Orientalism of the Mediterranean shore: art and place from Tunis to Marseille. This project focuses on new ways of thinking about how art links North Africa and Europe. Researching the images of Tunis, Algiers, Granada and Marseille in painting and photography (between 1880-1950) will lead to high-level outputs; beginning with a 2014 exhibition on Wassily Kandinsky and Gabriele Münter as Orientalists.
Linkage Infrastructure, Equipment And Facilities - Grant ID: LE140100120
Funder
Australian Research Council
Funding Amount
$190,000.00
Summary
Design & Art Australia Online Research Tool: enabling next generation e-Research in Australia's visual and design cultures. Design and art Australia online research tool: enabling next generation e-Research in Australia's visual and design cultures: This project builds on the recent and highly successful transformation of Design and Art Australia Online (DAAO). As DAAO increases its information base through its automated harvest facilities (LIEF2012) and draws more active engagement from researc ....Design & Art Australia Online Research Tool: enabling next generation e-Research in Australia's visual and design cultures. Design and art Australia online research tool: enabling next generation e-Research in Australia's visual and design cultures: This project builds on the recent and highly successful transformation of Design and Art Australia Online (DAAO). As DAAO increases its information base through its automated harvest facilities (LIEF2012) and draws more active engagement from researchers, new demands are being placed on the facility. Modifications are required to enhance the capabilities of researchers to expand the scope of research facilities offered. This project will refine schema and mappings of events and works to better match researcher queries and enabling data repurposing for visualisation; automate linking facility between established entity links; and develop researcher collaboration functionalities.Read moreRead less
Linkage Infrastructure, Equipment And Facilities - Grant ID: LE120100056
Funder
Australian Research Council
Funding Amount
$240,000.00
Summary
Design and Art Australia Online: Sustainable data sharing for Australian researchers and collections. This project will produce a comprehensive and authorative research facility of national and international signi?cance. The enhanced Design and Art Australia Online facility will provide crucial information pertaining to Australia’s art and design heritage that will be open for researchers of all levels, from school students through to higher-education researchers.
Artists as collectors of Islamic Art, 1850-1910. The aim of this project is to generate a new understanding of patterns of collecting and interpreting the arts of the near east through the first cross-cultural comparative study of Ottoman and Orientalist artists as collectors in the 19th century. By mapping transcultural networks of artists, dealers and collectors traversing Ottoman, Russian, Polish, French and British cultures, this study reveals international exchanges that have been occluded ....Artists as collectors of Islamic Art, 1850-1910. The aim of this project is to generate a new understanding of patterns of collecting and interpreting the arts of the near east through the first cross-cultural comparative study of Ottoman and Orientalist artists as collectors in the 19th century. By mapping transcultural networks of artists, dealers and collectors traversing Ottoman, Russian, Polish, French and British cultures, this study reveals international exchanges that have been occluded by studies of Orientalism narrowly focused around single national histories. This project reveals the myriad ways treasures from the Islamic world were being transformed in the 19th century from their prior local religious and cultural functions into exoticism in the West and cultural patrimony in the East.Read moreRead less
Art and Cultural Exchange at the Strait of Gibraltar. The project aims to give a first-time analysis of visual culture at the Strait of Gibraltar. It asks how painting, photography, film, and maps relate to colonial expansion, with a focus on Australian, French and Spanish involvement in the Western Mediterranean. The British fortress-colony of Gibraltar and the international Moroccan port of Tangier have never before been subject to comparative analysis. Key outcomes include two major exhibit ....Art and Cultural Exchange at the Strait of Gibraltar. The project aims to give a first-time analysis of visual culture at the Strait of Gibraltar. It asks how painting, photography, film, and maps relate to colonial expansion, with a focus on Australian, French and Spanish involvement in the Western Mediterranean. The British fortress-colony of Gibraltar and the international Moroccan port of Tangier have never before been subject to comparative analysis. Key outcomes include two major exhibitions, one on Australian Orientalism at the National Gallery and the second on historical art in the region. By shedding historical light on people smuggling, contraband and post-Brexit identity at the Strait, the project aims to generate cultural knowledge pertinent to international co-operation.Read moreRead less
Australian art exhibitions 1968-2009: a generation of cultural transformation. The years 1968 to 2009 witnessed a transformation in the way Australians saw the art of their country. This project investigates the impact of increased funding (government and private) and new scholarship on the curating of art exhibitions, and traces the reconfiguration of Australia’s art history that took place in exhibitions during this period.
Visual cosmopolitanism, national identity and imperialist ambitions in garden spaces. Visual cosmopolitanism is an ideal created through the global movement of art forms. This project will contribute to current debates about the globalisation of art by tracing the concept back to artistic practices and aesthetic theories of the enlightenment through a focus on experience within the eighteenth-century garden.