past | Languages and Literature | Electronic Information Storage and Retrieval Services | Library and related information services | Information Processing Services (incl. Data Entry and Capture) |
Publisher: Project MUSE
Date: 2014
Publisher: Informa UK Limited
Date: 05-12-2017
Publisher: Informa UK Limited
Date: 04-2013
Publisher: Springer International Publishing
Date: 2019
Publisher: Routledge
Date: 26-10-2024
Publisher: Informa UK Limited
Date: 02-10-2017
Publisher: Informa UK Limited
Date: 17-12-2019
Publisher: Informa UK Limited
Date: 04-2013
Publisher: Palgrave Macmillan UK
Date: 2016
Publisher: Informa UK Limited
Date: 2006
Publisher: Informa UK Limited
Date: 04-05-2022
Publisher: Informa UK Limited
Date: 2002
Publisher: Routledge
Date: 11-05-2018
Publisher: University of Technology, Sydney (UTS)
Date: 1970
Abstract: A review of Bob Hodge and John O'Carroll, Borderwork in Multicultural Australia (Allen and Unwin, Sydney, 2006).
Publisher: Routledge
Date: 13-01-2022
Publisher: Wiley
Date: 24-12-2010
DOI: 10.1002/9781444337815.WBEOTNL003
Abstract: “Life writing” is an inclusive term used to describe the multitude of ways people construct “true” stories about their lives and/or the lives of others. The term is often used interchangeably with “life narrative,” “autobiography,” “auto/biography,” “autobiographical fiction,” “biography,” “memoir,” and “first‐person media.” There are distinct differences between these alternative terms—particularly as they represent erse subgenres and movements within what has been historically known as “autobiography.” Though the term “life writing” has been in use since the eighteenth century, it has gained currency in recent times as an umbrella term to represent all forms of nonfictional life‐story telling (Jolly Smith and Watson, 2001). Life writing attempts to circumvent problems associated with the term autobiography—which has historically been associated with an exclusive genre of writing—dominated by portraits of “great men.” Alternative terms such as “memoir” attempted to broaden and reshape the field—to promote life stories that had been excluded by the limits of autobiography. Life writing proposes to broaden the parameters of life and self‐representation even further, to promote a greater inclusive‐ness, and to provide a site for the cross‐examination of an expansive set of life‐story texts. Life writing considers the multitude of ways that people narrate their lives and the lives of others, in light of the texts and technologies people use to record these lives. Thus the term “life writing” has come to encompass texts other than written texts—oral testimony, artifacts, visual texts (photography, film, on‐line media), and so on (Jolly, ix).
Publisher: Informa UK Limited
Date: 05-12-2017
Publisher: Routledge
Date: 07-12-2018
Publisher: Oxford University Press
Date: 26-07-2022
DOI: 10.1093/OBO/9780199791231-0263
Abstract: “Autobiography” derives from the Greek terms autos (self), bios (life), and graphein (writing), and is most commonly understood as a cultural text in which a person represents their own life. The practice has long been associated with the written word: well-known, published books in which significant people record their remarkable lives. Traditionally, autobiography has been characterized by so-called “great men,” usually white and European, recounting their lives as they approach their later years. However, cultural change in the late twentieth and early twenty-first centuries—particularly second-wave feminism, decolonization, globalization, the rise of technology, and mass and digital media—have changed “self-life-writing” radically. The development of alternative types of first-person and life storying, including memoir, documentary, reality television, blogs, vlogs, and erse and ever-emerging forms of social media (e.g., YouTube, Instagram, and TikTok), has consistently brought new voices and subjects into the public sphere. Life narration, in its various forms, has become a erse, global genre. It is now steeped in the various written and oral traditions in which people have told stories about their lives for thousands of years and across myriad locations. The terms “autobiography,” “life writing,” and “life narrative” have become umbrella descriptors for the plethora of ways in which people of all ages, cultures, and locations represent themselves, their lives, or the lives of others on a daily basis. Childhood is, unsurprisingly, a common theme within autobiography. Childhood is where life begins, and autobiographies of childhood have brought a greater understanding of the erse ways in which people experience childhood.
Publisher: Australasian Association of Writing Programs
Date: 30-10-2019
DOI: 10.52086/001C.25401
Publisher: Australian Literary Studies
Date: 05-2006
Publisher: Informa UK Limited
Date: 17-12-2019
Publisher: Informa UK Limited
Date: 16-07-2020
Publisher: Project MUSE
Date: 2001
Publisher: Informa UK Limited
Date: 03-07-2017
Publisher: Palgrave Macmillan UK
Date: 2014
Publisher: Palgrave Macmillan UK
Date: 2016
Publisher: SAGE Publications
Date: 08-03-2018
Abstract: This article considers our experiences teaching a hybrid literature/creative writing subject called “Life Writing.” We consider the value of literature students engaging in creative writing practice—in this instance, the nonfiction subgenre of life writing—as part of their critical literary studies. We argue that in practicing life writing, our literature students are exposed to and gain wider perspective on the practical, critical, creative, and ethical issues that arise from working with literary texts. Such an approach is not with risk. As we discuss in this article, life writing texts can often narrate difficult or traumatic material. However, we want to show how life writing, with its particular focus on actual lives and lived experience, creates a particularly conducive ethical, intellectual, and creative space for learning about and practicing writing.
Publisher: Palgrave Macmillan UK
Date: 2016
Publisher: SAGE Publications
Date: 29-10-2016
Abstract: This article brings recent debates in literary studies regarding the practice of close reading into conversation with Derek Attridge’s idea of ‘readerly hospitality’ (2004) to diagnose the problem of students in undergraduate literary studies programme not completing set reading. We argue that the method of close reading depends on encouraging students to foster positive affective responses towards difficulty – semiotic, emotional and intellectual. Drawing on trials of teaching methods in literary studies’ classrooms in four universities in Australia, we suggest that introducing students to the concept of ‘readerly hospitality’ – rather than assuming an appreciation of difficulty – can better prepare students for the encounters they will have in set literary texts and strengthen the effectiveness of classroom teaching.
Publisher: Informa UK Limited
Date: 16-07-2018
Publisher: Palgrave Macmillan UK
Date: 2016
Publisher: Informa UK Limited
Date: 25-04-2017
Publisher: Palgrave Macmillan UK
Date: 2016
Publisher: Informa UK Limited
Date: 04-2008
Publisher: Palgrave Macmillan UK
Date: 2016
Publisher: Palgrave Macmillan UK
Date: 2016
Publisher: Informa UK Limited
Date: 2006
Publisher: Informa UK Limited
Date: 02-01-2020
Publisher: SAGE Publications
Date: 11-07-2020
Abstract: There have recently been a series of high-profile media controversies around inappropriate selfies taken by young self-portraitists at trauma memorial sites. Popular media critiques propose that the selfie is a self-centred and disrespectful response to traumatic histories. In this article, I consider such selfies in light of cultural shifts in second-person witnessing. I propose that these selfies prompt a rethink for theorists of witnessing. What can we learn from these selfies regarding the ways that young people, mobile technologies and social media are impacting the way people may respond to communal traumas?
Publisher: Project MUSE
Date: 2013
Publisher: Informa UK Limited
Date: 02-03-0016
Publisher: Palgrave Macmillan UK
Date: 2016
Publisher: Palgrave Macmillan UK
Date: 2016
Publisher: Palgrave Macmillan UK
Date: 2016
Publisher: Informa UK Limited
Date: 02-01-2018
Publisher: Routledge
Date: 03-06-2019
Publisher: Informa UK Limited
Date: 29-09-2015
Publisher: Informa UK Limited
Date: 30-11-2022
Publisher: Informa UK Limited
Date: 03-07-2015
Publisher: Palgrave Macmillan UK
Date: 2014
Publisher: Informa UK Limited
Date: 16-10-2018
Publisher: Routledge
Date: 03-06-2019
Start Date: 06-2010
End Date: 09-2011
Amount: $520,000.00
Funder: Australian Research Council
View Funded ActivityStart Date: 05-2012
End Date: 05-2013
Amount: $270,000.00
Funder: Australian Research Council
View Funded ActivityStart Date: 2013
End Date: 06-2017
Amount: $645,000.00
Funder: Australian Research Council
View Funded ActivityStart Date: 2011
End Date: 12-2012
Amount: $600,000.00
Funder: Australian Research Council
View Funded Activity