John Hartley

Digital Futures for Cultural and Media Studies

Publisher: Wiley

Date: 30-12-2011

DOI: 10.1002/9781118106723

“Read thy self” : Text, Audience, and Method in Cultural Studies

Publisher: Wiley

Date: 2006

DOI: 10.1002/9780470775912.CH4

Richard Hoggart and Cultural Studies

Publisher: Palgrave Macmillan UK

Date: 2008

DOI: 10.1057/9780230583313

Story Circle

Publisher: Wiley

Date: 10-04-2009

DOI: 10.1002/9781444310580

Orality and Literacy

Publisher: Routledge

Date: 07-05-2013

DOI: 10.4324/9780203103258

Forty years of cultural studies: An interview with Richard Hoggart, October 1997

Publisher: SAGE Publications

Date: 04-1998

DOI: 10.1177/136787799800100102

A political theory of progressive individualism? Western Australia and the America’s Cup, 30 years on

Publisher: SAGE Publications

Date: 08-2016

DOI: 10.1177/0725513616657883

Abstract: This paper considers Western Australia (WA) as a sign, comparing what it meant during the America’s Cup c aign of 1986–7, when world media attention was focused on the state, with what it represents 30 years later. In the 1980s, it is argued (Part I), WA was hard to represent at all, with natural, governmental and social horrors bespeaking a place unable to signify itself. These realities had to be ‘forgotten’ if a ‘politics of euphoria’ suitable to the Cup festival – and to the mood of credit-fuelled capitalist deregulation – was to prevail. The media, popular culture and tourism were on hand for that task. They far outstripped official efforts to represent WA as a symbol of mobility, globalization and the progressive development of state and capital, arm in arm. Returning after a generation (Part II), it seems clear that the state apparatus is motivated by a will to control, but that the same horrors attend the lives and deaths of first-nation citizens. What has changed is that policy has shifted from deregulation to privatization, which means an authoritarian state leaves both development and social justice to in iduals. The progressive in idualism of the ‘WA Inc.’ era has given way to what might be called ‘tradie in idualism’ – signalling sociality with a boat of one’s own, a funny car rego or a coin in the charity donation box. Now, if you want to express euphoria, then you must paddle your own canoe.

Editorial (with goanna)

Publisher: SAGE Publications

Date: 04-1998

DOI: 10.1177/136787799800100101

Creative industries and innovation in China

Publisher: SAGE Publications

Date: 09-2006

DOI: 10.1177/1367877906066870

Social network markets: a new definition of the creative industries

Publisher: Springer Science and Business Media LLC

Date: 17-06-2008

DOI: 10.1007/S10824-008-9066-Y

TV Stories

Publisher: Wiley

Date: 10-04-2009

DOI: 10.1002/9781444310580.CH2

Communicative democracy in a redactional society: the future of journalism studies

Publisher: SAGE Publications

Date: 04-2000

DOI: 10.1177/146488490000100107

Television Truths

Publisher: Wiley

Date: 2008

DOI: 10.1002/9780470694183

Television, Nation, and Indigenous Media

Publisher: SAGE Publications

Date: 02-2004

DOI: 10.1177/1527476403259750

Abstract: Broadcast television has most often been understood as a site for the narration of unified national identity. But at the same time, it has been associated with the development of ersified cultural citizenship. This article considers some of the issues arising from situations in which cultural identities have clashed with national ones, especially the case of Indigenous issues on Australian television. The evolution of new forms of citizenship is matched by post-broadcast forms of television, in which audiences can be seen as organized around choice, affinity, and the production as well as consumption of media. These developments have powerful implications for the way nations are narrated in broadcast television and for our understanding of how television itself is evolving. The article argues that Indigeneity points the way to new notions of both nation and television.

Silly citizenship

Publisher: Informa UK Limited

Date: 11-2010

DOI: 10.1080/17405904.2010.511826

Radiocracy

Publisher: SAGE Publications

Date: 08-2000

DOI: 10.1177/136787790000300202

Abstract: The history of radio from the early pre-broadcasting period shows how transmitted music and talk have been caught up in the evolution of contemporary citizenship. The article discusses Bertolt Brecht’s experiments in public radio in the 1920s, and argues that commercial radio can also be seen to have contributed to the self-identification of ‘imagined communities’. Internationally, despite the ascendance of other broadcast and communications media, radio continues to be used in a variety of community-building developmental situations, providing remote, marginal and disenfranchised communities with low-cost, low-tech public space. Radio remains one of the pillars of civil society, combining entertainment and democracy, sound and citizenship. This article is a modified version of the welcome address that launched the ‘Radiocracy’ conference.

Urban semiosis: Creative industries and the clash of systems

Publisher: SAGE Publications

Date: 08-05-2014

DOI: 10.1177/1367877914528120

Abstract: This article has two aims. The first is to make the case that the ‘universe of the mind’ imagined by Yuri Lotman may be considered as a foundational model for cultural evolution (population-wide, dynamic, autopoietic, self-organising adaptation to changing environments). The second aim is to take forward a model of culture derived from Lotman’s work – a model I call ‘the clash of systems’ – in order to apply it to creative industries research. Such a move has the salutary effect of putting the ‘universe of the mind’ literally in its place. That place, now, predominantly, is in the city. Thus, the article uses Lotman’s model of the semiosphere to link different complex systems, principally the semiosphere with that of the city, in order to explore the productive potential of encounters – clashes – between different systems. Applying these insights to the field of creative industries research, the article proposes that creative culture in the globalised, urban and web-connected era can be characterised as ‘urban semiosis’.

Housing cultural studies: A memoir of Stuart Hall, Richard Hoggart and Terence Hawkes

Publisher: SAGE Publications

Date: 23-12-2014

DOI: 10.1177/1367877914561832

Abstract: Three globally significant figures in cultural studies died in 2014. They were Terence Hawkes (13 May 1932–16 January 2014), Stuart Hall (3 February 1932–10 February 2014) and Richard Hoggart (24 September 1918–10 April 2014). I miss them all. That personal feeling motivates what follows. But there’s a public aspect to it too. Not only did I watch and admire these three people building cultural studies I know the buildings they built it in. Suddenly those buildings feel empty, not facing the future but confined to their times, ceasing to ‘speak’ as they silently await sufficient neglect and dilapidation to justify the new-generation wrecking ball of ‘creative destruction’ to open up the space for something new that has already forgotten them.

Television Studies After TV

Publisher: Routledge

Date: 27-03-2009

DOI: 10.4324/9780203878316

Computational Power Meets Human Contact

Publisher: Wiley

Date: 10-04-2009

DOI: 10.1002/9781444310580.CH1

Frontiers in New Media Research

Publisher: Routledge

Date: 07-05-2013

DOI: 10.4324/9780203113417

’About a Girl’

Publisher: SAGE Publications

Date: 11-2004

DOI: 10.1177/1464884904044205

Abstract: Corinne’s friend Rose is sprawled on an old couch in Corinne’s flat in London. Surrounding Rose on the beer-stained carpet are a few mugs, an ashtray and a telephone cord. The photo is a record of Corinne Day’s reality from a time when she was still on the dole and partying hard. Her bleak but intimate photography became famous in the fashion pages of magazines like The Face and Vogue, where her early photographs of an unknown young model called Kate Moss created the visual style known as ‘dirty realism’ or ‘grunge’. As she describes it, ‘There we were struggling to pay the rent, living in a dump, surrounded by glamorous magazines that were so far away from our own level of living... Fashion magazines had been selling sex and glamour for far too long. I wanted to instill some reality into a world of fantasy’ (Cotton, 2000). Concentrating on British photographer Corinne Day’s work, this article explores the interface between photojournalism and fashion. Day’s photographs are documents of contemporary life but destined for fashion pages. Beyond its ostensible purpose, contemporary fashion photography in magazines like Vogue can be seen to continue and extend the purposes of photojournalism in the documentary tradition. Furthermore, the compulsion towards art and aesthetics found in photojournalism since the days of Picture Post indicates that the same boundary has been pushed from the other side too, ever since photojournalism’s ascendance. This article therefore traces convergences among some aesthetic, discursive and institutional oppositions that have long been kept carefully separated: ‘reality’ and ‘fantasy’ worlds national identity and art journalism and fashion.

The New Economy, Creativity and Consumption

Publisher: SAGE Publications

Date: 03-2004

DOI: 10.1177/1367877904040600

A `cover narrative': from Nightmare to Reality

Publisher: SAGE Publications

Date: 06-2008

DOI: 10.1177/1367877907092783

Editorial

Publisher: SAGE Publications

Date: 04-2000

DOI: 10.1177/136787790000300101

‘Text’ and ‘audience’: One and the same? Methodological tensions in media research

Publisher: Informa UK Limited

Date: 12-1999

DOI: 10.1080/09502369908582352

A Companion to New Media Dynamics

Publisher: Wiley

Date: 31-01-2013

DOI: 10.1002/9781118321607

Attack of the Creationist Reverberators! Or: The End of the World (As We Know It)

Publisher: Informa UK Limited

Date: 02-08-2010

DOI: 10.1080/15405702.2010.493434

How the Social Economy Produces Innovation

Publisher: Informa UK Limited

Date: 03-07-2015

DOI: 10.1080/00346764.2015.1067756

Authorship and the Narrative of the Self

Publisher: Wiley

Date: 15-03-2013

DOI: 10.1002/9781118505526.CH2

‘Their own media in their own language’

Publisher: Cambridge University Press

Date: 17-10-2003

DOI: 10.1017/CBO9780511481550.004

‘There are other ways of being in the truth’

Publisher: SAGE Publications

Date: 03-2007

DOI: 10.1177/1367877907073908

Abstract: After 50 years, what are the implications of The Uses of Literacy for educational modernisation, in the light of subsequent changes from ‘read only’ literacy to ‘read-write’ uses of multimedia? This article argues that a broad extension of popular literacy via consumer-generated digital content offers not only emancipationist potential in line with Hoggart’s own project, but also economic benefits via the dynamics of creative innovation.

‘Paris with snakes’? The future of communication is/as ‘Cultural Science’

Publisher: SAGE Publications

Date: 11-2016

DOI: 10.1177/1748048516655712

Abstract: What if communication has been pursuing the wrong kind of science? This article argues that the physics-based or ‘transmission’ model derived from Claude Shannon and criticised by James Carey does not explain how communication works. We argue instead for a model derived from the evolutionary and complexity sciences. Here, communication is based on dynamic systems of meaning (not in idual ‘particles’ of information), and relations among knowledge-producing agents in culture-made groups. We call this sign-based evolutionary and systems model of communication ‘cultural science’ (Hartley and Potts, 2014), and invite communication scholars to assist in its development as a ‘modern synthesis’ for communication, along the lines of Huxley’s synthesis of botany and zoology as evolutionary bioscience.

Do we need to move from communication technology to user community? A new economic model of the journal as a club

Publisher: Wiley

Date: 2019

DOI: 10.1002/LEAP.1228

Healthy Sexual Development: A Multidisciplinary Framework for Research

Publisher: Informa UK Limited

Date: 25-02-2010

DOI: 10.1080/19317610903393043

Digital Scholarship and Pedagogy, the Next Step: Cultural Science

Publisher: Project MUSE

Date: 2008

DOI: 10.1353/CJ.0.0097

Consumer Co‐creation and Situated Creativity

Publisher: Informa UK Limited

Date: 10-2008

DOI: 10.1080/13662710802373783

A Short History of Cultural Studies

Publisher: SAGE Publications Ltd

Date: 2003

DOI: 10.4135/9781446216934

Making the University Matter

Publisher: Routledge

Date: 29-03-2012

DOI: 10.4324/9780203813027

The public sphere on the beach

Publisher: SAGE Publications

Date: 08-2006

DOI: 10.1177/1367549406066077

Abstract: This article discusses the idea of a ‘cultural public sphere’ together with related notions of ‘the’ public sphere, ‘counterpublics’ and ‘discourse publics’. It argues that the cultural public sphere emerges from cultural sources (e.g. ethnic identity) rather than political ones and is organized through private pursuits such as music, domestic life and leisure or entertainment venues. The article investigates the formation of a cultural public sphere by using the December 2005 ‘race riots’ on Australian beaches as a case study. It argues that culture interacts with politics as ‘new’ media interact with mainstream news and that counterpublic spheres interact with the cultural public sphere as ‘internal’ communication coexists with ‘external’. The role of mainstream media in reporting and commenting on extreme displays is in part to stage conflict so that the general public can think through cultural-political issues via the theatrics.

Homo Nuntius– Messaging Humanity

Publisher: Informa UK Limited

Date: 22-10-2010

DOI: 10.1080/15405702.2010.512830

Reading Television

Publisher: Routledge

Date: 05-05-2004

DOI: 10.4324/9780203356623

DIY John Curtin: Uncertain futures for heritage and citizenship in the era of digital friends and foes

Publisher: SAGE Publications

Date: 17-04-2013

DOI: 10.1177/1367877913485199

Abstract: This article introduces some of the problems confronting the popularization of national, civic and cultural heritage in the era of complex digital systems and social networks. Taking contemporary knowledge of John Curtin (Australia’s wartime PM) as its point of departure, the discussion explores some of the broader transformations of the conditions of citizenship, communication, heritage and knowledge production, and considers their implications for civic education and the uses of archives. In a novel thought experiment, the article explores some ways in which the figure of ‘John Curtin’ may be repurposed and reinvented for a new kind of DIY civic education based on user-led innovation.

Richard Hoggart and the International Journal of Cultural Studies - 10 years on

Publisher: SAGE Publications

Date: 03-2007

DOI: 10.1177/1367877907073894

Murdoch University

Location: Australia

View Organisation

Curtin University

Location: Australia

View Organisation

Cardiff University

Location: United Kingdom of Great Britain and Northern Ireland

View Organisation

University Of Wales

Location: United Kingdom of Great Britain and Northern Ireland

View Organisation

Queensland University Of Technology

Location: Australia

View Organisation

Linkage Projects - Grant ID: LP0349078

Start Date: 01-2004

End Date: 01-2007

Amount: $330,000.00

Funder: Australian Research Council

Linkage Projects - Grant ID: LP0453652

Start Date: 07-2004

End Date: 12-2007

Amount: $394,953.00

Funder: Australian Research Council

Linkage Projects - Grant ID: LP0219438

Start Date: 05-2002

End Date: 01-2006

Amount: $377,616.00

Funder: Australian Research Council

Discovery Indigenous - Grant ID: IN140100017

Start Date: 2014

End Date: 12-2018

Amount: $610,000.00

Funder: Australian Research Council

Federation Fellowships - Grant ID: FF0561981

Start Date: 11-2005

End Date: 06-2011

Amount: $1,551,625.00

Funder: Australian Research Council

Linkage Projects - Grant ID: LP110100127

Start Date: 06-2011

End Date: 12-2014

Amount: $203,000.00

Funder: Australian Research Council

Discovery Projects - Grant ID: DP0879596

Start Date: 2008

End Date: 12-2013

Amount: $272,000.00

Funder: Australian Research Council

Linkage Projects - Grant ID: LP0777006

Start Date: 07-2007

End Date: 06-2010

Amount: $251,924.00

Funder: Australian Research Council

Linkage Infrastructure, Equipment And Facilities - Grant ID: LE140100148

Start Date: 06-2014

End Date: 12-2016

Amount: $460,000.00

Funder: Australian Research Council

Special Research Initiatives - Grant ID: SR0590002

Start Date: 12-2005

End Date: 06-2014

Amount: $12,495,538.00

Funder: Australian Research Council

Discovery Projects - Grant ID: DP0345907

Start Date: 04-2003

End Date: 06-2006

Amount: $343,033.00

Funder: Australian Research Council

Research Networks - Grant ID: RN0459928

Start Date: 09-2004

End Date: 12-2010

Amount: $1,750,000.00

Funder: Australian Research Council

Special Research Initiatives - Grant ID: SR0354670

Start Date: 2004

End Date: 12-2004

Amount: $40,000.00

Funder: Australian Research Council

Special Research Initiatives - Grant ID: SR0354753

Start Date: 2004

End Date: 12-2004

Amount: $10,000.00

Funder: Australian Research Council