ORCID Profile
0000-0001-6855-645X
Current Organisation
Griffith University
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Social and Cultural Geography | Human Geography
Publisher: Informa UK Limited
Date: 26-06-2022
Publisher: Springer Singapore
Date: 2019
Publisher: Routledge
Date: 23-07-2019
Publisher: SAGE Publications
Date: 12-04-2023
DOI: 10.1177/23996544231157254
Abstract: ‘Border hotels’ have come to prominence during the COVID-19 pandemic as spaces of detention and quarantine. Despite the longer history of using hotels for immigrant detention, efforts to contain outbreaks have led to the proliferation of hotels used for border governance. Ad hoc quarantine facilities have been set up around the world acting as choke points for mobility. The use of hotels as sites of detention has also gained significant attention, with pandemic related restrictions impacting on access to services for detained refugees and asylum seekers. Inhumane conditions and mobilisations against these conditions have recently received substantial media coverage. This symposium initiates a discussion about ‘border hotels’, closely engaging with these developments. Contributors document the shifting infrastructures of the border, and explore how these sites are experienced and resisted. They draw attention to ergent experiences of immobility, belonging, exclusion, and intersections of detention and quarantine. In exploring different - and controversial - aspects of ‘border hotels’, this symposium theorises modalities of governance implemented through hotels. Following in the footsteps of the ‘hotel geopolitics’ agenda (Fregonese and Ramadan 2015) it illustrates how hotels become integrated into border regimes. In doing so, it contributes to debates on the material and infrastructural dimensions of bordering practices and specifically to the literature on carceral geographies, polymorphic bordering and the politics of mobility.
Publisher: Informa UK Limited
Date: 26-11-2022
Publisher: Informa UK Limited
Date: 08-05-2022
Publisher: Elsevier BV
Date: 11-2019
Publisher: Springer Nature Switzerland
Date: 27-10-2024
Publisher: Wiley
Date: 07-2021
Publisher: Informa UK Limited
Date: 23-09-2020
Publisher: SAGE Publications
Date: 27-05-2021
DOI: 10.1177/14687976211019906
Abstract: Air travel has been an integral part of contemporary tourism, but has been relatively under explored in terms of how it is visualised and represented as part of tourism experiences. This paper explores how the seemingly banal aspects of tourism – such as time spent waiting or transiting – are captured and represented through tourist photography. Reflecting on the process of creating a participatory artwork project, I show how tourists capture their interactions and experiences with an array of transit spaces that play a significant part of the journey. A participatory and creative methodology was employed that invited tourists to share photographs for public exhibitions. The paper explores how the photographs contributed to the artwork offer counter representations of high-speed and glamourized air travel, instead revealing a nuanced, mundane aesthetics of tourist photography and experiences of time spent in transit.
Publisher: Informa UK Limited
Date: 06-12-2022
Publisher: Springer International Publishing
Date: 2021
Publisher: Informa UK Limited
Date: 02-11-2015
Publisher: SAGE Publications
Date: 08-06-2023
Publisher: Informa UK Limited
Date: 25-09-2023
Publisher: Informa UK Limited
Date: 18-05-2023
Publisher: Cognizant, LLC
Date: 22-07-2016
DOI: 10.3727/108354216X14600320851776
Abstract: Tourists are presented with a range of material and interpersonal interactions that often develop into collaborative and creative modes of knowledge production. There is a current push to acknowledge processes and experiences as forged through material relations, for which tourism processes present a range of ex les. This article advocates that the study of tourism needs to take a postdisciplinary approach that merges practice and theory, using the process of packing a bag as the primary ex le. A rethinking of material relations presents affirmative, global, and nomadic encounters for a multitude of actors and situations. In the rigorous, daily process of packing, objects are transformed into fluid, malleable forms—as a mass of material that is being collaboratively negotiated. In this way, materially driven processes open up collective experiences that offer methods of creative knowledge production. Drawing on interviews and photographic documentation of tourists packing, this article demonstrates the potential for postdisciplinarity research that examines possibilities for collaborative forms of creative knowledge production.
Publisher: Informa UK Limited
Date: 29-04-2020
Publisher: Informa UK Limited
Date: 05-02-2023
Publisher: Informa UK Limited
Date: 29-10-2019
Publisher: Routledge
Date: 20-07-2017
Publisher: Springer Nature Singapore
Date: 2019
Publisher: SAGE Publications
Date: 03-03-2016
Abstract: Tourists undertake a process of re-orientation that is particular to each destination and respond to encounters with new and unfamiliar environments. Certain destinations, such as those with unique landscapes, nature or ecological environments, induce a socio-cultural imaginary that primes tourists for what kind of experience they might consume. Large, immersive landscapes and climates congeal with expectations of what each destination requires in order to navigate through it. Common bearings of distance and scale are skewed as tourists are positioned within immersive conditions that constitute the environmental surround. In such moments, idealised and preconceived tourist experiences contrast with the actual events unfolding and heightened sensory awareness intensifies the subtle and collaborative negotiations. Utilising my own first-person experiences while transiting within Nepal and Iceland, I reflect on moments where tourists re-orient with the environment in collaborative ways. I argue that by repositioning our in idual expectations of tourist experiences in favour of transitions with the environment, potential arises for new co-consumptive and collaborative practices.
Publisher: Informa UK Limited
Date: 19-08-2023
Publisher: SAGE Publications
Date: 28-11-2016
Abstract: Tourists experience a range of everyday practices that are subtle, momentary and mundane, which can be difficult to document. Finding documentation techniques that encourage hands-on and collaborative experiences can assist in gathering and producing a variety of perspectives from researchers and tourists. Using the Deleuzian concept of the ‘diagram’, this article examines how creative documentation methods can be used to explore everyday practices of tourists. From a creative arts and philosophical perspective, a diagram is a methodological tool that allows the tracing of relations through a range of techniques. Tracing the development of participatory artwork that uses a diagrammatic approach demonstrates how the experiences of both tourists and researchers can be fused. This encourages a wider perspective of how tourist practices are generated through interactive and affective registers. Diagramming is a creative methodological approach that can assist in tracing experiences and relationships that emerge in tourist studies.
Publisher: Informa UK Limited
Date: 18-08-2020
Publisher: Informa UK Limited
Date: 29-12-2016
Publisher: Informa UK Limited
Date: 29-09-2022
Publisher: Informa UK Limited
Date: 03-07-2019
Publisher: Informa UK Limited
Date: 03-07-2021
Publisher: Informa UK Limited
Date: 06-07-2023
Publisher: SAGE Publications
Date: 07-11-2019
Abstract: There is a long history of collaboration between artists and geographers, with creative forms of research and dissemination of findings taking shape as artworks. In addition, there has been significant push from academia for researchers to maximise their research in ways that cater to, and engage with, broader public audiences. Art and creative practices tap into this through formats such as exhibitions, performances and participatory workshops which draw upon arts-based research methodologies with which geographers are becoming increasingly engaged. However, with this enthusiasm to adopt art practices for research dissemination purposes, tensions can arise in determining the levels of collaboration and authorship between artists and geographers, especially when the artist is employed as a research assistant on the project. In this ‘In Practice’ article, we explore the tensions and challenges that creative collaborations produce with respect to copyright and authorship, specialist skills and the delicate balance of doing creative research as part of a research team. We argue that geographers and artists need to address these issues from the outset and revisit them throughout the research process, and we offer some suggestions for how art–geography research collaborations might best be negotiated.
Publisher: Edward Elgar Publishing
Date: 26-07-2019
Start Date: 03-2022
End Date: 03-2025
Amount: $444,548.00
Funder: Australian Research Council
View Funded Activity