ORCID Profile
0000-0003-3680-3561
Current Organisation
University of Alberta
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Research Topics
In Research Link Australia (RLA), "Research Topics" refer to ANZSRC FOR and SEO codes. These topics are either sourced from ANZSRC FOR and SEO codes listed in researchers' related grants or generated by a large language model (LLM) based on their publications.
Top 5 Research Topics
ANZSRC Field of Research (FoR)
Film, Television and Digital Media | Consumption And Everyday Life | History: Australian | Art History | Art Theory and Criticism | Cinema Studies | Historical Studies not elsewhere classified | Visual Cultures | Historical Studies | Consumption and Everyday Life | Architectural Heritage and Conservation | Artificial Intelligence and Image Processing | Aboriginal and Torres Strait Islander History | Pattern Recognition and Data Mining | Australian History (excl. Aboriginal and Torres Strait Islander History) | Cinema Studies | Simulation and Modelling | Film and Television
ANZSRC Socio-Economic Objective (SEO)
Understanding Australia's Past | Commercial services not elsewhere classified | The Creative Arts (incl. Graphics and Craft) | Recreational services | Heritage not elsewhere classified | Consumption | The Media | Expanding Knowledge in the Information and Computing Sciences |
Related Links
Publications
Greek Cinema Venues in Melbourne, Australia
Publisher: figshare
Date: 2014
Aggregating cultural heritage data for research use: The humanities networked infrastructure (HuNI)
Publisher: Springer International Publishing
Date: 2015
German male film producer networks (2009-2016)
Publisher: figshare
Date: 2018
German film producer networks (2009-2016)
Publisher: Figshare
Date: 2018
German film producer networks (2009-2016)
Publisher: Figshare
Date: 2018
Greek Cinema Venues in Melbourne, Australia
Publisher: figshare
Date: 2014
Australian film producer networks (2006-2015)
Publisher: Figshare
Date: 2018
Male Film Producer Networks in Australia (2006-2015)
Publisher: figshare
Date: 2016
Show me the data!: Uncovering the evidence in screen media industry research
Publisher: Routledge
Date: 30-07-2019
ARC LIEF (2008-2017) by gender (node size = income)
Publisher: figshare
Date: 2018
Screenshot of HuNI Knowledge Graph
Publisher: figshare
Date: 2015
ARC LIEF (2008-2017) by gender
Publisher: figshare
Date: 2017
Male Film Producer Networks in Australia (2006-2015)
Publisher: Figshare
Date: 2016
A ‘natural experiment’ in Australian cultural policy: Australian Government funding cuts disproportionately affect companies that produce more new work and have larger audiences
Publisher: Informa UK Limited
Date: 19-02-2020
Film Distribution in the Diaspora: Temporality, Community and National Cinema
Publisher: Wiley
Date: 08-04-2011
Swedish male film producer networks (2006-2016)
Publisher: figshare
Date: 2018
Swedish film producer networks (2006-2016)
Publisher: figshare
Date: 2018
data-information-knowledge-humanities
Publisher: figshare
Date: 2015
She Must Be Seeing Things! Gender disparity in camera department networks
Publisher: Elsevier BV
Date: 2024
Understanding the dynamics between the United States and Australian film markets: testing the ‘10% rule’
Publisher: Informa UK Limited
Date: 02-01-2018
Australian film producer networks (2006-2015)
Publisher: Figshare
Date: 2018
Net effects: examining strategies for women’s inclusion and influence in ASX200 company boards
Publisher: Springer Science and Business Media LLC
Date: 06-07-2022
DOI: 10.1007/S41109-022-00490-Y
Abstract: Conventional approaches to improving the representation of women on the boards of major companies typically focus on increasing the number of women appointed to these positions. We show that this strategy alone does not improve gender equity. Instead of relying on aggregate statistics (“headcounts”) to evaluate women’s inclusion, we use network analysis to identify and examine two types of influence in corporate board networks: local influence measured by degree centrality and global influence measured by betweenness centrality and k-core centrality. Comparing board membership data from Australia’s largest 200 listed companies in the ASX200 index in 2015 and 2018 respectively, we demonstrate that despite an increase in the number of women holding board seats during this time, their agency in terms of these network measures remains substantively unchanged. We argue that network analysis offers more nuanced approaches to measuring women’s inclusion in organizational networks and will facilitate more successful outcomes for gender ersity and equity.
Melbourne's Post-war Greek Cinemas Animation
Publisher: figshare
Date: 2016
Feature film diversity on Australian cinema screens: Implications for cultural diversity studies using big data
Publisher: Springer International Publishing
Date: 2017
Serendipity and Knowledge Organisation
Publisher: Springer International Publishing
Date: 2023
“How Do We Live Together Without Killing Each Other?” Indigenous and Feminist Perspectives on Relationality
Publisher: Oxford University Press (OUP)
Date: 06-2020
DOI: 10.1093/CCC/TCAA007
The Cinema Cities Index: Comparing urban cinema cultures around the world
Publisher: SAGE Publications
Date: 02-2017
Abstract: [Cinema culture varies markedly around the globe and between cities. While this is obvious, the drivers of cinema culture are complex and interact in different ways across different locations and often give rise to a distinct character of localised cinema. This can be witnessed at different scales: across countries, between cities and, on a more granular level, based on localised neighbourhoods. In this article, we apply quantitative methods to investigate cities’ ability to support cinema-going, or what we term ‘cinemability’. We focus on four inter-related aspects that we argue contribute to a city’s cinemability. These include the physical infrastructure of cinemas, the number and variety of films available, the presence of film festivals as a form of cultural signalling and the average cost of cinema admissions. In this article, we construct a ranked index of ‘cinemability’ based on data sourced from the Kinomatics Screen Dataset in order to facilitate a global comparison of contemporary cinema-going across 311 world cities. Our Cinema Cities Index is then compared with public contributions on the Cinema Cities website, www.cinemacities.com , where users can generate their own version of the index by assigning weights to the different variables based on their personal preferences. The results of our analysis reveal that the public place emphasis on factors such as the ersity of films offered and the affordability of cinema admission as key contributors to what makes a particular city amendable to ‘cinemability’.
Twice born: Dionysos Films and the establishment of a Greek film circuit in Australia
Publisher: Informa UK Limited
Date: 2007
Advancing Digital Humanities
Publisher: Palgrave Macmillan UK
Date: 2014
Australian films at large: Expanding the evidence about Australian cinema performance
Publisher: Informa UK Limited
Date: 02-01-2015
data-information-knowledge-humanities
Publisher: figshare
Date: 2015
Australian producer networks (2006-2015)
Publisher: figshare
Date: 2016
Australian screen adaptations in the AFI Research Collection
Publisher: Informa UK Limited
Date: 2009
Exhibiting the exhibitors: Spatial visualization for heterogeneous cinema venue data
Publisher: Informa UK Limited
Date: 09-2014
By a long shot: Power, devaluation and discrimination in a toxic cultural workforce
Publisher: SAGE Publications
Date: 11-07-2023
DOI: 10.1177/03128962231179379
Abstract: Drawing on data collected for a comprehensive workforce survey of the audio-visual camera profession in Australia ( n = 582), this article investigates discrimination and devaluation in screen industry workplaces. Employing a mixed method approach, we analyse the intersection of gender, sexuality and ethnicity to show that group differences play an important role in understanding workplace cultures defined by power imbalances. To address the problem of these toxic workplaces, we propose the importance of attending to job precarity and suggest the need for policymakers, guilds and trade unions to work collaboratively to set and enforce standards of workplace equality and respect. Z13
She would say that, he's from Melbourne: Fun and games with Dame Edna and Barry Humphries
Publisher: Informa UK Limited
Date: 09-2009
Controlling for openness in the male-dominated collaborative networks of the global film industry
Publisher: Public Library of Science (PLoS)
Date: 12-06-2020
Melbourne's Post-war Greek Cinemas Animation
Publisher: figshare
Date: 2016
A Method for the Visual Representation of Historic Multivariate Point Data
Publisher: Springer Berlin Heidelberg
Date: 2011
Cinema Heritage in Europe
Publisher: University College Cork
Date: 17-08-2016
DOI: 10.33178/ALPHA.11.06
Abstract: This article examines the critical role visualisation plays for digital cinema studies and proposes that cinema studies has an equally critical role to play in evaluating and developing visualisation methods. The article reflects on work undertaken in the Kinomatics Project, a multidisciplinary study that explores, analyses and visualises the industrial geometry of motion pictures and which is one of the first “big data” studies of contemporary cultural diffusion. Its examination of global film flow rests on a large dataset of showtime information comprising more than 330 million records that describe every film screening in forty-eight countries over a thirtymonth period as well as additional aggregated box-office data.
Australian Producer Networks (2006-2015)
Publisher: figshare
Date: 2016
Australia male film producers (2006-2015)
Publisher: figshare
Date: 2018
Screenshot of HuNI Knowledge Graph
Publisher: figshare
Date: 2015
Related Organisations
Related Funding Activities
Mapping The Movies: The Changing Nature Of Australia's Cinema Circuits And Their Audiences 1956-1984
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End Date: 2013
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View Funded ActivityRegional Markets And Local Audiences: Case Studies In Australian Cinema Consumption, 1928-1980
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View Funded ActivityGEP Analysis: Assessing, Understanding And Modelling The Impact Of Gender Equity Policies (GEP) In The Film Industries
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View Funded ActivityGenomic Media: Tracking Sociotechnical Imaginaries Of DNA Data Storage
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End Date: 2021
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View Funded ActivityOnly At The Movies: Mapping The Contemporary Australian Cinema Market
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View Funded ActivityDesign And Art Australia Online: Sustainable Data Sharing For Australian Researchers And Collections
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View Funded ActivityDesign And Art Australia Online: Sustainable Data Sharing For Australian Researchers And Collections
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View Funded ActivityDiscovery Projects - Grant ID: DP0560144
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Amount: $433,537.00
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View Funded ActivityLinkage Infrastructure, Equipment And Facilities - Grant ID: LE140100120
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Amount: $190,000.00
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View Funded ActivityDiscovery Projects - Grant ID: DP0879695
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View Funded ActivityDiscovery Projects - Grant ID: DP120101940
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View Funded ActivityDiscovery Projects - Grant ID: DP190101087
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View Funded ActivityLinkage Infrastructure, Equipment And Facilities - Grant ID: LE190100019
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View Funded ActivityLinkage Infrastructure, Equipment And Facilities - Grant ID: LE120100056
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End Date: 12-2013
Amount: $240,000.00
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View Funded Activity