ORCID Profile
0000-0002-2026-7015
Current Organisations
University of West Attica
,
University of Queensland
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Research Topics
In Research Link Australia (RLA), "Research Topics" refer to ANZSRC FOR and SEO codes. These topics are either sourced from ANZSRC FOR and SEO codes listed in researchers' related grants or generated by a large language model (LLM) based on their publications.
Top 5 Research Topics
ANZSRC Field of Research (FoR)
Musicology and Ethnomusicology | Performing Arts and Creative Writing | European History (excl. British, Classical Greek and Roman) | British History
ANZSRC Socio-Economic Objective (SEO)
Understanding Europe's Past | Expanding Knowledge in Language, Communication and Culture | Expanding Knowledge through Studies of the Creative Arts and Writing |
Related Links
Publications
Musicianship in the 21st Century: Issues, Trends, and Possibilities
Publisher: Informa UK Limited
Date: 12-2012
Reduction of hippocampal IL-6 levels in LPS-injected rats following acute exendin-4 treatment
Publisher: Springer Science and Business Media LLC
Date: 03-05-2020
An intensity-region driven multi-classifier scheme for improving the classification accuracy of proteomic MS-spectra
Publisher: Elsevier BV
Date: 08-2010
DOI: 10.1016/J.CMPB.2009.11.003
Abstract: In this study, a pattern recognition system is presented for improving the classification accuracy of MS-spectra by means of gathering information from different MS-spectra intensity regions using a majority vote ensemble combination. The method starts by automatically breaking down all MS-spectra into common intensity regions. Subsequently, the most informative features (m/z values), which might constitute potential significant biomarkers, are extracted from each common intensity region over all the MS-spectra and, finally, normal from ovarian cancer MS-spectra are discriminated using a multi-classifier scheme, with members the Support Vector Machine, the Probabilistic Neural Network and the k-Nearest Neighbour classifiers. Clinical material was obtained from the publicly available ovarian proteomic dataset (8-7-02). To ensure robust and reliable estimates, the proposed pattern recognition system was evaluated using an external cross-validation process. The average overall performance of the system in discriminating normal from cancer ovarian MS-spectra was 97.18% with 98.52% mean sensitivity and 94.84% mean specificity values.
Creative collaborative thought and puzzle canons in renaissance music
Publisher: Routledge
Date: 23-05-2016
The transmission of zarlino’s canonic theory in seventeenth-century organ chorale settings
Publisher: Informa UK Limited
Date: 2003
Using Optical Music Recognition to Encode 17th-Century Music Prints: The Canonic Works of Paolo Agostini (c.1583-1629) as a Test Case
Publisher: ACM
Date: 16-10-2020
Music Theory and its Methods
Publisher: Peter Lang D
Date: 27-06-2013
Crosses, circles and shared identities in riddle canons by Elway Bevin and Giovanni Maria Nanino
Publisher: Hollitzer Verlag
Date: 28-08-2023
Colloquy: A Case for a Critical Edition of the Complete Works of Jan Dismas Zelenka (1679-1745)
Publisher: Informa UK Limited
Date: 03-07-2023
Review of Paul Walker, Fugue in the Sixteenth Century (Oxford: Oxford University Press, 2020)
Publisher: Project MUSE
Date: 2022
Zelenka and the combinative impulse: contrapuntal techniques in the Miserere in D Minor, ZWV 56
Publisher: Informa UK Limited
Date: 03-07-2019
Thomas Tomkins's canonic additions to Thomas Morley's 'A Plaine and Easie Introduction to Practicall Musicke'
Publisher: Oxford University Press (OUP)
Date: 1995
DOI: 10.1093/ML/76.3.345
New Light on the Mid-Fourteenth-Century Chace: Canons Hidden in the Tournai Manuscript
Publisher: Wiley
Date: 10-08-2019
DOI: 10.1111/MUSA.12116
Horizontal-shifting counterpoint and parallel-section constructions in contrapuncti 8 and 11 from J. S. Bach’s Art of Fugue
Publisher: Society for Music Theory
Date: 12-2018
DOI: 10.30535/MTO.24.4.2
Abstract: Contrapuncti 8 and 11 from Bach’s Art of Fugue demonstrate triple fugal writing in three and four parts respectively. Contrapunctus 11 employs the original and inverted forms of the three subjects used in Contrapunctus 8. This paper investigates specific contrapuntal techniques used by Bach to articulate the sectional designs of each contrapunctus and to identify combinations of particular structural importance across both works. The approach draws upon the term horizontal-shifting counterpoint, originally coined by the early twentieth-century Russian theorist Sergei Taneyev, to assist in describing Bach’s sophisticated use of imitative contrapuntal combinations that pervade the fabrics of several sections in each contrapunctus. This study also draws upon Joel Lester’s model of heightened sectional constructions to show how Bach intensifies the contrapuntal combinations between and across the sections of both works.
Discomfit them, O Lord, that trust in their own multitude: a new editorial approach to the Tallis-Byrd Cantiones sacrae
Publisher: Informa UK Limited
Date: 02-07-2016
Review of Mark Hijleh, Towards a Global Music Theory: Practical Concepts and Methods for the Analysis of Music across Human Cultures
Publisher: Informa UK Limited
Date: 02-07-2016
Dürer, Music and Melencolia 1
Publisher: Routledge
Date: 04-07-2019
'Some disturbance to the ear when the voices enter': invertible canons at the octave in motets by Zarlino and Willaert
Publisher: Brepols Publishers NV
Date: 09-2022
Prostate Cancer Biomarker Selection through a Novel Combination of Sequential Global Thresholding, Particle Swarm Optimization, and PNN Classification of MS-Spectra
Publisher: IEEE
Date: 10-2007
An Unusual Effect in the Canon Per Tonos from J. S. Bach's Musical Offering
Publisher: University of California Press
Date: 2001
Abstract: We propose that the phrase repetitions in the canon per tonos from J. S. Bach's Musical Offering are not recognized by listeners as being successively upward. We examine possible causes for this effect and suggest that it may be due to Bach's use of chromatic harmony. To test this hypothesis, we conducted an experiment in which one group of listeners was presented with Bach's canon, while another group was presented with a modified version of the canon in which the harmonies were altered in order to make the upward phrase repetitions more apparent. We found that subjects recognized the ascending pattern in the modified canon with greater ease than they recognized the ascending pattern in Bach's canon. We also consider briefly why Bach may have wished to cause such an effect.
Bevin, Elway
Publisher: Oxford University Press
Date: 2023
Fundamentals of Musical Performance [by] Zdenek Bruderhans
Publisher: Informa UK Limited
Date: 12-2012
The art of fugue: Bach fugues for keyboard, 1715-1750
Publisher: Informa UK Limited
Date: 2005
Related Organisations
University Of Surrey
Location: United Kingdom of Great Britain and Northern Ireland
Related Funding Activities
Canonic Techniques And Musical Change From C.1330 To C.1530
Start Date: 2015
End Date: 2017
Funder: Australian Research Council
View Funded ActivityThe Art And Science Of Canon In The Music Of Early 17th-century Rome
Start Date: 2018
End Date: 2020
Funder: Australian Research Council
View Funded ActivityDiscovery Projects - Grant ID: DP180100680
Start Date: 02-2018
End Date: 12-2021
Amount: $339,683.00
Funder: Australian Research Council
View Funded ActivityDiscovery Projects - Grant ID: DP150102135
Start Date: 01-2015
End Date: 04-2018
Amount: $117,000.00
Funder: Australian Research Council
View Funded Activity