ORCID Profile
0000-0002-2078-2156
Current Organisations
University of the Arts London
,
NWD
,
Net Zero Lab
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Publisher: Academy for Design Innovation Management
Date: 30-11-2019
DOI: 10.33114/ADIM.2019.04.210
Abstract: It is widely agreed that in order to contribute to transitions towards sustainability, both practitioners and design itself must also transition. This paper presents findings from the first two years of transition in my Australian-based design practice. The paper explores what this transition has required of me personally, politically, and professionally, and draws on cases from my PhD. The PhD and paper are both part of an analytic auto-ethnography of my practice’s transition from ‘making greener things’ towards design for transitions. The projects discussed use ethnography, action research and reflective practices in their temporal approaches. This paper explores how slower methods such as transition design and autonomous design can extend the political reach of a design practice and discusses sacrifice and the financial stabilisation that comes from enveloping old practices within the new. The analysis presented here also reflects on my experiences practicing design for transitions and on data collected through participant engagement.
Publisher: Wiley
Date: 05-2023
DOI: 10.1111/JADE.12459
Abstract: Co‐design and other associated design approaches often deploy creative and making approaches in facilitating collaborative practices. In a therapeutic setting, engagement in creative and making activities have been associated with improvements in people's well‐being, yet when deploying these as part of co‐design practices, these outcomes are often overlooked. This paper presents the results from a series of workshops that focused on the well‐being benefits of participating in co‐design practices. The research uses Max‐Neef's (1991). Theory of Needs to explore how innate human needs might be satisfied through participation in co‐design practices, and demonstrates how this framework might be used for planning and evaluating co‐design practices through a wellbeing lens. Finally, it suggests that future generations of design practitioners would benefit from exposure to the consideration of co‐design as a process of “welldoing.”
Publisher: Design Research Society
Date: 10-09-2020
Publisher: UNISINOS - Universidade do Vale do Rio Dos Sinos
Date: 09-04-2021
Abstract: The recent global experience of COVID-19 has problematized the face-to-face co-design process and forced co-design researchers and practitioners to rethink the process of collaboration that typically takes place in a co-design workshop. This paper considers how we might continue to co-design when physical proximity is not possible. Recognising that technology has long played a role in co-design practice, we argue that to date, the technologically mediated experience of co-design has been largely based on the assumption of replicating the physical and embodied experience of the co-design workshop. Rather than accepting the deficit culture implied through the curtailing of much of the conventional face-to-face activities we associate with co-design, this paper reports on proactive research into novel possibilities for continuing collaborative research work through the concept of ‘low-contact co-design’. A series of proprietary visual models that explore a range of spatiotemporal conditions within which co-design practices can occur are presented. Opportunities for engaging with new communities, and in new processes are highlighted and a spatiotemporal framework for planning co-design processes is presented.
Publisher: North American Business Press
Date: 30-12-2020
Location: United Kingdom of Great Britain and Northern Ireland
No related grants have been discovered for Niki Wallace.