ORCID Profile
0000-0003-0577-2061
Current Organisations
University of Glasgow
,
University of Sydney
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In Research Link Australia (RLA), "Research Topics" refer to ANZSRC FOR and SEO codes. These topics are either sourced from ANZSRC FOR and SEO codes listed in researchers' related grants or generated by a large language model (LLM) based on their publications.
Media Studies | Communication and Media Studies | Cultural Studies | Culture, Gender, Sexuality | Cultural Studies Not Elsewhere Classified | Consumption and Everyday Life | Communication And Media Studies | Culture, Gender, Sexuality | Communication and Media Studies not elsewhere classified | Journalism and Professional Writing | Journalism, Communication And Media Not Elsewhere Classified
Publisher: Informa UK Limited
Date: 02-01-2022
Publisher: Informa UK Limited
Date: 02-01-2014
Publisher: SAGE Publications
Date: 05-1997
Publisher: University of Toronto Press Inc. (UTPress)
Date: 12-2021
Abstract: This article reports on the findings of a systematic review of literature on pornography use and sexual consent published between January 2000 and December 2017. The review found that there exists little research explicitly addressing consent. There exists an extensive literature on the relationship between the consumption of pornography and sexual aggression/violence however, this work fails to distinguish between consensual (kink, spanking, BDSM) and nonconsensual acts (sexual harassment and rape). Our thematic analysis found that there is no agreement in the literature reviewed as to whether consumption of pornography is correlated with better or worse understandings or practices of sexual consent. The majority of articles that identified correlations between aspects of sexual health and pornography consumption incorrectly assigned causality to pornography consumption.
Publisher: SAGE Publications
Date: 05-2004
Abstract: This article presents the results of a research project that investigated the vernacular political philosophy of the television programme Doctor Who. Fans were asked about their political thinking, their interpretations of the politics of that programme and the relationship between the two. The results contribute to a cultural history of the political natures of different kinds of texts. These television viewers are revealed to be well able to articulate their own political thinking and to argue cogently that Doctor Who is not useful for that thinking. The politics of this group range from self-nominated Marxist to extreme right wing, and their interpretations of the programme’s politics, when asked to produce them, are similarly wide ranging. It seems that the programme does not function as vernacular political philosophy. This has implications for thinking about the ‘ideology’ of popular texts.
Publisher: Cambridge University Press
Date: 2004
Publisher: University of Technology, Sydney (UTS)
Date: 30-08-2013
Abstract: The fact that a large penis is important for giving women sexual pleasure is a dominant discourse—even though it must never be spoken—in Western cultures. And this is an interesting fact, for many reasons. It is interesting for making us think about how discourses work, and how we may know them to be dominant. It suggests that a discourse that is almost never spoken publicly may still be a dominant one. It suggests that there is at least one dominant discourse in Western culture that is in the hands of women, and that can be extremely powerful against men when used correctly. And it suggests—to me, at least—that in cultural studies we should pay more attention to the discursive resources in the cultures that surround us, and the ways in which they might be used, rather than insistently looking only to academic writing for ways to progress particular political ends.
Publisher: Informa UK Limited
Date: 08-1999
Publisher: Springer Science and Business Media LLC
Date: 08-12-2021
DOI: 10.1007/S12119-020-09794-6
Abstract: This paper adds to recent discussions of young people’s porn literacy and argues that researchers must address porn users’ engagements with, and understandings of, different porn genres and practices. As part of a larger interdisciplinary project which consisted of a series of systematic reviews of literature on the relationship between pornography use and healthy sexual development, we reviewed articles addressing the relationship between pornography use and literacy. We found few articles that present empirical data to discuss porn literacies, and those we found commonly frame young people’s porn literacy as their ability to critically read porn as negative and comprising ‘unrealistic’ portrayals of sex. This model of porn literacy tends to be heteronormative, where only conservative ideals of ‘good’, coupled, and vanilla sex are deemed ‘realistic’. Data from the literature we reviewed shows that young people make sophisticated distinctions between different kinds of pornography, some of which could be called ‘realistic’, as per do-it-yourself and amateur porn. We extend this discussion to young people’s understandings of ‘authenticity’ across their broader digital and social media practices. From this focus, we propose the need to incorporate young people’s existing porn literacies into future education and research approaches. This includes engaging with their understandings and experiences of porn genres, digital media practice, and representations of authenticity.
Publisher: Informa UK Limited
Date: 08-1999
Publisher: SAGE Publications
Date: 2013
Publisher: Springer International Publishing
Date: 2020
Publisher: Springer Science and Business Media LLC
Date: 16-05-2013
Publisher: Informa UK Limited
Date: 08-02-2007
Publisher: Springer International Publishing
Date: 2020
Publisher: Informa UK Limited
Date: 15-07-2017
DOI: 10.1080/00224499.2016.1191597
Abstract: There are societal concerns that looking at pornography has adverse consequences among those exposed. However, looking at sexually explicit material could have educative and relationship benefits. This article identifies factors associated with looking at pornography ever or within the past 12 months for men and women in Australia, and the extent to which reporting an "addiction" to pornography is associated with reported bad effects. Data from the Second Australian Study of Health and Relationships (ASHR2) were used: computer-assisted telephone interviews (CASIs) completed by a representative s le of 9,963 men and 10,131 women aged 16 to 69 years from all Australian states and territories, with an overall participation rate of 66%. Most men (84%) and half of the women (54%) had ever looked at pornographic material. Three-quarters of these men (76%) and more than one-third of these women (41%) had looked at pornographic material in the past year. Very few respondents reported that they were addicted to pornography (men 4%, women 1%), and of those who said they were addicted about half also reported that using pornography had had a bad effect on them. Looking at pornographic material appears to be reasonably common in Australia, with adverse effects reported by a small minority.
Publisher: SAGE Publications
Date: 28-09-2009
Abstract: Drawing on the textual evidence of a number of referees’ reports this article maps key differences between the humanities and social sciences approaches to the study of pornography in order to facilitate better understanding and communication between the areas. 1. Social scientists avoid ‘vulgar’ language to describe sex. Humanities scholars need not do so. 2. Social scientists remain committed to the idea of ‘objectivity’ while humanities scholars reject the idea — although this may be a confusion in language, with the term in the social sciences used to mean something more like ‘falsifiability’. 3. Social science assumes that the primary effects of exposure to pornography must be negative. 4. More generally, social science resists paradigm changes, insisting that all new work agrees with research that has gone before. 5. Social science believes that casual sex and sadomasochism are negative humanities research need not do so.
Publisher: Walter de Gruyter GmbH
Date: 2008
DOI: 10.5334/CSCI.11
Abstract: There has been a tension in Cultural Studies between those authors who see fun as important and those who see it as a distraction. This tension has been played out around the concepts of amusement, distraction, pleasure, celebration, playfulness and desire. I think that fun is important. As we move from Cultural Studies to Cultural Science, I want to retain a focus on fun.
Publisher: Informa UK Limited
Date: 12-2006
Publisher: Informa UK Limited
Date: 12-2010
Publisher: SAGE Publications
Date: 11-06-2018
Abstract: This article reports on focus groups exploring the best way to reach young men with vulgar comedy videos that provide sexual health information. Young people reported that they found the means by which the material was presented – as a locked down app – to be problematic, and that it would better be delivered through social media platforms such as YouTube. This would make it more ‘spreadable’. By contrast, adult sex education stakeholders thought the material should be contained within a locked down, stand-alone app – otherwise it might be seen by children who are too young, and/or young people might misunderstand the messages. We argue that the difference in approach represented by these two sets of opinions represents a fundamental stumbling block for attempts to reach young people with digital sexual health materials, which can be understood through the prism of different cultural forms – education versus entertainment.
Publisher: SAGE Publications
Date: 05-2010
DOI: 10.1177/1329878X1013500115
Abstract: In 2008, the Australian federal Senate held an Inquiry into the Sexualisation of Children in the Contemporary Media Environment. I made a submission to this Inquiry, noting that in public debate about this topic a number of quite distinct issues, with distinct aetiologies, were collapsed together. These included: child pornography children being targeted by any form of marketing young people becoming sexually active sexual abuse of children raunch culture protecting children from any sexualised material in the media and body image disorders. I suggested that commentators had collapsed these issues together because the image of the helpless child is a powerful one for critics to challenge undesirable aspects of contemporary culture. The result of many different ideological viewpoints all using the same argument — that the forms of culture they didn't like were damaging children — gives the impression that there is no element of culture today that isn't (somebody claims) causing harm to children: everything is child abuse. The danger of such discourses is that they draw attention away from the real harm that is being caused to children by sexual and other forms of maltreatment — which overwhelmingly occur within families, and for reasons ignored in these debates.
Publisher: SAGE Publications
Date: 02-02-2012
Abstract: Different archives of television material construct different versions of Australian national identity. There exists a Pro-Am archive of Australian television history materials consisting of many in idual collections. This archive is not centrally located nor clearly bounded. The collections are not all linked to each other, nor are they aware of each other, and they do not claim to have a single common project. Pro-Am collections tend not to address Australian television as a whole, rather addressing particular genres, programs or production companies. Their vision of Australia is ‘ordinary’ and everyday. The boundaries of ‘Australia’ in the Pro-Am archive are porous, allowing non-Australians to contribute material, and also including non-Australian material and this causes little sense of anxiety.
Publisher: Routledge
Date: 09-08-2017
Publisher: Intellect
Date: 06-2014
Abstract: Eleven Pro-Am curators of Australian television history were interviewed about their practice. The data helps us to understand the relationship between professional and Pro-Am approaches to Australian television history. There is no simple binary – the lines are blurred – but there are some differences. Pro-Am curators of Australian television history are not paid for their work and present other motivations for practice – particularly being that ‘weird child’ who was obsessed with gathering information and objects related to television. They have freedom to curate only programmes and genres that interest them, and they tend to collect merchandise as much as programme texts themselves. And they have less interest in formally cataloguing their material than do professional curators of Australian television history.
Publisher: Wiley
Date: 25-03-2018
Publisher: SAGE Publications
Date: 08-2009
DOI: 10.1177/1329878X0913200107
Abstract: As part of an ARC Discovery project to write a history of Australian television from the point of view of audiences, I looked for Australian television fan communities. It transpired that the most productive communities exist around imported programming like the BBC's Doctor Who. This program is an Australian television institution, and I was therefore interested in finding out whether it should be included in an audience-centred history of Australian television. Research in archives of fan materials showed that the program has been made distinctively Australian through censorship and scheduling practices. There are uniquely Australian social practices built around it. Also, its very Britishness has become part of its being — in a sense — Australian. Through all of this, there is a clear awareness that this Australian institution originates somewhere else — that for these fans Australia is always secondary, relying on other countries to produce its myths for it, no matter how much it might reshape them.
Publisher: Informa UK Limited
Date: 09-07-2021
Publisher: Informa UK Limited
Date: 1996
Publisher: Informa UK Limited
Date: 11-09-2016
Publisher: SAGE Publications
Date: 05-2002
DOI: 10.1177/1329878X0210300105
Abstract: This paper argues that much writing about media and citizenship tends to rely on a set of realist or structuralist assumptions about what constitutes a state, a citizen and politics. Because of these assumptions, other forms of social organisation that could reasonably be described as nations, and other forms of social engagement that could be called citizenship are excluded from consideration. One effect of this blindness is that certain identities, and the cultural formations associated with them, continue to be overvalued as more real and important than others. Areas of culture that are traditionally while, masculine, middle-class and heterosexual remain central in debates, while the political processes of citizens of, for ex le, a Queer nation, continue to be either ignored or devalued as being somehow trivial, unimportant or less real. The paper demonstrates that this need not be the case — that the language of nation and citizenship can reasonably be expanded to include these other forms of social organisation, and that when such a conceptual move is made, we can find ways of describing contemporary culture that attempt to understand the public-sphere functions of the media without falling back into traditional prejudices against feminised, Queer, working class or non-white forms of culture.
Publisher: SAGE Publications
Date: 15-04-2010
Abstract: This article compares YouTube and the National Film and Sound Archive (NFSA) as resources for television historians interested in viewing old Australian television programs. The author searched for seventeen important television programs, identified in a previous research project, to compare what was available in the two archives and how easy it was to find. The analysis focused on differences in curatorial practices of accessioning and cataloguing. NFSA is stronger in current affairs and older programs, while YouTube is stronger in game shows and lifestyle programs. YouTube is stronger than the NFSA on “human interest” material—births, marriages, and deaths. YouTube accessioning more strongly accords with popular histories of Australian television. Both NFSA and YouTube offer complete episodes of programs, while YouTube also offers many short clips of “moments.” YouTube has more surprising pieces of rare ephemera. YouTube cataloguing is more reliable than that of the NFSA, with fewer broken links. The YouTube metadata can be searched more intuitively. The NFSA generally provides more useful reference information about production and broadcast dates.
Publisher: Informa UK Limited
Date: 2012
Publisher: Informa UK Limited
Date: 03-2005
Publisher: Routledge
Date: 11-06-2014
Publisher: Springer Science and Business Media LLC
Date: 23-09-2020
DOI: 10.1007/S10508-019-01554-4
Abstract: In interdisciplinary investigations into the relationships between pornography and its audiences, the issue of how to define the object of study is more complex than in studies situated within a single discipline. A Delphi panel of 38 leading pornography researchers from a wide range of disciplines was asked about various topics, including the definition of pornography. Qualitative and quantitative analyses of two rounds of survey responses suggested two different and—at first sight—incompatible definitions operating. The first was “Sexually explicit materials intended to arouse.” The second was a culturally relative definition suggesting pornography has no innate characteristics. This technical report suggests that we should encourage researchers to choose which definition they want to use in a self-reflective way depending on the needs of the project, so long as they make it explicit and justify their decision.
Publisher: SAGE Publications
Date: 12-1998
Publisher: Elsevier
Date: 1968
DOI: 10.1016/S0079-6123(08)64180-1
Abstract: There is a strong positive relationship between nuclear genome size and cell size across the eukaryotic domain, but the cause and effect of this relationship is unclear. A positive coupling of cell size and DNA content has also been recorded for various bacteria, suggesting that, with some exceptions, this association might be universal throughout the tree of life. However, the link between cell size and genome size has not yet been thoroughly explored with respect to chloroplasts, or organelles as a whole, largely because of a lack data on cell morphology and organelle DNA content. Here, I speculate about a potential positive scaling of cell size and chloroplast genome size within different plastid-bearing protists, including ulvophyte, prasinophyte, and trebouxiophyte green algae. I provide ex les in which large and small chloroplast DNAs occur alongside large and small cell sizes, respectively, as well as ex les where this trend does not hold. Ultimately, I argue that a relationship between cellular architecture and organelle genome architecture is worth exploring, and encourage researchers to keep an open mind on this front.
Publisher: Informa UK Limited
Date: 1996
Publisher: Informa UK Limited
Date: 04-1997
Publisher: Informa UK Limited
Date: 02-01-2018
Publisher: Informa UK Limited
Date: 11-2002
Publisher: Oxford University Press (OUP)
Date: 12-1999
Publisher: Springer Science and Business Media LLC
Date: 26-12-2021
Publisher: Informa UK Limited
Date: 06-2002
Publisher: Informa UK Limited
Date: 26-03-2021
Publisher: Walter de Gruyter GmbH
Date: 2010
DOI: 10.5334/CSCI.35
Publisher: Informa UK Limited
Date: 27-07-2012
Publisher: SAGE Publications
Date: 29-05-2020
Abstract: Thirty experts in the assessment of the quality of Non-Traditional Research Outputs (NTROs) as academic research outputs were asked to rate the importance of 19 criteria that might be used in making these judgements. Analysis of responses identified four criteria where there is substantial agreement among the community of experts: (a) demonstrated familiarity in the research statement with the current state of knowledge in the relevant academic disciplines (very important) (b) demonstrated familiarity in the research statement with the current state of knowledge in the relevant industry (important) (c) evidence that the work has been engaged with by other academic researchers (relevant) (d) whether the NTRO creator is a substantive university staff member or an adjunct/honorary (unimportant). Fifteen other criteria either reached a less than ‘fair’ level of agreement, or larger numbers of respondents nominated ‘It depends’. Qualitative analysis of comments also revealed noteworthy disagreements in the expert community about how the criteria should be applied.
Publisher: Springer Science and Business Media LLC
Date: 31-10-2020
Publisher: Routledge
Date: 14-06-2018
Publisher: SAGE Publications
Date: 11-2014
DOI: 10.1177/1329878X1415300115
Abstract: Focus groups show that young men do not have available to them the same resources to learn about healthy sexual development as do young women. A collaborative project led by a leading provider of sexuality education aimed to reach young men with information about healthy sexual development by using a genre that focus groups showed they favoured – vulgar comedy. This project raised two important issues. First, comedy is ambivalent – it is by definition not serious or worthy. This challenges health communication, which traditionally favours the clear presentation of correct information. Second, vulgarity can be challenging to the institutions of health communication, which can be concerned that it is inappropriate or offensive. This article addresses these issues and reports on the materials that emerged from the project.
Publisher: Informa UK Limited
Date: 17-03-2020
Publisher: Informa UK Limited
Date: 11-2005
DOI: 10.1080/00224490509552283
Abstract: Using twelve measures of objectification, I measured the degree to which women are objectified in mainstream pornographic videos in Australia. Seven of the measures allowed for direct comparison of female and male objectification. Of these, one shows women being more objectified than men (presence of orgasms, where women have fewer orgasms). Three show men being more objectified than women (in time spent looking at camera, where men return the gaze significantly less in time spent talking to the camera, where they are also less engaged and in initiating sex, where men are more sexual objects than active sexual subjects in seeking their sexual pleasure in the s le). Three measures showed no difference in objectification between men and women (naming, central characters, and time spent talking to other characters).
Publisher: SAGE Publications
Date: 08-1999
DOI: 10.1177/136787799900200202
Abstract: Debates about the local and the global continue to be prominent in cultural studies. By taking an ex le of Australian gay porn videos, which in some ways are convincingly ‘local’, the paper suggests that previous attempts to define ‘the local’ - in terms either of textual features or provenance of production - are problematic. It proposes instead the idea of ‘persuasiveness’ as a way of accounting for ‘localness’ which does not rely on implications of authenticity.
Publisher: Informa UK Limited
Date: 03-09-2015
Publisher: Informa UK Limited
Date: 02-04-2016
Publisher: SAGE Publications
Date: 11-2012
DOI: 10.1177/1329878X1214500104
Abstract: Cameron, Verhoeven and Court have noted that many screen producers do not see their tertiary education as being beneficial to their careers. We hypothesise that universities traditionally have not trained students in producing skills because of the ision of labour between arts and business faculties, and because their focus on art rather than entertainment has downplayed the importance of producing. This article presents a Scholarship of Teaching and Learning (SOTL) whole-of-program evaluation of a new cross-faculty Bachelor of Entertainment Industries degree at QUT, devoted to providing students with graduate attributes for producing, including creative skills (understanding story, the aesthetics of entertainment, etc.), business skills (business models, finance, marketing, etc.) and legal skills (contracts, copyright, etc.). Stakeholder evaluations suggest that entertainment producers are highly supportive of this new course.
Publisher: Informa UK Limited
Date: 11-2012
Publisher: Informa UK Limited
Date: 04-2001
DOI: 10.1080/713657767
Publisher: SAGE Publications
Date: 02-1996
Publisher: Springer Science and Business Media LLC
Date: 08-03-2014
DOI: 10.1007/S10508-013-0253-3
Abstract: There exists an important tradition of content analyses of aggression in sexually explicit material. The majority of these analyses use a definition of aggression that excludes consent. This article identifies three problems with this approach. First, it does not distinguish between aggression and some positive acts. Second, it excludes a key element of healthy sexuality. Third, it can lead to heteronormative definitions of healthy sexuality. It would be better to use a definition of aggression such as Baron and Richardson's (1994) in our content analyses, that includes a consideration of consent. A number of difficulties have been identified with attending to consent but this article offers solutions to each of these.
Publisher: Informa UK Limited
Date: 05-1997
Publisher: Informa UK Limited
Date: 25-02-2010
Publisher: Informa UK Limited
Date: 1997
Publisher: Informa UK Limited
Date: 02-01-2021
Publisher: Informa UK Limited
Date: 1996
Publisher: SAGE Publications
Date: 09-2013
Abstract: The question of the relationship between culture and power continues to exercise researchers. In this commentary I argue that it is useful to consider the differences between ‘art’ and ‘entertainment’ as systems of culture, each involving a distinct set of power relationships between producers and audiences. Art wants to change audiences entertainment wants to be changed by audiences. From these different starting points a series of differences unfold in the power possessed by producers and audiences. Artists pride themselves on not involving the audience in the process of making art. By contrast, entertainment wants audiences to contribute to the making of texts. As to the question of who controls the range forms of culture that are available, it seems that entertainment consumers – unlike art consumers – are ill-disciplined. Historical evidence demonstrates that if legal corporate providers do not offer the kinds of entertainment they want, they will turn to illegal sources. The different ways in which ‘art’ and ‘entertainment’ function as cultural systems suggest that we must rethink our positions on ‘media power’.
Publisher: Wiley
Date: 2007
Location: United Kingdom of Great Britain and Northern Ireland
Start Date: 2008
End Date: 2012
Funder: Australian Research Council
View Funded ActivityStart Date: 2017
End Date: 2019
Funder: Australian Research Council
View Funded ActivityStart Date: 2014
End Date: 2016
Funder: Australian Research Council
View Funded ActivityStart Date: 2002
End Date: 2004
Funder: Australian Research Council
View Funded ActivityStart Date: 2008
End Date: 12-2013
Amount: $272,000.00
Funder: Australian Research Council
View Funded ActivityStart Date: 03-2012
End Date: 11-2016
Amount: $200,000.00
Funder: Australian Research Council
View Funded ActivityStart Date: 04-2017
End Date: 09-2020
Amount: $284,500.00
Funder: Australian Research Council
View Funded ActivityStart Date: 06-2015
End Date: 06-2018
Amount: $117,309.00
Funder: Australian Research Council
View Funded ActivityStart Date: 02-2004
End Date: 06-2005
Amount: $174,500.00
Funder: Australian Research Council
View Funded Activity