ORCID Profile
0000-0001-6395-3034
Current Organisations
Universiti Putra Malaysia
,
Universiti Tun Hussein Onn Malaysia
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Publisher: Maulana Malik Ibrahim State Islamic University
Date: 26-12-2021
Abstract: As one of the prominent public spaces for the community, Mosque is considered one of the high energy consumption buildings. Many modern mosques are designed and built without respecting the contextual environment, resulting in a non-environmental friendly Mosque. In Malaysia, the operating cost of mosques is majorly relying on public funds, and statistically are high specifically for electricity usage. Due to the use of air conditioners in cooling down the huge prayer hall due to the non-environmental design consideration. Hence, it is crucial to justify sustainable design approaches in mosques to develop environmentally friendly mosques. On the other side, the environmentally friendly mosque design is important as one of the monumental Islamic symbols that shall manifest Islam's values and philosophies towards the benefits of 'Alam' (world). The main objective of this study is to analyze the principles of Islamic methods in attaining the attributes of sustainable mosque design. It systematically reviews the existing publications to discover the concepts, definitions, and issues regarding the sustainable design approach-es for Mosque. Based on the conducted reviews, sustainable design strategies for mosques are suggested at the end of this paper. The Mosque can use some renewable technologies to save energy and be concerned about the climate condition for its design. Furthermore, it can also use sustainable materials, use natural ventilation and daylighting to provide good indoor air quality and be concerned about the social life of Muslim's religious activities.
Publisher: Maulana Malik Ibrahim State Islamic University
Date: 26-12-2021
Abstract: Woodcarving motifs can be influenced by various aspects, including religions and beliefs. Malaysia is known for its cultural ersity and is rich with traditional heritage. Malay is one of the major ethnic groups in Malaysia and is considered as the majority of the country's population, contributing to the significant heritage, including art, decoration, and even architecture. Traditional woodcarving is an intricate Malay heritage and is the symbol of Malay art. A study on Malay woodcarvings is critically needed in order to know the influence that occurs on the selection of the motifs. It is such a waste to see our woodcarving heritage destroyed unappreciated and undocumented, especially on Johor woodcarvings, as many studies in other states have done. More and more traditional Johor Malay houses are being demolished day by day before we know the historical influence on the existence. The objective of this paper was to identify the woodcarving motifs found in Johor Malay houses and to identify their influence. Site visits were conducted in which the woodcarvings of 50 houses were examined, photographed, and documented. Interviews were also conducted with the house owners and the woodcarvers. The s les were analyzed, and the results were verified by experts. The results show that floral motifs lead the statistic, and the pumpkin motif, known as 'labu maya', takes the highest percentage of the overall motifs. It is concluded that the Islamic religion is the biggest influence that contributes to the findings. The findings also show that the 'labu maya' motif is the identity of the Johor woodcarving motifs. It is hoped that this study can bring recognition to Johor woodcarvings, and contribute valuable guides for woodcarvers to apply these motif typologies into their future works to sustain and cherish the Johor local identity.
Publisher: Maulana Malik Ibrahim State Islamic University
Date: 22-12-2022
Abstract: Woodcarving can be influenced by numerous aspects, including religions and beliefs, which may be comprised of the selections of motifs and also wood-carving panels. In Johor, Malay is one of the major ethnic groups and is considered the majority of the state's population, contributing to the significant heritage, including architecture. Traditional Malay houses in Johor have in-stilled woodcarving into some placements of the houses, including windows on jerejak panels. This paper aims to identify the typology of woodcarvings panels and the percentage of usage among the panels found in Johor Malay houses to identify its influence. 72 Johor traditional Malay houses with distinctive woodcarvings were selected to do inventory, photographed, and analyzed. Interviews were conducted while the s les taken were discussed and verified by woodcarving experts. Results show five-piece panels take the highest percentage while six-piece panels come in second in the overall statistic where it is concluded that the Pillars of Islam/Rukun Islam and Pillars of Faith/Rukun Iman have been the influence on the findings. The findings show that the Islamic religion is the most significant influence contributing to the justification of choice. This study can bring recognition to Johor woodcarvings and contribute valuable guides for woodcarvers to apply these panel typologies to their future works to sustain and cherish the Johor houses' wood-carving identity
No related grants have been discovered for Azmal Sabil.