Kate Rossmanith

Introduction

Publisher: Routledge

Date: 07-10-2022

DOI: 10.4324/9780429001062-1

Long haul remorse

Publisher: Routledge

Date: 07-10-2022

DOI: 10.4324/9780429001062-10

Courtroom contrition

Publisher: Informa UK Limited

Date: 03-07-2018

DOI: 10.1080/10383441.2018.1557588

Remorse and Criminal Justice

Publisher: Routledge

Date: 07-10-2021

DOI: 10.4324/9780429001062

Plots and artefacts

Publisher: Informa UK Limited

Date: 02-01-2014

DOI: 10.1080/13200968.2014.931903

Space and Actor Formation

Publisher: Cambridge University Press (CUP)

Date: 30-08-2011

DOI: 10.1017/S0307883311000460

Abstract: The profound spatial turn experienced by the humanities and social sciences over recent decades has prompted a re-examination of how space and place inform our understandings of theatre and performance. In this article we investigate the ways in which the theatrical labour that occurs within rehearsal and backstage spaces involves not only the making of theatrical performance but also the making of theatrical performers. Drawing on fieldwork-based research, and exploring the concepts of orientational metaphor, tactical inhabitation and training zones, we argue that performers’ use and inhabitation of rehearsal and backstage spaces is a key means through which they are formed as professional artists.

The Problem of Story: Criminal Evidence, Affect, and Sense-making

Publisher: Informa UK Limited

Date: 16-07-2020

DOI: 10.1080/14484528.2020.1768821

Imposed stories

Publisher: Queensland University of Technology

Date: 03-2016

DOI: 10.5204/IJCJSD.V5I1.284

Abstract: This article examines the ways in which offenders are required to provide very particular accounts of themselves and to self-narrate in confined ways. Drawing on ethnographic fieldwork and interviews conducted in the New South Wales justice system, it explores how the stories that offenders are made to accept and tell about themselves often bear little relationship to their own reflections. It analyses how, despite the expectations of judges and prison authorities, these self-narratives are not products of an offender’s soul-searching concerning his past actions and experience rather they are products of an official legal narrative being imposed on an offender whose capacity to own and enact such a narrative is already seriously compromised.

Perving at crime scenes

Publisher: Informa UK Limited

Date: 2013

DOI: 10.1080/10383441.2013.10877023

Affect and the Judicial Assessment of Offenders

Publisher: SAGE Publications

Date: 06-2015

DOI: 10.1177/1357034X14558073

Abstract: In most common law jurisdictions worldwide, an offender’s remorse is a mitigating factor in sentencing. It matters whether or not a person who has committed a crime is truly sorry for what they have done. And yet how judges evaluate such expressions is unclear. Drawing on 18 interviews with judges in the New South Wales criminal justice system in Australia, this article examines the status of offenders’ live, sworn evidence in the judiciary’s assessment of offenders’ remorse. These interviews with the judiciary reveal that remorse assessment often operates beyond semiotic, representational paradigms (such as ‘demeanour assessment’) and instead works, in experiential terms, as a feeling. When it comes to offenders getting into the witness box and speaking of their remorse, it seems that sometimes something gets felt by judges at the level of embodied affect that then enables them to declare: ‘This person is remorseful.’

The ‘poietic’ turn: creative arts research in the academy

Publisher: Informa UK Limited

Date: 20-09-2022

DOI: 10.1080/10304312.2022.2123449

Reflections on researching remorse

Publisher: Routledge

Date: 07-10-2022

DOI: 10.4324/9780429001062-17

Remorse

Publisher: Edward Elgar Publishing

Date: 27-04-2021

DOI: 10.4337/9781788119085.00021

Macquarie University

Location: Australia

View Organisation

ARC Future Fellowships - Grant ID: FT210100241

Start Date: 07-2022

End Date: 07-2026

Amount: $927,774.00

Funder: Australian Research Council