Experiencing space: sensory encounters from Baroque Rome to neo-baroque Las Vegas. This project focuses on the historical baroque and the neo-baroque and the relationship between them. The aim of the project is to apply a new methodology to the study of baroque and neo-baroque cultures, one grounded in sensory and spatial approaches. The primary case studies will be the cities of Rome and Las Vegas, two cities that are paradigmatic of the baroque and the neo-baroque. Whereas for theorists such a ....Experiencing space: sensory encounters from Baroque Rome to neo-baroque Las Vegas. This project focuses on the historical baroque and the neo-baroque and the relationship between them. The aim of the project is to apply a new methodology to the study of baroque and neo-baroque cultures, one grounded in sensory and spatial approaches. The primary case studies will be the cities of Rome and Las Vegas, two cities that are paradigmatic of the baroque and the neo-baroque. Whereas for theorists such as Jean Baudrillard argue that Las Vegas embodies the postmodern world in excess, this project will instead argue that it is emblematic of the return of a baroque aesthetics that has been nurtured by consumer culture, multi-media conglomeration and digital technology.Read moreRead less
Exploring Botanic Gardens Herbarium's value, via Environmental Aesthetics. . The project aims to aesthetically redefine engagement with the plant collection at Royal Botanic Gardens Herbarium (RBG) Sydney and to communicate its artistic, cultural and heritage value to the public through a Public Program of creative arts case studies. It's expected that new insights will arise from an environmental art methodology utilising the digitisation of the Herbarium specimens, so that audiences can intera ....Exploring Botanic Gardens Herbarium's value, via Environmental Aesthetics. . The project aims to aesthetically redefine engagement with the plant collection at Royal Botanic Gardens Herbarium (RBG) Sydney and to communicate its artistic, cultural and heritage value to the public through a Public Program of creative arts case studies. It's expected that new insights will arise from an environmental art methodology utilising the digitisation of the Herbarium specimens, so that audiences can interactively experience the plant archive through narratives that activate plants as underpinning ecosystems. Benefits to partners RBG, Bundanon Trust and Open Humanities Press will include the digital expansion of audience engagement with the Herbarium at RBG and Mt Annan and communication of collection’s significance.Read moreRead less
Curating Cities: the social and ecological potential of public art practice. This project researches the contribution of public art to eco-sustainable development, focusing on world’s best practice and potential benefits to Sydney and cities in general. It seeks to establish how the arts can promote environmentally beneficial behaviour change and the development of green infrastructure.
Envisaging Citizenship: Australian Histories and Global Connections. This project aims to investigate the ways that visual images have defined, contested and advanced ideas of Australian citizenship and rights from European settlement to the present. Responding to the lack of a shared mainstream understanding of Australian citizenship, it looks beyond legal definitions to explore cultural and especially visual views of citizenship over time. Through collaboration with museum, media and education ....Envisaging Citizenship: Australian Histories and Global Connections. This project aims to investigate the ways that visual images have defined, contested and advanced ideas of Australian citizenship and rights from European settlement to the present. Responding to the lack of a shared mainstream understanding of Australian citizenship, it looks beyond legal definitions to explore cultural and especially visual views of citizenship over time. Through collaboration with museum, media and education sectors, it will provide a forward-looking and accessible public history, and utilise the potential of images to broaden contemporary debates about citizenship. Expected outcomes include a better public understanding of the pathways to citizenship, and enhanced engagement with Australian values and identity.Read moreRead less
“The Complete Craze”: Women’s Photography and Colonial Modernity in the Asia-Pacific, 1860-1930. To date there has been no sustained research into the photography produced by women in the Asia-Pacific region in the late colonial era even though much of it was aesthetically sophisticated and innovative. Combining historical research with postcolonial and gender theory, this project critically examines a large body of images by women photographers working across the region. It identifies the facto ....“The Complete Craze”: Women’s Photography and Colonial Modernity in the Asia-Pacific, 1860-1930. To date there has been no sustained research into the photography produced by women in the Asia-Pacific region in the late colonial era even though much of it was aesthetically sophisticated and innovative. Combining historical research with postcolonial and gender theory, this project critically examines a large body of images by women photographers working across the region. It identifies the factors enabling these women to be examined as a group, investigates their subject matter, techniques and styles, and establishes what was exciting and new, as well as conventional, about their methods. It also shows how their artworks both reflected and contributed to the region’s burgeoning modernity. Read moreRead less
Representation, Remembrance and the Monument. This project is designed to respond to the repeated high-level calls for a national memorial to Aboriginal loss. The project considers the crucial role that contemporary memorials play in societies that are increasingly addressing traumatic histories, and how international memorial projects shift public memory and cultural understanding. As Australia continues to strive for reconciliation, this project embraces the potential for memorials to become p ....Representation, Remembrance and the Monument. This project is designed to respond to the repeated high-level calls for a national memorial to Aboriginal loss. The project considers the crucial role that contemporary memorials play in societies that are increasingly addressing traumatic histories, and how international memorial projects shift public memory and cultural understanding. As Australia continues to strive for reconciliation, this project embraces the potential for memorials to become powerful public spaces where the history of the Frontier wars can be addressed. Ways of representing and remembering this past will expand and strengthen civil society.Read moreRead less
Empathy and evolution: the history of emotions and the literary and visual representation of animals. A study of emotions in human and animals is a key area of contemporary research in both the sciences and humanities. It has crucial implications for our future. This project will investigate how humans have represented the emotions in literary and visual discourses from the eighteenth-century to the present.
A new theory of Aboriginal art. The paradigms developed by scholars have a huge impact on the value of art. After the Australian artworld repositioned Aboriginal art from the frame of 'primitive art' to that of contemporary art, the price of and market for Aboriginal art increased enormously. However, Aboriginal art failed to penetrate the international contemporary artworld because the paradigms of contemporary art within which it was framed were outmoded. Through examining the production of Ab ....A new theory of Aboriginal art. The paradigms developed by scholars have a huge impact on the value of art. After the Australian artworld repositioned Aboriginal art from the frame of 'primitive art' to that of contemporary art, the price of and market for Aboriginal art increased enormously. However, Aboriginal art failed to penetrate the international contemporary artworld because the paradigms of contemporary art within which it was framed were outmoded. Through examining the production of Aboriginal art from the perspectives of its producers and recent globalised contemporary art practices, this project aims to develop a new theory of Aboriginal art that is more aligned with the thinking of current curators who set the agenda at the upper end of the market.Read moreRead less
Still in my mind: Gurindji experience, location and visuality. This project will develop an innovative historical account of the effects of pictorial representation of Aboriginal identity, using visual, ethnographic and archival sources. It will investigate and critique the impact of ethno-centric codification through which Aboriginal peoples have been framed and refracted throughout the 19th century and into the 21st century, from a specific Gurindji standpoint.
Discovery Early Career Researcher Award - Grant ID: DE200101322
Funder
Australian Research Council
Funding Amount
$343,526.00
Summary
Capturing foundational Australian photography in a globalising world. This project will combine archival research on the foundational years of Australian photography, 1839-54, with new methods of multimedia database design to network early photographs: daguerreotypes, ambrotypes and calotypes, with dispersed manuscripts, journalism and legal proceedings that document their creation. These images are prized by Australian collecting institutions but their significance to our cultural heritage rema ....Capturing foundational Australian photography in a globalising world. This project will combine archival research on the foundational years of Australian photography, 1839-54, with new methods of multimedia database design to network early photographs: daguerreotypes, ambrotypes and calotypes, with dispersed manuscripts, journalism and legal proceedings that document their creation. These images are prized by Australian collecting institutions but their significance to our cultural heritage remains unrecognised. This project will analyse how colonial Australian photographers’ distance from Europe prompted them to innovate with processes, materials and apparatuses. It will excavate this neglected dimension of colonial modernity, assessing its resonance for media heritage, culture, and law.Read moreRead less