Exploring Botanic Gardens Herbarium's value, via Environmental Aesthetics. . The project aims to aesthetically redefine engagement with the plant collection at Royal Botanic Gardens Herbarium (RBG) Sydney and to communicate its artistic, cultural and heritage value to the public through a Public Program of creative arts case studies. It's expected that new insights will arise from an environmental art methodology utilising the digitisation of the Herbarium specimens, so that audiences can intera ....Exploring Botanic Gardens Herbarium's value, via Environmental Aesthetics. . The project aims to aesthetically redefine engagement with the plant collection at Royal Botanic Gardens Herbarium (RBG) Sydney and to communicate its artistic, cultural and heritage value to the public through a Public Program of creative arts case studies. It's expected that new insights will arise from an environmental art methodology utilising the digitisation of the Herbarium specimens, so that audiences can interactively experience the plant archive through narratives that activate plants as underpinning ecosystems. Benefits to partners RBG, Bundanon Trust and Open Humanities Press will include the digital expansion of audience engagement with the Herbarium at RBG and Mt Annan and communication of collection’s significance.Read moreRead less
Graphic Encounters: Colonial Prints and the Inscription of Aboriginality. This project plans to collate the archive of prints depicting Indigenous Australians, from national and international collections, to ask how people's place in this newly encroached territory was inscribed by colonial prints. Before the 1890s, prints (engravings, etchings and lithographs) were the principal means of reproducing images. Prints disseminated imagery of Indigenous people and determined how they were 'put in th ....Graphic Encounters: Colonial Prints and the Inscription of Aboriginality. This project plans to collate the archive of prints depicting Indigenous Australians, from national and international collections, to ask how people's place in this newly encroached territory was inscribed by colonial prints. Before the 1890s, prints (engravings, etchings and lithographs) were the principal means of reproducing images. Prints disseminated imagery of Indigenous people and determined how they were 'put in the picture' of settlement. Our colonial-era cultural heritage includes many prints (engravings, etchings, lithographs, etcetera) of Aborigines, yet they have been overlooked and the story of their production, dissemination and consumption is untold. This project aims to collate and trace this visual archive of Indigenous Australians and present its imagery to all Australians, including descendants, in an exhibition and conference, catalogue, monograph and online database.Read moreRead less
Ambitious and Fair: Strategies for a sustainable visual arts sector. This project aims to strengthen the visual art industry’s economic ecosystem. In a context where artists’ incomes are low and falling, commercial galleries are financially vulnerable and public galleries face funding challenges, the project addresses barriers to the sector’s economic health and the challenge of improving artists’ incomes. To address this critical gap, the project will combine an analysis of current value chains ....Ambitious and Fair: Strategies for a sustainable visual arts sector. This project aims to strengthen the visual art industry’s economic ecosystem. In a context where artists’ incomes are low and falling, commercial galleries are financially vulnerable and public galleries face funding challenges, the project addresses barriers to the sector’s economic health and the challenge of improving artists’ incomes. To address this critical gap, the project will combine an analysis of current value chains and emergent forms of economic organisation with qualitative insights into the experiences of artists and arts professionals. It will propose interventions for arts industry and government policy to improve and develop this ecosystem. Benefits include improved incomes for arts workers and a sustainable arts industry.Read moreRead less
Contemporary Australian Comics 1980 – 2020: A New History. This project aims to document, preserve and investigate a new history of Australian comics and graphic novels created 1980 to 2020. This period represents a significant shift in the thematic content and material production of comics. In tracing the development of technologies and communities, this project expects to generate new knowledge about narrative innovations comics use to reflect diverse national identities and cultures in Austra ....Contemporary Australian Comics 1980 – 2020: A New History. This project aims to document, preserve and investigate a new history of Australian comics and graphic novels created 1980 to 2020. This period represents a significant shift in the thematic content and material production of comics. In tracing the development of technologies and communities, this project expects to generate new knowledge about narrative innovations comics use to reflect diverse national identities and cultures in Australian society. By consolidating and providing public access to a wealth of contemporary Australian comics through a website and public programs, this project should feed the future of Australian comics industry and scholarship, providing significant benefit to Australian artists, readers, and the public.Read moreRead less
Empowering Australia’s Visual Arts via Creative Blockchain Opportunities. This project investigates the provision of a blockchain-based solution for protecting the intellectual property and provenance of visual art, and ways to empower its economic, cultural, and social value and benefits. By exploring innovative non-fungible token (NFT) opportunities in a global cyber security context, we will co-design a user-friendly and compliant tool for expanding the creation and movement of art on existin ....Empowering Australia’s Visual Arts via Creative Blockchain Opportunities. This project investigates the provision of a blockchain-based solution for protecting the intellectual property and provenance of visual art, and ways to empower its economic, cultural, and social value and benefits. By exploring innovative non-fungible token (NFT) opportunities in a global cyber security context, we will co-design a user-friendly and compliant tool for expanding the creation and movement of art on existing virtual galleries and smart contract-enabled platforms. Building on interdisciplinary synergies between creative and IT practices, we will interrogate the efficacy, risks and governance surrounding this global technology, and produce vital new knowledge for engaging with risks and opportunities in the digital economy.Read moreRead less