ORCID Profile
0000-0002-8141-1359
Current Organisations
RMIT University
,
National University of Ireland Maynooth
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Consumption and Everyday Life | Cultural Studies | Consumption and everyday life | Cultural studies
Moral and Social Development (incl. Affect) | Education and Training Systems Policies and Development |
Publisher: Men's Studies Press, LLC
Date: 09-2009
DOI: 10.3149/CSM.0102.213
Publisher: Informa UK Limited
Date: 23-02-2016
Publisher: Informa UK Limited
Date: 12-2008
Publisher: Informa UK Limited
Date: 13-12-2017
Publisher: Routledge
Date: 12-2016
Publisher: SAGE Publications
Date: 26-03-2021
Abstract: In this article, we examine the connection between how we imagine carbon, energy and energy futures, and carbon use. We argue that to act on climate change we must reframe our cultural understanding carbon. Where children have often been left out of discussions of carbon use, we bring children into these conversations about carbon consumption and imaginaries through examining contemporary perspectives on posthumanism and energy cultures. We demonstrate that children’s imaginative renderings of possible climate change solutions offer an effectively very different way of connecting with climate change, perhaps a more motivating and inspiring means of relating to the more than human world and reworking our entanglements with energy cultures.
Publisher: SAGE Publications
Date: 22-11-2018
Abstract: This article is an investigation of the agency of matter and an exposition of the new materialist methods I have been developing as part of a muti-sited trans-national ethnography that features socially engaged arts practices alongside more traditional ethnographic and qualitative techniques. I think through the agency of matter and consider the temporality of matter as part of its agency, understanding these agents as constitutive features of the research assemblage. Drawing on ethnographic fieldwork from the United Kingdom, I examine how matter’s space-time can impact processes of making the social. I develop theoretical resources for moving the field forward.
Publisher: Informa UK Limited
Date: 29-06-2015
Publisher: Informa UK Limited
Date: 14-09-2010
Publisher: Edinburgh University Press
Date: 07-07-2011
Publisher: Informa UK Limited
Date: 2013
Publisher: Informa UK Limited
Date: 05-2003
Publisher: Routledge
Date: 08-10-2013
Publisher: Informa UK Limited
Date: 14-09-2010
Publisher: Routledge
Date: 14-06-2018
Publisher: Informa UK Limited
Date: 04-2006
Publisher: Informa UK Limited
Date: 02-01-2015
Publisher: SAGE Publications
Date: 11-2015
DOI: 10.1057/FR.2015.40
Publisher: Informa UK Limited
Date: 2016
Publisher: Informa UK Limited
Date: 2016
Publisher: Routledge
Date: 06-07-2017
Publisher: Informa UK Limited
Date: 03-2009
Publisher: Informa UK Limited
Date: 31-03-2015
Publisher: Informa UK Limited
Date: 02-01-2015
Publisher: Edinburgh University Press
Date: 08-2021
Abstract: This article explores qualitative research methods that employ materiality and movement, images and body mapping to access research participant knowledges. We examine a methodologies workshop that we co-facilitated for academics and postgraduates. We position the workshop as a research assemblage, through which we facilitated four different methodological ‘moves’, to borrow from Barad's (2007) notion of ‘cuts’, to invite learning-knowing through the movement of affect. These embodied methodologies included: moving-writing sport, digital photovoice, movement improvisation, and body mapping somatic movement. Workshop participants were invited to experiment with each method as a means of engaging with tacit, or difficult to articulate knowledges. By exploring what these embodied ‘moves’ do to our ways of knowing, we traced the affective relations that entangle human and nonhuman worlds, self and others, researcher and researched through the workshop intra-actions. Our accounts of each method are diffracted through affective relations as we attune to bodies, vulnerabilities, openings, objects, texts, thoughts, surfaces, and senses, as means of (un)learning together. We articulate the kinds of productive (un)learning that moved us in different ways, and how embodied, feminist new materialist approaches might contribute to defamiliarised approaches to research.
Publisher: Informa UK Limited
Date: 03-12-2012
Publisher: Informa UK Limited
Date: 09-2008
Publisher: Informa UK Limited
Date: 06-2011
Publisher: Informa UK Limited
Date: 08-2016
Publisher: Liverpool University Press
Date: 12-2009
DOI: 10.1353/JLC.0.0024
Publisher: University of Technology, Sydney (UTS)
Date: 1970
Abstract: A review of Ato Quayson, Aesthetic Nervousness: Disability and the Crisis of Representation (Columbia University Press, New York, 2007).
Publisher: Informa UK Limited
Date: 26-03-2010
Publisher: Informa UK Limited
Date: 04-08-2017
Publisher: Routledge
Date: 27-04-2012
Publisher: Palgrave Macmillan UK
Date: 2006
Publisher: Informa UK Limited
Date: 12-2009
Publisher: Society for Artistic Research
Date: 16-03-2018
DOI: 10.22501/RUU.371583
Publisher: MDPI AG
Date: 18-09-2019
Abstract: Using a feminist, new materialist frame to activate ethico-political research exploring religion and gender at a community level both on Instagram and in arts workshops, we show how sharing ethnic backgrounds, religious beliefs, gender identities and sexualities through art practice entangles a diffraction of differences as ‘togetherness’. Such entanglement creates cross-cultural interfaith understandings and gender erse acceptance and inclusion online. We use diffraction, intra-action and entanglement as a way of framing our understanding of this ‘togetherness’ and show that human feelings rely on more-than-human assemblages they rely on homelands, countries, wars, places of worship, orientations, attractions, aesthetics, art and objects of attachment. The feelings of ‘community’ and ‘belonging’ that we discuss are therefore direct products of human and non-human interactions, which we explore through arts-based research. In this article, we apply Karen Barad’s feminist new materialist theories of ‘diffraction’, ‘intra-action’ and ‘entanglement’ to ways of thinking about human experience as intra-acting with aspects of the world that we classify as non-human. We use these new materialist frames to reconceptualize the human feelings of ‘community’, ‘belonging’ and ‘what really matters’ in feminist and intra-religious collaborative art practices and Instagram-based art communities. To better understand and encourage communities of difference, we argue that the feelings of ‘community’ and ‘belonging’, which are central to human subjectivity and experience, are produced by more-than-human assemblages and are central to identity. The methodologies we present are community focused, intra-active, arts-based research strategies for interrogating and understanding expressions of ‘community’ and ‘belonging’. We identify how creative methods are a significant and useful way of knowing about communities and argue that they are important because they are grounded in being with communities, showing that the specificity of their materiality needs to be considered.
Publisher: Informa UK Limited
Date: 12-04-2022
Publisher: Informa UK Limited
Date: 03-2010
Publisher: Informa UK Limited
Date: 08-01-2016
Publisher: Routledge
Date: 05-05-2016
Publisher: Informa UK Limited
Date: 03-09-2022
Location: United Kingdom of Great Britain and Northern Ireland
Start Date: 2014
End Date: 2018
Funder: European Cooperation in Science and Technology
View Funded ActivityStart Date: 2016
End Date: 2019
Funder: Australian Research Council
View Funded ActivityStart Date: 2023
End Date: 12-2025
Amount: $238,907.00
Funder: Australian Research Council
View Funded ActivityStart Date: 06-2017
End Date: 12-2022
Amount: $645,262.00
Funder: Australian Research Council
View Funded ActivityStart Date: 06-2022
End Date: 06-2025
Amount: $338,595.00
Funder: Australian Research Council
View Funded Activity