What is successful public art today?: exploring how contemporary public art and memorial design shapes public engagement, perceptions and behaviour. Much public money is invested in public art and memorials. The research explores critical questions of value: what the public enjoys about such artworks, if and how artworks contribute amenity to public spaces, and whether recent artworks engage effectively with social memory, identity and politics. The research situates local practice within intern ....What is successful public art today?: exploring how contemporary public art and memorial design shapes public engagement, perceptions and behaviour. Much public money is invested in public art and memorials. The research explores critical questions of value: what the public enjoys about such artworks, if and how artworks contribute amenity to public spaces, and whether recent artworks engage effectively with social memory, identity and politics. The research situates local practice within international trends, to inform Australian designers, policymakers, art patrons and public space managers about recent innovations in technology, craft, creativity and critique, so they can create and choose public artworks and memorials which engage with the potentials of contemporary arts practice, the complexities of contemporary culture, and the diversity of social behaviour in public spaces.Read moreRead less
Cinematic Ethics: Exploring Ethical Experience through Film. This project develops a new interdisciplinary framework for understanding cinema’s unique power to evoke ethical experience via audiovisual means. Combining philosophy with film analysis, it moves beyond the prevalent view that cinema merely illustrates moral situations, and challenges the long-held suspicion toward film’s manipulative aesthetic power. This project proposes instead a model of cinematic ethics: an investigation of how c ....Cinematic Ethics: Exploring Ethical Experience through Film. This project develops a new interdisciplinary framework for understanding cinema’s unique power to evoke ethical experience via audiovisual means. Combining philosophy with film analysis, it moves beyond the prevalent view that cinema merely illustrates moral situations, and challenges the long-held suspicion toward film’s manipulative aesthetic power. This project proposes instead a model of cinematic ethics: an investigation of how cinema evokes ethical experience through emotional, cognitive, and aesthetic engagement. This project will advance the emerging interdisciplinary field of film-philosophy by highlighting film’s under-recognised potential to enhance ethical understanding, and thus to promote greater social awareness and intercultural communication.Read moreRead less
Migration and mobility: the question of childhood in Chinese and European cinema since 1945. This project will produce a comparative account of the migrant and mobile child in postwar film, researched in China and Europe. It will contribute deeper knowledge of how childhood has been valued in key societies since 1945, and will bring new energy to international and domestic debates on the status, image and experience of migrant children.
Predicting the movement speeds of animals. The project seeks to reveal how marsupials modify their movement patterns and speeds as they navigate risky environments, and show how movement contributes to vulnerability and resilience. Movement is central to animal behaviour and the survival of species, because it underlies feeding, mating and the ability to escape from predators. However, we lack a framework for predicting how fast animals should move through their habitats given their needs to con ....Predicting the movement speeds of animals. The project seeks to reveal how marsupials modify their movement patterns and speeds as they navigate risky environments, and show how movement contributes to vulnerability and resilience. Movement is central to animal behaviour and the survival of species, because it underlies feeding, mating and the ability to escape from predators. However, we lack a framework for predicting how fast animals should move through their habitats given their needs to conserve energy, avoid detection by predators and minimise risks of injury or death. This project aims to develop mathematical models to predict how fast animals should move and then test these predictions using native species of conservation concern. This is expected to extend the field of performance ecology as well as inform management strategies for vulnerable marsupials.Read moreRead less
In Public / In Focus: Photography, Testimony and the Public Sphere. Photography plays an important but little understood role in the public sphere. Photographs invite viewers to identify with stories, events and others, and the ease with which photographs circulate in print and online makes them ideal for fostering discourse and debate. However, the increasing focus on testimony and witness in contemporary culture has recently altered the way that photography operates in public and raised some s ....In Public / In Focus: Photography, Testimony and the Public Sphere. Photography plays an important but little understood role in the public sphere. Photographs invite viewers to identify with stories, events and others, and the ease with which photographs circulate in print and online makes them ideal for fostering discourse and debate. However, the increasing focus on testimony and witness in contemporary culture has recently altered the way that photography operates in public and raised some significant problems for photography historians regarding the representation of events, others and the past. This project will respond to these problems, and produce a new understanding of the historical, social, cultural and political links between photography and the public sphere today.Read moreRead less
The reformulation of war art as a dialogical interactive narrative. This research uses visualisation technology to explore new ways to communicate and understand the collective experience and personal memories of war. It aims to strengthen Australia's leadership in media arts, facilitating the active participation of defence personnel in the creation of a world-first interactive archive of war stories.
Animating the study of visual communication. This project aims to inform how dynamic colour signals broker information exchange by connecting stimulus design with perception through space and time. Biological studies of colour signalling have largely proceeded via static terms that underestimate the true fluidity of natural contexts. This project aspires to animate the field using innovative approaches such as programmable nano-drones to reveal how flashing colours are perceived under diverse vi ....Animating the study of visual communication. This project aims to inform how dynamic colour signals broker information exchange by connecting stimulus design with perception through space and time. Biological studies of colour signalling have largely proceeded via static terms that underestimate the true fluidity of natural contexts. This project aspires to animate the field using innovative approaches such as programmable nano-drones to reveal how flashing colours are perceived under diverse viewing conditions. The knowledge advances are expected to generate new intellectual paradigms and models, and have significant scope for bio-inspiration in areas such as telecommunication, information processing and the optimal design of visual displays.Read moreRead less
The nature and consequences of environmentally-generated phenotypic variation in natural populations. The ambient environment can generate both heritable and non-heritable variation in individual traits, but the role of such variation in evolution is poorly understood. This project will use a powerful model organism, the Australian neriid flies, to elucidate the evolutionary implications of environmentally-generated variation.
Graphic Encounters: Colonial Prints and the Inscription of Aboriginality. This project plans to collate the archive of prints depicting Indigenous Australians, from national and international collections, to ask how people's place in this newly encroached territory was inscribed by colonial prints. Before the 1890s, prints (engravings, etchings and lithographs) were the principal means of reproducing images. Prints disseminated imagery of Indigenous people and determined how they were 'put in th ....Graphic Encounters: Colonial Prints and the Inscription of Aboriginality. This project plans to collate the archive of prints depicting Indigenous Australians, from national and international collections, to ask how people's place in this newly encroached territory was inscribed by colonial prints. Before the 1890s, prints (engravings, etchings and lithographs) were the principal means of reproducing images. Prints disseminated imagery of Indigenous people and determined how they were 'put in the picture' of settlement. Our colonial-era cultural heritage includes many prints (engravings, etchings, lithographs, etcetera) of Aborigines, yet they have been overlooked and the story of their production, dissemination and consumption is untold. This project aims to collate and trace this visual archive of Indigenous Australians and present its imagery to all Australians, including descendants, in an exhibition and conference, catalogue, monograph and online database.Read moreRead less
Visual cosmopolitanism, national identity and imperialist ambitions in garden spaces. Visual cosmopolitanism is an ideal created through the global movement of art forms. This project will contribute to current debates about the globalisation of art by tracing the concept back to artistic practices and aesthetic theories of the enlightenment through a focus on experience within the eighteenth-century garden.