Visual Research in Social Aesthetics. Despite a few pioneering efforts beginning in the 1930s, visual anthropology (like anthropology itself) has largely confined its interest in aesthetics to studies of indigenous art. It has focused instead on technology, religion, economics, social structure, politics and ideology as the dominant forces in society. I believe this has limited the potential of visual anthropology, which is in fact ideally suited to studying the broader role of aesthetics in h ....Visual Research in Social Aesthetics. Despite a few pioneering efforts beginning in the 1930s, visual anthropology (like anthropology itself) has largely confined its interest in aesthetics to studies of indigenous art. It has focused instead on technology, religion, economics, social structure, politics and ideology as the dominant forces in society. I believe this has limited the potential of visual anthropology, which is in fact ideally suited to studying the broader role of aesthetics in human societies. The aim of this research is to examine how a reconsideration of the aesthetics of everyday life might form the basis for a revitalised visual anthropology.
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Digital Technologies, Mediated Futures: Envisioning Culture in Arnhem Land. This research offers an exciting new way to understand how Aboriginal people are envisioning, and working towards, a culturally viable future for themselves and their children. Digital media technologies allow Yolngu elders to connect with current and future generations in new, but nevertheless, culturally appropriate ways. They allow them to work innovatively to strengthen the social fabric of communities in crisis. ....Digital Technologies, Mediated Futures: Envisioning Culture in Arnhem Land. This research offers an exciting new way to understand how Aboriginal people are envisioning, and working towards, a culturally viable future for themselves and their children. Digital media technologies allow Yolngu elders to connect with current and future generations in new, but nevertheless, culturally appropriate ways. They allow them to work innovatively to strengthen the social fabric of communities in crisis. For mainstream Australian society, this project represents an important opportunity for to learn directly from, and about, indigenous cultures. It offers a significant opportunity to take up the ethical and imaginative challenges of seeing the world from indigenous perspectives. Read moreRead less
Connecting Indigenous Community Photographies: a transnational case study. The project aims to conduct the first transnational comparison of Indigenous community-controlled photography, exploring Indigenous peoples’ ways of seeing and documenting their worlds. The project seeks to significantly advance Australian and global understanding of Indigenous vernacular photography through investigating formerly unexplored private collections of images created by Indigenous photographers during the mid ....Connecting Indigenous Community Photographies: a transnational case study. The project aims to conduct the first transnational comparison of Indigenous community-controlled photography, exploring Indigenous peoples’ ways of seeing and documenting their worlds. The project seeks to significantly advance Australian and global understanding of Indigenous vernacular photography through investigating formerly unexplored private collections of images created by Indigenous photographers during the mid 20th Century in four communities across three countries. One of the outcomes of the project is a nuanced visual history that cannot be excavated from other sources. The benefits of this project include public exhibitions, a book, symposiums, and a scholarly anthology that encourages the public’s connection with the past.Read moreRead less