Catherine De Lorenzo

French photographic constructions of AustraliaParadis Primitif

Publisher: Informa UK Limited

Date: 12-1997

DOI: 10.1080/03087298.1997.10443854

Urban undercurrents

Publisher: Springer Science and Business Media LLC

Date: 09-2005

DOI: 10.1057/PALGRAVE.UDI.9000146

Appropriating Anthropology?

Publisher: SAGE Publications

Date: 03-2000

DOI: 10.1177/135918350000500105

Abstract: The use of Copyright Registers by photographers and other artists provides a useful barometer of cultural assumptions over the period from the 1870s to the 1950s. This paper will explore images that both appropriate and subvert anthropological claims about Aboriginality. It is possible to demonstrate that whilst the field appears to require an engagement with anthropologically-derived visual constructions of ‘authenticity’ and ‘Aboriginality’, commercial photographers used this anchoring as a base from which to project erse and contested claims of Aboriginality. I will argue, however, that commercial photographers did not so much diminish or contaminate an anthropological paradigm as extend a rhetorical activity of inventing and reinventing authenticity.

‘Our Australian Switzerland’: Lindt, Humboldt and the Victorian landscape

Publisher: Informa UK Limited

Date: 04-2004

DOI: 10.1080/14601176.2004.10435317

Arts on show: Australia’s first national pavilions at international expositions in 1908 and 1937

Publisher: Informa UK Limited

Date: 18-05-2022

DOI: 10.1080/14490854.2022.2064312

Oceanian imaginings in French photographic archives

Publisher: Informa UK Limited

Date: 06-2004

DOI: 10.1080/03087298.2004.10441302

Shared Motives

Publisher: Routledge

Date: 20-06-2023

DOI: 10.4324/9781003284765-9

The composite Enigma of Nadar

Publisher: Informa UK Limited

Date: 09-2003

DOI: 10.1080/03087298.2003.10441247

The imaging of Aborigines

Publisher: Informa UK Limited

Date: 09-1991

DOI: 10.1080/03087298.1991.10443178

Integrating Public Art, Environmental Sustainability, and Education: Australia's ‘Creative Village’ Model

Publisher: Wiley

Date: 05-2000

DOI: 10.1111/1468-5949.00214

Monash University - Caulfield Campus

Location: Australia

View Organisation

University Of New South Wales

Location: Australia

View Organisation

University Of Sydney

Location: Australia

View Organisation

Design And Art Australia Online: Sustainable Data Sharing For Australian Researchers And Collections

Start Date: 2012

End Date: 2013

Funder: Australia Research Council

[on Upgrading The DAAO]

Start Date: 2010

End Date: 2011

Funder: University of New South Wales

Dictionary Of Australian Artists Online, DAAO: Public Release Version.

Start Date: 2007

End Date: 2009

Funder: Australian Research Council

Australian Art Exhibitions 1968-2009: A Generation Of Cultural Transformation

Start Date: 2012

End Date: 2014

Funder: Australian Research Council

Design And Art Of Australia Online, A Transformation Of The Dictionary Of Australian Artists Online

Start Date: 2010

End Date: 2010

Funder: Australian Research Council

Linkage Infrastructure, Equipment And Facilities - Grant ID: LE120100056

Start Date: 03-2012

End Date: 12-2013

Amount: $240,000.00

Funder: Australian Research Council

Linkage Projects - Grant ID: LP120100076

Start Date: 05-2012

End Date: 09-2016

Amount: $117,000.00

Funder: Australian Research Council

Linkage Infrastructure, Equipment And Facilities - Grant ID: LE100100201

Start Date: 07-2010

End Date: 03-2012

Amount: $400,000.00

Funder: Australian Research Council

Linkage Infrastructure, Equipment And Facilities - Grant ID: LE0775489

Start Date: 2007

End Date: 12-2008

Amount: $300,000.00

Funder: Australian Research Council