ORCID Profile
0000-0001-5772-2061
Current Organisation
Western Sydney University - Bankstown Campus
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Neurocognitive Patterns and Neural Networks | Psychology | Central Nervous System | Sensory Processes, Perception and Performance | Biological psychology | Sensory systems | Cognitive neuroscience | Biomedical imaging
Expanding Knowledge in Psychology and Cognitive Sciences | Expanding Knowledge in the Medical and Health Sciences |
Publisher: Public Library of Science (PLoS)
Date: 19-09-2012
Publisher: MIT Press - Journals
Date: 12-2020
DOI: 10.1162/JOCN_A_01605
Abstract: Human rhythmic movements spontaneously synchronize with auditory rhythms at various frequency ratios. The emergence of more complex relationships—for instance, frequency ratios of 1:2 and 1:3—is enhanced by adding a congruent accentuation pattern (binary for 1:2 and ternary for 1:3), resulting in a 1:1 movement–accentuation relationship. However, this benefit of accentuation on movement synchronization appears to be stronger for the ternary pattern than for the binary pattern. Here, we investigated whether this difference in accent-induced movement synchronization may be related to a difference in the neural tracking of these accentuation profiles. Accented and control unaccented auditory sequences were presented to participants who concurrently produced finger taps at their preferred frequency, and spontaneous movement synchronization was measured. EEG was recorded during passive listening to each auditory sequence. The results revealed that enhanced movement synchronization with ternary accentuation was accompanied by enhanced neural tracking of this pattern. Larger EEG responses at the accentuation frequency were found for the ternary pattern compared with the binary pattern. Moreover, the litude of accent-induced EEG responses was positively correlated with the magnitude of accent-induced movement synchronization across participants. Altogether, these findings show that the dynamics of spontaneous auditory–motor synchronization is strongly driven by the multi-time-scale sensory processing of auditory rhythms, highlighting the importance of considering neural responses to rhythmic sequences for understanding and enhancing synchronization performance.
Publisher: Elsevier BV
Date: 03-2020
Publisher: Elsevier BV
Date: 09-2016
DOI: 10.1016/J.ACTPSY.2016.05.008
Abstract: Previous research has reported that synchronising movements with an external pacer, known as sensorimotor synchronisation (SMS), is more stable when the movements are discrete/discontinuous rather than continuous. A standard explanation considers that more efficient mechanisms are involved for regulating synchronisation when producing discontinuous movements. To date, however, only discontinuous pacers (e.g., metronomes) have been investigated to compare discontinuous and continuous SMS. We propose an alternative explanation whereby the discontinuous SMS has benefited from the matching between the (dis)continuous nature of the pacer and the (dis)continuous nature of the movements of synchronisation. The present experiment tested this explanation by examining the relative stability of discontinuous and continuous SMS when synchronising with a continuous pacer. Twelve participants finger tapped (discontinuous SMS) or continuously oscillated their forearm (continuous SMS) in synchrony with an oscillatory visual target. The continuity of the pacer was manipulated by varying the kinematic (harmonic to Rayleigh-like oscillations) and the frequency (0.5 and 1Hz) of the target oscillations. Overall, the results showed a more stable continuous than discontinuous SMS. Furthermore, the stability of the discontinuous SMS improved when increasing the discontinuity of the target displacements (high nonlinear kinematic and low frequency), showing an interaction between movement type and pacer continuity in SMS.
Publisher: Public Library of Science (PLoS)
Date: 19-06-2013
Publisher: Elsevier BV
Date: 05-2019
DOI: 10.1016/J.ACTPSY.2019.03.007
Abstract: Humans spontaneously synchronize their movements with external auditory rhythms such as a metronome or music. Although such synchronization preferentially occurs toward simple 1:1 movement-stimulus frequency ratio, the extent to which spontaneous synchronization can also occur toward more complex frequency ratios remains largely unclear. The present study investigates the occurrence and dynamical stability of spontaneous auditory-motor synchronization at multiple frequency ratios. Participants performed index finger oscillations at their preferred tempo while listening to auditory metronomes with frequency progressively increasing or decreasing between 1 Hz and 6 Hz. The results demonstrated that participants' movements were not only entrained toward the 1:1 frequency ratio but also toward the 1:2 ratio. The occurrence and stability of these ratios differed as a function of the direction of frequency change. Participants synchronized to the 1:2 ratio and transitioned to a 1:1 ratio in the descending condition. In the ascending condition only the 1:1 ratio was sustained, for a longer extent than in the descending condition. These results show that the initial coordination pattern influenced pattern transition, demonstrating the occurrence of a hysteresis effect that is typical of complex system dynamics. These findings provide new insight into the mechanisms underlying the occurrence and stability of spontaneous movement synchronization to auditory rhythms.
Publisher: Cold Spring Harbor Laboratory
Date: 23-09-2020
DOI: 10.1101/2020.09.23.309443
Abstract: When listening to music, humans spontaneously perceive and synchronize movement to periodic pulses of meter. A growing body of evidence suggests that this widespread ability is related to neural processes that selectively enhance meter periodicities. However, to what extent these neural processes are affected by the attentional state of the listener remains largely unknown. Here, we recorded EEG while participants listened to auditory rhythms and detected small changes in tempo or pitch of the stimulus, or performed a visual task. The overall neural response to the auditory input decreased when participants attended the visual modality, indicating generally lower sensitivity to acoustic information. However, the selective contrast at meter periodicities did not differ across the three tasks. Moreover, this selective contrast could be trivially accounted for by biologically-plausible models of subcortical auditory processing, but only when meter periodicities were already prominent in the acoustic input. However, when meter periodicities were not prominent in the auditory input, the EEG responses could not be explained by low-level processing. This was also confirmed by early auditory responses that originate predominantly in early auditory areas and were recorded in the same EEG. The contrast at meter periodicities in these early responses was consistently smaller than in the EEG responses originating mainly from higher-level processing stages. Together, these results demonstrate that selective contrast at meter periodicities involves higher-level neural processes that may be engaged automatically, irrespective of behavioral context. This robust shaping of the neural representation of rhythm might thus contribute to spontaneous and effortless synchronization to musical meter in humans across cultures.
Publisher: American Psychological Association (APA)
Date: 2014
DOI: 10.1037/A0037417
Abstract: Every day, we visually coordinate our movements with environmental rhythms. Despite its ubiquity, it largely remains unclear why certain visual rhythms or stimuli facilitate such visuomotor coordination. The goal of the current study was to investigate whether the velocity profile of a rhythmic stimulus modulated the emergence and stability of this coordination. We examined both intended (Experiment 1) and unintended or spontaneous coordination (Experiment 2) between the rhythmic limb movements of participants and stimuli exhibiting different velocity profiles. Specifically, the stimuli oscillated with either a sinusoidal (harmonic), nonlinear Rayleigh, or nonlinear Van der Pol velocity profile, all of which are typical of human or biological rhythmic movement. The results demonstrated that the dynamics of both intended and unintended visuomotor coordination were modulated by the stimulus velocity profile, and that the Rayleigh velocity profile facilitated the coordination, suggesting a crucial role of the slowness to the endpoints or turning points of the stimulus trajectory for stable coordination. More generally, these findings open promising research directions to better understand and improve coordination with artificial agents and people with social deficits.
Publisher: Cold Spring Harbor Laboratory
Date: 09-07-2019
DOI: 10.1101/696914
Abstract: When listening to musical rhythm, people tend to spontaneously perceive and move along with a periodic pulse-like meter. Moreover, perception and entrainment to the meter show remarkable stability in the face of dynamically changing rhythmic structure of music, even when acoustic cues to meter frequencies are degraded in the rhythmic input. Here we show that this perceptual phenomenon is supported by a selective synchronization of endogenous brain activity to the perceived meter, and that this neural synchronization is significantly shaped by recent context, especially when the incoming input becomes increasingly ambiguous. We recorded the EEG while non-musician and musician participants listened to nonrepeating rhythmic sequences where acoustic cues to meter frequencies either gradually decreased (from regular to ambiguous) or increased (from ambiguous to regular). We observed that neural activity selectively synchronized to the perceived meter persisted longer when the sequence gradually changed from regular to ambiguous compared to the opposite, thus demonstrating hysteresis in the neural processing of a dynamically changing rhythmic stimulus. This dependence on recent context was weaker in the neural responses of musicians, who also showed greater ability to tap along with a regular meter irrespective of stimulus ambiguity, thus reflecting greater stability relative to current and recent stimulus in musicians. Together, these asymmetric context effects demonstrate how the relative contribution of incoming and prior signals is continuously weighted to shape neural selection of functionally-relevant features and guide perceptual organization of dynamic input. When listening to musical rhythm, people tend to spontaneously perceive and move along with a periodic pulse-like meter. Moreover, perception and entrainment to the meter seem to show remarkable stability in the face of dynamically changing rhythmic structure of music. Here we show that this is supported by a selective synchronization of brain activity at meter frequencies. This selective neural synchronization persists longer when a nonrepeating sequence gradually transforms from a regular to an ambiguous rhythm compared to the opposite. This asymmetric context effect suggests that the brain processes rhythm based on a flexible combination of sensory and endogenous information. Such continuously updated neural emphasis on meter periodicities might therefore guide robust perceptual organization of a dynamic rhythmic input.
Publisher: Springer Science and Business Media LLC
Date: 16-08-2019
DOI: 10.1007/S00221-019-05625-9
Abstract: People commonly move along with auditory rhythms in the environment. Although the processes underlying such sensorimotor synchronisation have been extensively investigated in the previous research, the properties of auditory rhythms that facilitate the synchronisation remain largely unclear. This study explored the possible benefits of a continuity matching between auditory pacers and the movement produced as well as of a spatial pattern matching that has been previously demonstrated with visual pacers. Participants synchronised either finger tapping or forearm oscillations with either discrete or continuous pacers. The pacers had either a spatial pattern (left-right panning) that matched the movement pattern produced or no spatial pattern. The accuracy and variability of synchronisation were assessed by the mean and standard deviation of the asynchronies, respectively, between participant's movement and the pacers. Results indicated that synchronisation was more accurate and less variable for discrete pacers and continuous movement (i.e., forearm oscillations). The interaction between those two factors involved a more complex relationship than a simple continuity match benefit. Although synchronisation variability increased with continuous pacers for both types of movement, this increase was smaller for continuous movement than discrete movement, suggesting that continuous movement is more beneficial only for continuous pacers. Moreover, the results revealed limited benefits of spatial pattern matching on auditory-motor synchronisation variability, which might be due to lower spatial resolution of the auditory sensory modality. Together, these findings confirm that sensorimotor synchronisation is modulated by complex relations between pacer and movement properties.
Publisher: Oxford University Press (OUP)
Date: 2020
Abstract: Human movements often spontaneously fall into synchrony with auditory and visual environmental rhythms. Related behavioral studies have shown that motor responses are automatically and unintentionally coupled with external rhythmic stimuli. However, the neurophysiological processes underlying such motor entrainment remain largely unknown. Here, we investigated with electroencephalography (EEG) and electromyography (EMG) the modulation of neural and muscular activity induced by periodic audio and/or visual sequences. The sequences were presented at either 1 or 2 Hz, while participants maintained constant finger pressure on a force sensor. The results revealed that although there was no change of litude in participants’ EMG in response to the sequences, the synchronization between EMG and EEG recorded over motor areas in the beta (12–40 Hz) frequency band was dynamically modulated, with maximal coherence occurring about 100 ms before each stimulus. These modulations in beta EEG–EMG motor coherence were found for the 2-Hz audio–visual sequences, confirming at a neurophysiological level the enhancement of motor entrainment with multimodal rhythms that fall within preferred perceptual and movement frequency ranges. Our findings identify beta band cortico-muscular coupling as a potential underlying mechanism of motor entrainment, further elucidating the nature of the link between sensory and motor systems in humans.
Publisher: Proceedings of the National Academy of Sciences
Date: 13-11-2018
Publisher: Elsevier BV
Date: 11-2013
DOI: 10.1016/J.PSYCHRES.2013.05.034
Abstract: Expressive behaviour plays a crucial role in the success of social interactions. Abnormality of expressive behaviour has been reported in interpersonal interactions of patients suffering from schizophrenia and social phobia, two debilitating mental disorders with important social deficits. However, no study has compared the expressive behaviour in these two disorders. Thirty schizophrenia patients, 21 social phobia patients and 30 healthy controls were evaluated and compared on expressive, cognitive and clinical dimensions. Expressive behaviour was assessed using the Motor Affective subscale of the Motor-Affective-Social-Scale (MASS). Covariables include the Positive and Negative Syndrome Scale (PANSS), the anxiety level Liebowitz-Social-Anxiety-Scale (LSAS) and cognitive tasks. After controlling for depression, schizophrenia and social phobia patients both exhibited significantly fewer expressive behaviours compared to healthy controls. Moreover, our results showed specific signatures: schizophrenia patients performed fewer spontaneous gestures (hand gestures and smiles) whereas social phobia patients had an impaired ability to produce voluntary smiles in comparison to healthy controls. Interestingly, poor social functioning was significantly correlated with a decrease of expressive behaviour for schizophrenia patients. Expressive behaviour is impaired in different ways in social phobia and schizophrenia and is associated in schizophrenia with poorer social functioning. The Motor Affective subscale of the MASS is an interesting tool for assessing the dysfunction of interpersonal expressive behaviour in mental disorders.
Publisher: Informa UK Limited
Date: 05-06-2016
DOI: 10.1080/00222895.2015.1050548
Abstract: Historically, movement noise or variability is considered to be an undesirable property of biological motor systems. In particular, noise is typically assumed to degrade the emergence and stability of rhythmic motor synchronization. Recently, however, it has been suggested that small levels of noise might actually improve the functioning of motor systems and facilitate their adaptation to environmental events. Here, the authors investigated whether noise can facilitate spontaneous rhythmic visuomotor synchronization. They examined the influence of internal noise in the rhythmic limb movements of participants and external noise in the movement of an oscillating visual stimulus on the occurrence of spontaneous synchronization. By indexing the natural frequency variability of participants and manipulating the frequency variability of the visual stimulus, the authors demonstrated that both internal and external noise degrade synchronization when the participants' and stimulus movement frequencies are similar, but can actually facilitate synchronization when the frequencies are different. Furthermore, the two kinds of noise interact with each other. Internal noise facilitates synchronization only when external noise is minimal and vice versa. Too much internal and external noise together degrades synchronization. These findings open new perspectives for better understanding the role of noise in human rhythmic coordination.
Publisher: Oxford University Press (OUP)
Date: 2020
Abstract: When listening to music, people often perceive and move along with a periodic meter. However, the dynamics of mapping between meter perception and the acoustic cues to meter periodicities in the sensory input remain largely unknown. To capture these dynamics, we recorded the electroencephalography while nonmusician and musician participants listened to nonrepeating rhythmic sequences, where acoustic cues to meter frequencies either gradually decreased (from regular to degraded) or increased (from degraded to regular). The results revealed greater neural activity selectively elicited at meter frequencies when the sequence gradually changed from regular to degraded compared with the opposite. Importantly, this effect was unlikely to arise from overall gain, or low-level auditory processing, as revealed by physiological modeling. Moreover, the context effect was more pronounced in nonmusicians, who also demonstrated facilitated sensory-motor synchronization with the meter for sequences that started as regular. In contrast, musicians showed weaker effects of recent context in their neural responses and robust ability to move along with the meter irrespective of stimulus degradation. Together, our results demonstrate that brain activity elicited by rhythm does not only reflect passive tracking of stimulus features, but represents continuous integration of sensory input with recent context.
Publisher: Elsevier BV
Date: 09-2018
DOI: 10.1016/J.NEULET.2018.07.044
Abstract: There is growing evidence that movement synchronisation to an external rhythm is affected by the type of pacers involved. Specifically, visuomotor synchronisation (VMS) is facilitated when the pacer is continuous (continuity condition) and moves in the same direction as the movement produced (pattern matching condition). However, the extent to which the continuity and pattern matching conditions each contribute to facilitation of VMS remains unclear. The present study aimed to disentangle the potential dual influence of pacer continuity and pacer pattern on VMS. Twenty participants were asked to synchronise continuous left-right forearm movements of tracking (continuous VMS - Experiment 1) or discrete up-down finger movements of tapping (discontinuous VMS - Experiment 2) with four visual pacers. The pacers consisted of a red dot target that either oscillated (continuous pacers) or flashed (discrete pacers) periodically. The target also exhibited a left-right (left-right pacers) or a centred (centred pacers) movement pattern. Results showed lower variability in synchrony with the continuous visual pacer that respectively matched the left-right and the centred movement pattern of forearm and finger tapping. Both the continuity condition and the pattern matching condition facilitated VMS when synchronising continuous forearm tracking movements (Experiment 1) whereas both conditions were required to facilitate VMS when synchronising discrete finger tapping movements (Experiment 2). These results provide new insights into the mechanisms underlying VMS and how they are modulated by variations in pacer pattern and pacer continuity.
Publisher: Elsevier BV
Date: 08-2020
Publisher: Frontiers Media SA
Date: 2014
Publisher: Proceedings of the National Academy of Sciences
Date: 23-07-2018
Abstract: Bass sounds play a special role in conveying the rhythm and stimulating motor entrainment to the beat of music. However, the biological roots of this culturally widespread musical practice remain mysterious, despite its fundamental relevance in the sciences and arts, and also for music-assisted clinical rehabilitation of motor disorders. Here, we show that this musical convention may exploit a neurophysiological mechanism whereby low-frequency sounds shape neural representations of rhythmic input at the cortical level by boosting selective neural locking to the beat, thus explaining the privileged role of bass sounds in driving people to move along with the musical beat.
Publisher: American Psychological Association (APA)
Date: 02-2021
DOI: 10.1037/XGE0000835
Publisher: Frontiers Media SA
Date: 2012
Publisher: Proceedings of the National Academy of Sciences
Date: 29-01-2019
Publisher: Springer Science and Business Media LLC
Date: 26-02-2015
DOI: 10.1007/S00221-015-4235-7
Abstract: On land, body sway during stance becomes coupled with imposed oscillations of the illuminated environment or of the support surface. This coupling appears to have the function of stabilizing the body relative to the illuminated or inertial environment. In previous research, the stimulus has been limited to motion in a single axis. Little is known about our ability to couple postural activity with complex, multi-axis oscillations. On a ship at sea, we evaluated postural activity using measures of body movement, as such, and we separately evaluated a direct measure of coupling between body movement and ship motion. Participants were tested while facing fore-aft and athwartship. We compared postural activity between participants who had been seasick at the beginning of the voyage and those who had not. Coupling of postural activity with ship motion differed between body axes as a function of body orientation relative to the ship. In addition, coupling differed between participants who had been seasick at the beginning of the voyage and those who had not. We discuss the results in terms of implications for general theories of postural control, and for prediction of susceptibility to seasickness in in iduals.
Publisher: Springer Science and Business Media LLC
Date: 07-08-2017
DOI: 10.1007/S00221-017-5055-8
Abstract: Humans spontaneously entrain their movements to visual rhythms in the environment. Previous research has shown that the strength of such unintentional visuomotor entrainment is enhanced when observing rhythms characterized by the nonlinear, Rayleigh kinematics typical of human movements such movements are characterized by greater slowness towards the trajectory turning points compared to sinusoidal movements. However, the enhanced unintentional entrainment to rhythms exhibiting Rayleigh kinematics has only been shown to occur when participants tracked stimulus movements with their eyes, which might have facilitated access to important information for enhanced entrainment. The current study compared the strength of unintentional visuomotor entrainment with both Rayleigh and sinusoidal kinematics when participants were either tracking (eye following the oscillating stimulus) or non-tracking (eye fixed at the centre of the stimulus trajectory) stimulus movements. The results showed that enhanced unintentional entrainment with Rayleigh stimuli only occurred with eye-tracking, supporting that slowness of rhythmic movements towards turning points facilitate entrainment and that access to this information depends on eye movements.
Publisher: American Psychological Association (APA)
Date: 2011
DOI: 10.1037/A0020552
Abstract: The goal of the current study was to investigate whether a visual coupling between two people can produce spontaneous interpersonal postural coordination and change their intrapersonal postural coordination involved in the control of stance. We examined the front-to-back head displacements of participants and the angular motion of their hip and ankle during a visual tracking task performed alone and paired. Our results showed that visually paired participants exhibited spontaneous coordination between the movements of their head, hip, and ankle. Moreover, the visual coupling modified the spontaneous intrapersonal ankle-hip coordination dynamics of participants and their performance during visual tracking. Generally, our findings demonstrated reciprocal relations between intrapersonal and interpersonal coordination during social interaction.
Publisher: American Psychological Association (APA)
Date: 2014
DOI: 10.1037/A0038197
Abstract: The control of standing body posture is affected by mechanical perturbations, such as motion of the support surface. Postural activity also is responsive to subtle social factors: When 2 people interact there is spontaneous interpersonal coordination of their movements. We asked whether interpersonal postural coordination based on visual contact would be robust in the presence of mechanical perturbations that characterize sea travel. During an ocean voyage, pairs of participants stood facing together or facing apart. Interpersonal coordination of body sway was stronger when participants faced each other than when they faced apart. Furthermore, overall body movement was reduced when in iduals faced together, suggesting that the sight of another person improved in iduals' ability to compensate for ship motion. These findings provide the first evidence that the "soft" constraint of interpersonal visual contact can influence interpersonal postural coordination as people simultaneously adjust postural sway in response to powerful mechanical (i.e., "hard") constraints.
Publisher: Springer Science and Business Media LLC
Date: 28-04-2011
DOI: 10.1007/S00221-011-2689-9
Abstract: The current project evaluated the relationship between the stability of intrapersonal coordination and the emergence of spontaneous interpersonal coordination. Participants were organized into pairs, and each participant was instructed to produce either an inphase or antiphase pattern of intrapersonal bimanual coordination using two hand-held pendulums, while simultaneously performing an interpersonal puzzle task. At issue was whether the emergence and stability of spontaneous interpersonal rhythmic coordination is influenced by ("Experiment 1") the stability of the intrapersonal coordination patterns produced by co-actors and ("Experiment 2") the congruency of the intrapersonal coordination patterns produced by co-actors. The stability of intrapersonal movement coordination did not affect the emergence of spontaneous interpersonal coordination. The degree of interpersonal coordination observed was similar when both participants in a pair produced either inphase or antiphase patterns of intrapersonal bimanual coordination. Moreover, the congruency of the intrapersonal coordination patterns only slightly affected the emergence of interpersonal coordination, with only marginally lower inphase interpersonal entrainment when participants produced incongruent patterns of intrapersonal coordination (e.g., inphase-antiphase). Interestingly, movement observation and the emergence of interpersonal coordination did not affect the stability of intrapersonal bimanual coordination. The results suggest that interlimb rhythmic bimanual coordination reflects a single intrapersonal perceptual-motor synergy and that these bimanual synergies (not in idual limbs) are what become spontaneously entrained interpersonally.
Publisher: Public Library of Science (PLoS)
Date: 02-10-2014
Publisher: Cold Spring Harbor Laboratory
Date: 16-03-2023
DOI: 10.1101/2023.03.15.532848
Abstract: Transforming sensory inputs into meaningful neural representations is critical to adaptive behaviour in everyday environments. While non-invasive neuroimaging methods are the de-facto method for investigating neural representations, they remain expensive, not widely available, time-consuming, and restrictive in terms of the experimental conditions and participant populations they can be used with. Here we show that movement trajectories collected in online behavioural experiments can be used to measure the emergence and dynamics of neural representations with fine temporal resolution. By combining online computer mouse-tracking and publicly available neuroimaging (MEG and fMRI) data via Representational Similarity Analysis (RSA), we show that movement trajectories track the evolution of visual representations over time. We used a time constrained face/object categorization task on a previously published set of images containing human faces, illusory faces and objects to demonstrate that time-resolved representational structures derived from movement trajectories correlate with those derived from MEG, revealing the unfolding of category representations in comparable temporal detail (albeit delayed) to MEG. Furthermore, we show that movement-derived representational structures correlate with those derived from fMRI in most task-relevant brain areas, faces and objects selective areas in this proof of concept. Our results highlight the richness of movement trajectories and the power of the RSA framework to reveal and compare their information content, opening new avenues to better understand human perception.
Publisher: Springer Science and Business Media LLC
Date: 15-06-2020
DOI: 10.1007/S00426-019-01208-Z
Abstract: Humans spontaneously synchronize their movements with external auditory rhythms such as a metronome or music. Although such synchronization preferentially occurs toward a simple 1:1 movement-sound frequency ratio, the parameters facilitating spontaneous synchronization to more complex frequency ratios remain largely unclear. The present study investigates the dynamics of spontaneous auditory-motor synchronization at a range of frequency ratios between movement and sound, and examines the benefit of simple accentuation pattern on synchronization emergence and stability. Participants performed index finger oscillations at their preferred tempo while listening to a metronome presented at either their preferred tempo, or twice or three times faster (frequency ratios of 1:1, 1:2 or 1:3) with different patterns of accentuation (unaccented, binary or ternary accented), and no instruction to synchronize. Participants' movements were spontaneously entrained to the auditory stimuli in the three different frequency ratio conditions. Moreover, the emergence and stability of the modes of coordination were influenced by the interaction between frequency ratio and pattern of accentuation. Coherent patterns, such as a 1:3 frequency ratio supported by a ternary accentuation, facilitated the emergence and stability of the corresponding mode of coordination. Furthermore, ternary accentuation induced a greater gain in stability for the corresponding mode of coordination than was observed with binary accentuation. Together, these findings demonstrate the importance of matching accentuation pattern and movement tempo for enhanced synchronization, opening new perspectives for stabilizing complex rhythmic motor behaviors, such as running.
Publisher: Springer Science and Business Media LLC
Date: 24-11-2017
DOI: 10.1038/S41598-017-16151-5
Abstract: The current study investigated whether visual coupling between two people producing dance-related movements (requiring whole-body auditory-motor coordination) results in interpersonal entrainment and modulates in idual auditory-motor coordination dynamics. Paired participants performed two kinds of coordination tasks – either knee flexion or extension repeatedly with metronome beats (Flexion-on-the-beat and Extension-on-the-beat conditions) while standing face-to-face or back-to-back to manipulate visual interaction. The results indicated that the relative phases between paired participants’ movements were closer to 0° and less variable when participants could see each other. In addition, visibility of the partner reduced in idual differences in the dynamics of auditory-motor coordination by modulating coordination variability and the frequency of phase transitions from Extension-on-the-beat to Flexion-on-the-beat. Together, these results indicate that visual coupling takes place when paired participants can see each other and leads to interpersonal entrainment during rhythmic auditory-motor coordination, which compensates for in idual differences via behavioural assimilation and thus enables in iduals to achieve unified and cohesive performances.
Publisher: The Royal Society
Date: 11-2015
DOI: 10.1098/RSOS.150286
Abstract: Humans are assumed to have a natural—universal—predisposition for making music and for musical interaction. Research in this domain is, however, typically conducted with musically trained in iduals, and therefore confounded with expertise. Here, we present a rediscovered and updated invention—the E-music box—that we establish as an empirical method to investigate musical production and interaction in everyone. The E-music box transforms rotatory cyclical movements into pre-programmable digital musical output, with tempo varying according to rotation speed. The user’s movements are coded as continuous oscillatory data, which can be analysed using linear or nonlinear analytical tools. We conducted a proof-of-principle experiment to demonstrate that, using this method, pairs of non-musically trained in iduals can interact according to conventional musical practices (leader/follower roles and lower-pitch dominance). The results suggest that the E-music box brings ‘active’ and ‘interactive’ musical capacities within everyone’s reach. We discuss the potential of this method for exploring the universal predisposition for music making and interaction in developmental and cross-cultural contexts, and for neurologic musical therapy and rehabilitation.
Publisher: Wiley
Date: 07-05-2017
DOI: 10.1111/EJN.13581
Abstract: Spontaneous modulations of corticospinal excitability during action observation have been interpreted as evidence for the activation of internal motor representations equivalent to the observed action. Alternatively or complementary to this perspective, growing evidence shows that motor activity during observation of rhythmic movements can be modulated by direct visuomotor couplings and dynamical entrainment. In-phase and anti-phase entrainment spontaneously occur, characterized by cyclic movements proceeding simultaneously in the same (in-phase) or opposite (anti-phase) direction. Here we investigate corticospinal excitability during the observation of vertical oscillations of an index finger using Transcranial Magnetic Stimulation (TMS). Motor-evoked potentials (MEPs) were recorded from participants' flexor and extensor muscles of the right index finger, placed in either a maximal steady flexion or extension position, with stimulations delivered at maximal flexion, maximal extension or mid-trajectory of the observed finger oscillations. Consistent with the occurrence of dynamical motor entrainment, increased and decreased MEP responses - suggesting the facilitation of stable in-phase and anti-phase relations but not an unstable 90° phase relation - were found in participants' flexors. Anti-phase motor facilitation contrasts with the activation of internal motor representation as it involves activity in the motor system opposite from activity required for the execution of the observed movement. These findings demonstrate the relevance of dynamical entrainment theories and methods for understanding spontaneous motor activity in the brain during action observation and the mechanisms underpinning coordinated movements during social interaction.
Publisher: Elsevier BV
Date: 06-2012
DOI: 10.1016/J.HUMOV.2011.08.002
Abstract: Rhythmic limb movements have been shown to spontaneously coordinate with rhythmic environmental stimuli. Previous research has demonstrated how such entrainment depends on the difference between the movement periods of the limb and the stimulus, and on the degree to which the actor visually tracks the stimulus. Here we present an experiment that investigated how stimulus litude influences unintended visuomotor entrainment. Participants performed rhythmic forearm movements while visually tracking an oscillating stimulus. The litude and period of stimulus motion were manipulated. Larger stimulus litudes resulted in stronger entrainment irrespective of how participants visually tracked the movements of the stimulus. Visual tracking, however, did result in increased entrainment for large, but not small, stimulus litudes. Collectively, the results indicate that the movement litude of environmental stimuli plays a significant role in the emergence of unintended visuomotor entrainment.
Publisher: Elsevier BV
Date: 12-2013
DOI: 10.1016/J.BANDC.2013.10.002
Abstract: The internal processes involved in synchronizing our movements with environmental stimuli have traditionally been addressed using regular metronomic sequences. Regarding real-life environments, however, biological rhythms are known to have intrinsic variability, ubiquitously characterized as fractal long-range correlations. In our research we thus investigate to what extent the synchronization processes drawn from regular metronome paradigms can be generalized to other (biologically) variable rhythms. Participants performed synchronized finger tapping under five conditions of long-range and/or short-range correlated, randomly variable, and regular auditory sequences. Combining experimental data analysis and numerical simulation, we found that synchronizing with biologically variable rhythms involves the same internal processes as with other variable rhythms (whether totally random or comprising lawful regularities), but different from those involved with a regular metronome. This challenges both the generalizability of conclusions drawn from regular-metronome paradigms, and recent research assuming that biologically variable rhythms may trigger specific strong anticipatory processes to achieve synchronization.
Publisher: American Psychological Association (APA)
Date: 02-2015
DOI: 10.1037/A0038640
Abstract: Despite the desire of athletes to separate themselves from their competitors, to be faster or better, their performance is often influenced by those they are competing with. Here we show that the unintentional or spontaneous interpersonal synchronization of athletes' movements may partially account for such performance modifications. We examined the 100-m final of Usain Bolt in the 12th IAAF World Ch ionship in Athletics (Berlin, 2009) in which he broke the world record, and demonstrate that Usain Bolt and Tyson Gay who ran side-by-side throughout the race spontaneously and intermittently synchronized their steps. This finding demonstrates that even the most optimized in idual motor skills can be modulated by the simple presence of another in idual via interpersonal coordination processes. It extends previous research by showing that the hard constraints of in idual motor performance do not overwhelm the occurrence of spontaneous interpersonal synchronization and open promising new research directions for better understanding and improving athletic performance.
Publisher: Elsevier BV
Date: 05-2017
DOI: 10.1016/J.NEUROSCIENCE.2017.03.016
Abstract: Human rhythmic movements spontaneously entrain to external rhythmic stimuli. Such sensory-motor entrainment can attract movements to different tempi and enhance their efficiency, with potential clinical applications for motor rehabilitation. Here we investigate whether entrainment of self-paced rhythmic movements can be induced via transcranial alternating current stimulation (tACS), which uses alternating currents to entrain spontaneous brain oscillations at specific frequencies. Participants swung a handheld pendulum at their preferred tempo with the right hand while tACS was applied over their left or right primary motor cortex at frequencies equal to their preferred tempo (Experiment 1) or in the alpha (10Hz) and beta (20Hz) ranges (Experiment 2). Given that entrainment generally occurs only if the frequency difference between two rhythms is small, stimulations were delivered at frequencies equal to participants' preferred movement tempo (≈1Hz) and ±12.5% in Experiment 1, and at 10Hz and 20Hz, and ±12.5% in Experiment 2. The comparison of participants' movement frequency, litude, variability, and phase synchrony with and without tACS failed to reveal entrainment or movement modifications across the two experiments. However, significant differences in stimulation-related side effects reported by participants were found between the two experiments, with phosphenes and burning sensations principally occurring in Experiment 2, and metallic tastes reported marginally more often in Experiment 1. Although other stimulation protocols may be effective, our results suggest that rhythmic movements such as pendulum swinging or locomotion that are low in goal-directedness and/or strongly driven by peripheral and mechanical constraints may not be susceptible to modulation by tACS.
Publisher: Elsevier BV
Date: 02-2020
DOI: 10.1016/J.NEUROIMAGE.2019.116303
Abstract: Humans coordinate their movements with one another in a range of everyday activities and skill domains. Optimal joint performance requires the continuous anticipation of and adaptation to each other's movements, especially when actions are spontaneous rather than pre-planned. Here we employ dual-EEG and frequency-tagging techniques to investigate how the neural tracking of self- and other-generated movements supports interpersonal coordination during improvised motion. LEDs flickering at 5.7 and 7.7 Hz were attached to participants' index fingers in 28 dyads as they produced novel patterns of synchronous horizontal forearm movements. EEG responses at these frequencies revealed enhanced neural tracking of self-generated movement when leading and of other-generated movements when following. A marker of self-other integration at 13.4 Hz (inter-modulation frequency of 5.7 and 7.7 Hz) peaked when no leader was designated, and mutual adaptation and movement synchrony were maximal. Furthermore, the litude of EEG responses reflected differences in the capacity of dyads to synchronize their movements, offering a neurophysiologically grounded perspective for understanding perceptual-motor mechanisms underlying joint action.
Publisher: Elsevier BV
Date: 08-2013
DOI: 10.1016/J.NEULET.2013.05.013
Abstract: Vision plays an important role in allowing the development of coordinated movements and often acts as the dominant perceptual modality for every day movements. This visual information is often presented in the spatio-temporal domain but the specific role of spatio-temporal information has not been specifically assessed in the literature. This experiment used two visual stimuli to assess the reliance on spatio-temporal integration and the effect of supplementing spatial information to a temporal stimulus on coordination. Participants manipulated a hand held pendulum at three frequencies in coordination with these stimuli. The results revealed that the supplementation of spatial information significantly improved coordination. Interestingly, the absence of spatial information still produced good levels of coordination indicating a resilience of motor coordination to adapt to changes in the environment.
Publisher: Springer Science and Business Media LLC
Date: 16-08-2020
DOI: 10.1007/S00426-018-1074-8
Abstract: Human movements spontaneously entrain to auditory rhythms, which can help to stabilise movements in time and space. The properties of auditory rhythms supporting the occurrence of this phenomenon, however, remain largely unclear. Here, we investigate in two experiments the effects of pitch and tempo on spontaneous movement entrainment and stabilisation. We examined spontaneous entrainment of hand-held pendulum swinging in time with low-pitched (100 Hz) and high-pitched (1600 Hz) metronomes to test whether low pitch favours movement entrainment and stabilisation. To investigate whether stimulation and movement tempi moderate these effects of pitch, we manipulated (1) participants' preferred movement tempo by varying pendulum mechanical constraints (Experiment 1) and (2) stimulation tempo, which was either equal to, or slightly slower or faster (± 10%) than the participant's preferred movement tempo (Experiment 2). The results showed that participants' movements spontaneously entrained to auditory rhythms, and that this effect was stronger with low-pitched rhythms independently of stimulation and movement tempi. Results also indicated that auditory rhythms can lead to increased movement litude and stabilisation of movement tempo and litude, particularly when low-pitched. However, stabilisation effects were found to depend on intrinsic movement variability. Auditory rhythms decreased movement variability of in iduals with higher intrinsic variability but increased movement variability of in iduals with lower intrinsic variability. These findings provide new insights into factors that influence auditory-motor entrainment and how they may be optimised to enhance movement efficiency.
Publisher: Frontiers Media SA
Date: 2013
Publisher: Elsevier BV
Date: 08-2018
DOI: 10.1016/J.NEULET.2018.07.024
Abstract: Perceptual coupling between people can lead to the spontaneous synchronisation of their rhythmic movements. In the current study, we hypothesised that the sight of a co-actor generates anchoring (local stabilisation around specific spatiotemporal points within movement cycles), and that such anchoring supports the occurrence and stability of spontaneous interpersonal synchronisation (global stabilisation across cycles). To test these hypotheses, we re-examined previously published data from a study where participants were required to perform auditory-motor coordination of whole-body movements with versus without visual contact. Paired participants performed two kinds of coordination task - either knee flexion or extension repeatedly with auditory metronome beats (Flexion-on-the-beat and Extension-on-the-beat conditions) while standing face-to-face or back-to-back to manipulate visual interaction. The analysis of in idual movement trajectories showed that visual interaction led to decreased variability along the entire trajectory, except the maximum extension position. The results also indicated that the strength of this anchoring was correlated with the degree to which the variability of interpersonal phase relations decreased with visual coupling, suggesting that local stabilisation supported global interpersonal stabilisation. Therefore, the sight of a co-actor generates anchoring effects that may play a crucial role in the stabilisation of spontaneous interpersonal synchronisation.
Publisher: Springer Science and Business Media LLC
Date: 02-02-2015
DOI: 10.1038/SREP08156
Publisher: Elsevier BV
Date: 06-2015
Publisher: Springer Science and Business Media LLC
Date: 14-02-2023
DOI: 10.1007/S00221-023-06569-X
Abstract: Human movement synchronisation with moving objects strongly relies on visual input. However, auditory information also plays an important role, since real environments are intrinsically multimodal. We used electroencephalography (EEG) frequency tagging to investigate the selective neural processing and integration of visual and auditory information during motor tracking and tested the effects of spatial and temporal congruency between audiovisual modalities. EEG was recorded while participants tracked with their index finger a red flickering (rate f V = 15 Hz) dot oscillating horizontally on a screen. The simultaneous auditory stimulus was modulated in pitch (rate f A = 32 Hz) and lateralised between left and right audio channels to induce perception of a periodic displacement of the sound source. Audiovisual congruency was manipulated in terms of space in Experiment 1 (no motion, same direction or opposite direction), and timing in Experiment 2 (no delay, medium delay or large delay). For both experiments, significant EEG responses were elicited at f V and f A tagging frequencies. It was also hypothesised that intermodulation products corresponding to the nonlinear integration of visual and auditory stimuli at frequencies f V ± f A would be elicited, due to audiovisual integration, especially in Congruent conditions . However, these components were not observed. Moreover, synchronisation and EEG results were not influenced by congruency manipulations, which invites further exploration of the conditions which may modulate audiovisual processing and the motor tracking of moving objects.
Publisher: Elsevier BV
Date: 11-2018
DOI: 10.1016/J.ACTPSY.2018.09.014
Abstract: Music presents a complex case of movement timing, as one to several dozen musicians coordinate their actions at short time-scales. This process is often directed by a conductor who provides a visual beat and guides the ensemble through tempo changes. The current experiment tested the ways in which audio-motor coordination is influenced by visual cues from a conductor's gestures, and how this influence might manifest in two ways: movements used to produce sound related to the music, and movements of the upper-body that do not directly affect sound output. We designed a virtual conductor that was derived from morphed motion capture recordings of human conductors. Two groups of participants (29 musicians and 28 nonmusicians, to test the generalizability of visuo-motor synchronization to non-experts) were shown the virtual conductor, a simple visual metronome, or a stationary circle while completing a drumming task that required synchronization with tempo-changing musical sequences. We measured asynchronies and temporal anticipation in the drumming task, as well as participants' upper-body movement using motion capture. Drumming results suggest the conductor generally improves synchronization by facilitating anticipation of tempo changes in the music. Motion capture results showed that the conductor visual cue elicited more structured head movements than the other two visual cues for nonmusicians only. Multiple regression analysis showed that the nonmusicians with less rigid movement and high anticipation had lower asynchronies. Thus, the visual cues provided by a conductor might serve to facilitate temporal anticipation and more synchronous movement in the general population, but might also cause rigid ancillary movements in some non-experts.
Publisher: Public Library of Science (PLoS)
Date: 17-01-2012
Publisher: Wiley
Date: 24-02-2023
DOI: 10.1111/EJN.15934
Abstract: Periodicity is a fundamental property of biological systems, including human movement systems. Periodic movements support displacements of the body in the environment as well as interactions and communication between in iduals. Here, we use electroencephalography (EEG) to investigate the neural tracking of visual periodic motion, and more specifically, the relevance of spatiotemporal information contained at and between their turning points. We compared EEG responses to visual sinusoidal oscillations versus nonlinear Rayleigh oscillations, which are both typical of human movements. These oscillations contain the same spatiotemporal information at their turning points but differ between turning points, with Rayleigh oscillations having an earlier peak velocity, shown to increase an in idual's capacity to produce accurately synchronized movements. EEG analyses highlighted the relevance of spatiotemporal information between the turning points by showing that the brain precisely tracks subtle differences in velocity profiles, as indicated by earlier EEG responses for Rayleigh oscillations. The results suggest that the brain is particularly responsive to velocity peaks in visual periodic motion, supporting their role in conveying behaviorally relevant timing information at a neurophysiological level. The results also suggest key functions of neural oscillations in the Alpha and Beta frequency bands, particularly in the right hemisphere. Together, these findings provide insights into the neural mechanisms underpinning the processing of visual periodic motion and the critical role of velocity peaks in enabling proficient visuomotor synchronization.
Publisher: Elsevier BV
Date: 04-2011
DOI: 10.1016/J.JBIOMECH.2011.02.001
Abstract: Continuous relative phase measures have been used to quantify the coordination between different body segments in several activities. Our aim in this study was to investigate how the methods traditionally used to compute the continuous phase of human rhythmic movement are affected by modulations of frequency. We compared the continuous phase computed method with the traditional method derived from the position-velocity phase plane and with the Hilbert Transform. The methods were tested using sinusoidal signals with a modulation of frequency between or within cycles. Our results showed that the continuous phase computed with the first method results in oscillations in the phase time-series not expected for a sinusoidal signal and that the continuous phase is overestimated with the Hilbert Transform. We proposed a new method that produces a correct estimation of continuous phase by using half-cycle estimations of frequency to normalize the phase planes prior to calculating phase angles. The findings of the current study have important implications for computing continuous relative phase when investigating human movement coordination.
Publisher: Springer Science and Business Media LLC
Date: 25-09-2018
DOI: 10.1007/S00221-018-5382-4
Abstract: Rhythmic movements produced by humans become spontaneously entrained to auditory rhythms in the environment. Evidence suggests that synchronisation to external auditory rhythms can contribute to the stabilisation of movements in time and space, opening new perspectives for motor training and rehabilitation. Here we compared the effects of single (1:1) and double (1:2) metronomes (i.e., one or two stimulations per preferred movement cycle) on spontaneous movement entrainment and stabilisation. We examined the spontaneous entrainment of self-paced hand-held pendulum swinging when single or double metronomes were presented either at the participant's preferred tempo or slightly slower or faster (± 10%). The results showed that participants' movements spontaneously entrained to auditory rhythms, and that the strength of this entrainment was the same for single and double metronomes. However, double metronomes decreased movement tempo stability, whereas single metronomes increased movement tempo stability compared to a control condition without a stimulus. These effects preferentially occurred for metronomes presented at participants' preferred movement tempi and especially for participants whose movements were intrinsically more variable. Participants' movement litude stability was also modulated in such a way that the stability of participants who were intrinsically less stable increased, whereas the stability of intrinsically more stable participants decreased with auditory rhythms, an effect that was stronger with double than single metronomes. Moreover, movement stabilisation in time and space were positively correlated, suggesting that tempo and litude stabilisation depend on similar processes and may be complementary. These findings provide new insight into the processes underlying auditory-motor entrainment and how auditory rhythms can be used to improve movement stability in time and space.
Start Date: 12-2022
End Date: 12-2025
Amount: $612,511.00
Funder: Australian Research Council
View Funded ActivityStart Date: 2023
End Date: 12-2023
Amount: $930,213.00
Funder: Australian Research Council
View Funded ActivityStart Date: 2017
End Date: 12-2022
Amount: $341,500.00
Funder: Australian Research Council
View Funded Activity