ORCID Profile
0000-0002-2026-7015
Current Organisations
University of West Attica
,
University of Queensland
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In Research Link Australia (RLA), "Research Topics" refer to ANZSRC FOR and SEO codes. These topics are either sourced from ANZSRC FOR and SEO codes listed in researchers' related grants or generated by a large language model (LLM) based on their publications.
Musicology and Ethnomusicology | Performing Arts and Creative Writing | European History (excl. British, Classical Greek and Roman) | British History
Understanding Europe's Past | Expanding Knowledge in Language, Communication and Culture | Expanding Knowledge through Studies of the Creative Arts and Writing |
Publisher: Informa UK Limited
Date: 12-2012
Publisher: Springer Science and Business Media LLC
Date: 03-05-2020
Publisher: Elsevier BV
Date: 08-2010
DOI: 10.1016/J.CMPB.2009.11.003
Abstract: In this study, a pattern recognition system is presented for improving the classification accuracy of MS-spectra by means of gathering information from different MS-spectra intensity regions using a majority vote ensemble combination. The method starts by automatically breaking down all MS-spectra into common intensity regions. Subsequently, the most informative features (m/z values), which might constitute potential significant biomarkers, are extracted from each common intensity region over all the MS-spectra and, finally, normal from ovarian cancer MS-spectra are discriminated using a multi-classifier scheme, with members the Support Vector Machine, the Probabilistic Neural Network and the k-Nearest Neighbour classifiers. Clinical material was obtained from the publicly available ovarian proteomic dataset (8-7-02). To ensure robust and reliable estimates, the proposed pattern recognition system was evaluated using an external cross-validation process. The average overall performance of the system in discriminating normal from cancer ovarian MS-spectra was 97.18% with 98.52% mean sensitivity and 94.84% mean specificity values.
Publisher: Routledge
Date: 23-05-2016
Publisher: Informa UK Limited
Date: 2003
Publisher: ACM
Date: 16-10-2020
Publisher: Peter Lang D
Date: 27-06-2013
Publisher: Hollitzer Verlag
Date: 28-08-2023
Publisher: Informa UK Limited
Date: 03-07-2023
Publisher: Project MUSE
Date: 2022
Publisher: Informa UK Limited
Date: 03-07-2019
Publisher: Oxford University Press (OUP)
Date: 1995
DOI: 10.1093/ML/76.3.345
Publisher: Wiley
Date: 10-08-2019
DOI: 10.1111/MUSA.12116
Publisher: Society for Music Theory
Date: 12-2018
DOI: 10.30535/MTO.24.4.2
Abstract: Contrapuncti 8 and 11 from Bach’s Art of Fugue demonstrate triple fugal writing in three and four parts respectively. Contrapunctus 11 employs the original and inverted forms of the three subjects used in Contrapunctus 8. This paper investigates specific contrapuntal techniques used by Bach to articulate the sectional designs of each contrapunctus and to identify combinations of particular structural importance across both works. The approach draws upon the term horizontal-shifting counterpoint, originally coined by the early twentieth-century Russian theorist Sergei Taneyev, to assist in describing Bach’s sophisticated use of imitative contrapuntal combinations that pervade the fabrics of several sections in each contrapunctus. This study also draws upon Joel Lester’s model of heightened sectional constructions to show how Bach intensifies the contrapuntal combinations between and across the sections of both works.
Publisher: Informa UK Limited
Date: 02-07-2016
Publisher: Informa UK Limited
Date: 02-07-2016
Publisher: Routledge
Date: 04-07-2019
Publisher: Brepols Publishers NV
Date: 09-2022
Publisher: IEEE
Date: 10-2007
Publisher: University of California Press
Date: 2001
Abstract: We propose that the phrase repetitions in the canon per tonos from J. S. Bach's Musical Offering are not recognized by listeners as being successively upward. We examine possible causes for this effect and suggest that it may be due to Bach's use of chromatic harmony. To test this hypothesis, we conducted an experiment in which one group of listeners was presented with Bach's canon, while another group was presented with a modified version of the canon in which the harmonies were altered in order to make the upward phrase repetitions more apparent. We found that subjects recognized the ascending pattern in the modified canon with greater ease than they recognized the ascending pattern in Bach's canon. We also consider briefly why Bach may have wished to cause such an effect.
Publisher: Oxford University Press
Date: 2023
Publisher: Informa UK Limited
Date: 12-2012
Publisher: Informa UK Limited
Date: 2005
Location: United Kingdom of Great Britain and Northern Ireland
Start Date: 2015
End Date: 2017
Funder: Australian Research Council
View Funded ActivityStart Date: 2018
End Date: 2020
Funder: Australian Research Council
View Funded ActivityStart Date: 02-2018
End Date: 12-2021
Amount: $339,683.00
Funder: Australian Research Council
View Funded ActivityStart Date: 01-2015
End Date: 04-2018
Amount: $117,000.00
Funder: Australian Research Council
View Funded Activity