Old Atrocities, New Media: Terror Images and the Visual-Military Complex. This research centres on the relations between twenty-first century visual technologies and the age-old practice of the massacre-atrocity. It takes as its major case study the atrocities at the end of the war in Sri Lanka in 2009. The most graphic form of knowledge about these mass deaths and rapes was produced through digitally transmitted visual images. The research asks how new forms of recording and circulating images ....Old Atrocities, New Media: Terror Images and the Visual-Military Complex. This research centres on the relations between twenty-first century visual technologies and the age-old practice of the massacre-atrocity. It takes as its major case study the atrocities at the end of the war in Sri Lanka in 2009. The most graphic form of knowledge about these mass deaths and rapes was produced through digitally transmitted visual images. The research asks how new forms of recording and circulating images of atrocity, whether in the form of trophy photographs or other digital documents, shape the reception of, and responses to, atrocity. These questions are contextualised against a broader examination of the historical and evolving relations between visual media and atrocity images from the Holocaust to Abu Ghraib.Read moreRead less
Understanding collaboration between the arts and sciences. This project aims to undertake a detailed examination of how the arts and sciences can work together to address the complex challenges of contemporary life. This will be addressed by undertaking the first cultural history of the experiment. Experimentation is common to the arts and sciences, and thinking about the long history of experimental practices in both fields will help build a bridge between them. This project will examine in de ....Understanding collaboration between the arts and sciences. This project aims to undertake a detailed examination of how the arts and sciences can work together to address the complex challenges of contemporary life. This will be addressed by undertaking the first cultural history of the experiment. Experimentation is common to the arts and sciences, and thinking about the long history of experimental practices in both fields will help build a bridge between them. This project will examine in detail past and present collaboration. An expected outcome is the development of models to support solving of complex contemporary problems. It will also raise awareness about the importance of the arts to knowledge-making practices.Read moreRead less