Understanding collaboration between the arts and sciences. This project aims to undertake a detailed examination of how the arts and sciences can work together to address the complex challenges of contemporary life. This will be addressed by undertaking the first cultural history of the experiment. Experimentation is common to the arts and sciences, and thinking about the long history of experimental practices in both fields will help build a bridge between them. This project will examine in de ....Understanding collaboration between the arts and sciences. This project aims to undertake a detailed examination of how the arts and sciences can work together to address the complex challenges of contemporary life. This will be addressed by undertaking the first cultural history of the experiment. Experimentation is common to the arts and sciences, and thinking about the long history of experimental practices in both fields will help build a bridge between them. This project will examine in detail past and present collaboration. An expected outcome is the development of models to support solving of complex contemporary problems. It will also raise awareness about the importance of the arts to knowledge-making practices.Read moreRead less
Avatars and Identities. The avatar, a virtual representation of its user, is the key element of interface technology for everyday computer use in the twenty-first century. While specialist aspects of the avatar have received intensive attention from the technology industries and scholars, the focus of the work to date has been on the technical efficiency of the interface, rather than understanding the full social implications of its use. Through a historical, ethnographic and critical analysis o ....Avatars and Identities. The avatar, a virtual representation of its user, is the key element of interface technology for everyday computer use in the twenty-first century. While specialist aspects of the avatar have received intensive attention from the technology industries and scholars, the focus of the work to date has been on the technical efficiency of the interface, rather than understanding the full social implications of its use. Through a historical, ethnographic and critical analysis of the role of the avatar, in consultation with industry, this project offers a unique opportunity to develop a wider perspective that will contribute to an understanding of the uses and policies for the digital economy.Read moreRead less
Dynamic media: innovative social and artistic developments in new media in Australia, Britain, Canada and Scandinavia since 1990. This study will foreground strengths and remedy weaknesses in Australian new media arts and innovative social uses of new media. By studying the international strategies for social use of dynamic media, this study will provide information for Australians to more extensively implement dynamic media within a social context. It will highlight the innovation of Australian ....Dynamic media: innovative social and artistic developments in new media in Australia, Britain, Canada and Scandinavia since 1990. This study will foreground strengths and remedy weaknesses in Australian new media arts and innovative social uses of new media. By studying the international strategies for social use of dynamic media, this study will provide information for Australians to more extensively implement dynamic media within a social context. It will highlight the innovation of Australian artists and researchers in the development of dynamic media and position these internationally. A major long-term benefit of this study will be an online database that will both profile and be accessible to Australian artists, arts organizations, new media researchers and social innovators. Read moreRead less
William Faulkner Between Cinema and Literature. Literature continues to react and adapt to an ever-more complex media environment, but there is still little in the way of detailed critical study to specify the strategies and tactics of literary survival in an audio-visual era. By attending to the unique and indicative case of William Faulkner, who wrote simultaneously for the films and the serious literary market, this project will develop a new critical model for understanding literature's ada ....William Faulkner Between Cinema and Literature. Literature continues to react and adapt to an ever-more complex media environment, but there is still little in the way of detailed critical study to specify the strategies and tactics of literary survival in an audio-visual era. By attending to the unique and indicative case of William Faulkner, who wrote simultaneously for the films and the serious literary market, this project will develop a new critical model for understanding literature's adaptation to a complex media environment. It will shed significant intellectual light on the present and future states of literary survival in advanced industrial nations like Australia. Read moreRead less
Cinematic Imaginations: American Literature and the Visual Media, 1905-1945. The advent of new visual media in the late C19th, and their rapid growth and industrialization in the 20th, obliged the traditional forms of literature to change. This project investigates that change in the American context, as a set of interlinked adaptations, in both literature and cinema, to more general social changes in an emergent mass-production economy. Arguing for a ?media ecology?, the project's originality i ....Cinematic Imaginations: American Literature and the Visual Media, 1905-1945. The advent of new visual media in the late C19th, and their rapid growth and industrialization in the 20th, obliged the traditional forms of literature to change. This project investigates that change in the American context, as a set of interlinked adaptations, in both literature and cinema, to more general social changes in an emergent mass-production economy. Arguing for a ?media ecology?, the project's originality is to establish a viable model for analysing this shift in the complexion of a culture, in terms of an explosive expansion of the cultural economy.Read moreRead less
Memory and Identity in England 1500-1700. This project will test the hypothesis that struggles to control memory were central to the redefinition of beliefs, collective identities and social structures in England, 1500 to 1700. It will focus analysis on three ways of remembering, expressed in written, visual and material media: genealogy, local history, and commemoration of the dead. The project's hypothesis and interdisciplinary method represent significant new departures in understanding the ....Memory and Identity in England 1500-1700. This project will test the hypothesis that struggles to control memory were central to the redefinition of beliefs, collective identities and social structures in England, 1500 to 1700. It will focus analysis on three ways of remembering, expressed in written, visual and material media: genealogy, local history, and commemoration of the dead. The project's hypothesis and interdisciplinary method represent significant new departures in understanding the construction of identity and the pursuit of power. By studying a premodern society, this project will add depth to recent studies of memory, and open up new ways of imagining of early modern England.Read moreRead less
Old Atrocities, New Media: Terror Images and the Visual-Military Complex. This research centres on the relations between twenty-first century visual technologies and the age-old practice of the massacre-atrocity. It takes as its major case study the atrocities at the end of the war in Sri Lanka in 2009. The most graphic form of knowledge about these mass deaths and rapes was produced through digitally transmitted visual images. The research asks how new forms of recording and circulating images ....Old Atrocities, New Media: Terror Images and the Visual-Military Complex. This research centres on the relations between twenty-first century visual technologies and the age-old practice of the massacre-atrocity. It takes as its major case study the atrocities at the end of the war in Sri Lanka in 2009. The most graphic form of knowledge about these mass deaths and rapes was produced through digitally transmitted visual images. The research asks how new forms of recording and circulating images of atrocity, whether in the form of trophy photographs or other digital documents, shape the reception of, and responses to, atrocity. These questions are contextualised against a broader examination of the historical and evolving relations between visual media and atrocity images from the Holocaust to Abu Ghraib.Read moreRead less
Science, Knowledge and the Transmission of Psychoanalysis. Psychoanalysis has always wanted to be a science. From Sigmund Freud to Jacques Lacan, disputes in psychoanalysis have typically hinged on the question of whether the knowledge produced by psychoanalysis deserves the appellation scientific. If so, in what way? If not, why not? What sort of psychoanalytic institution would be adequate to psychoanalysis? scientific claims? This interdisciplinary project is a historical, critical and constr ....Science, Knowledge and the Transmission of Psychoanalysis. Psychoanalysis has always wanted to be a science. From Sigmund Freud to Jacques Lacan, disputes in psychoanalysis have typically hinged on the question of whether the knowledge produced by psychoanalysis deserves the appellation scientific. If so, in what way? If not, why not? What sort of psychoanalytic institution would be adequate to psychoanalysis? scientific claims? This interdisciplinary project is a historical, critical and constructive examination of psychoanalytic theory and practice, which re-examines key texts from the vantage point of the scientific question. Finally, the project will ask what psychoanalysis can contribute to the understanding of other scientific practices.Read moreRead less
Representing Kanaks: Generic Variation, Identity, and the Politics of the Everyday Semiotic. The project hypothesizes that representational struggles over indigenous identity are crucially shaped by the range of genres in which identity is asserted. Through the case of Kanaks in New Caledonia, as represented by several everyday genres hitherto neglected by scholarship, the representational politics of indigeneity are interrogated with the aim of demonstrating that Kanak existence is constituted ....Representing Kanaks: Generic Variation, Identity, and the Politics of the Everyday Semiotic. The project hypothesizes that representational struggles over indigenous identity are crucially shaped by the range of genres in which identity is asserted. Through the case of Kanaks in New Caledonia, as represented by several everyday genres hitherto neglected by scholarship, the representational politics of indigeneity are interrogated with the aim of demonstrating that Kanak existence is constituted in the semiotic detail of everyday generic variation. The project's significance lies in its radical reconception of identity and representational politics: going beyond indigenous versus colonial binaries, it reveals the complexity of day-to-day competition over and consolidation of indigenous identity through representational systems.Read moreRead less
Contact zones: activism, art and media in Italy, 1994-2006. This project will generate knowledge about recent activism, social change and contemporary art practices in Italy; it will add to Australia's international reputation as a centre of research on contemporary Italy; it will assist in facilitating cultural relations between Australia and Italy as already established in cultural and scientific bilateral agreements.