Avatars and Identities. The avatar, a virtual representation of its user, is the key element of interface technology for everyday computer use in the twenty-first century. While specialist aspects of the avatar have received intensive attention from the technology industries and scholars, the focus of the work to date has been on the technical efficiency of the interface, rather than understanding the full social implications of its use. Through a historical, ethnographic and critical analysis o ....Avatars and Identities. The avatar, a virtual representation of its user, is the key element of interface technology for everyday computer use in the twenty-first century. While specialist aspects of the avatar have received intensive attention from the technology industries and scholars, the focus of the work to date has been on the technical efficiency of the interface, rather than understanding the full social implications of its use. Through a historical, ethnographic and critical analysis of the role of the avatar, in consultation with industry, this project offers a unique opportunity to develop a wider perspective that will contribute to an understanding of the uses and policies for the digital economy.Read moreRead less
Branding Cities on the West Pacific Rim: Cinematic Traditions and Tourism Marketing Strategies in Hong Kong, Shanghai and Sydney. This innovative project emphasises brand-building as a part of visual culture, and cinema as a contributory influence to marketing decisions. It will produce a landmark study of media synergies in the contemporary world. It compares cinematic traditions and tourism marketing in cosmopolitan cities in the Australiasian region. The comparison, based on archival analysis ....Branding Cities on the West Pacific Rim: Cinematic Traditions and Tourism Marketing Strategies in Hong Kong, Shanghai and Sydney. This innovative project emphasises brand-building as a part of visual culture, and cinema as a contributory influence to marketing decisions. It will produce a landmark study of media synergies in the contemporary world. It compares cinematic traditions and tourism marketing in cosmopolitan cities in the Australiasian region. The comparison, based on archival analysis and on interviews with producers, policy makers, and consumers, will determine whether images of the city converge or compete in business practice and cultural production. The research complements recent major Australian initiatives to re-evaluate creativity in the media.Read moreRead less
Posters of the Cultural Revolution: Contemporary Chinese perspectives on an era of propaganda. China's recent history is of less interest to public commentators than its current extraordinary era of reform and expansion. This project is based on the assumption that the images and memories of the immediate past are clues to the meaning and communication patterns of the present. Accessible works of cultural history, such as is proposed here, will give the broad Australian public, including citizen ....Posters of the Cultural Revolution: Contemporary Chinese perspectives on an era of propaganda. China's recent history is of less interest to public commentators than its current extraordinary era of reform and expansion. This project is based on the assumption that the images and memories of the immediate past are clues to the meaning and communication patterns of the present. Accessible works of cultural history, such as is proposed here, will give the broad Australian public, including citizens of Chinese origin, as well as the extensive scholarly community, access to a nuanced and emotional view of our largest trading partner, and its attitude to communication, visual culture and the past.Read moreRead less