Cinematic Ethics: Exploring Ethical Experience through Film. This project develops a new interdisciplinary framework for understanding cinema’s unique power to evoke ethical experience via audiovisual means. Combining philosophy with film analysis, it moves beyond the prevalent view that cinema merely illustrates moral situations, and challenges the long-held suspicion toward film’s manipulative aesthetic power. This project proposes instead a model of cinematic ethics: an investigation of how c ....Cinematic Ethics: Exploring Ethical Experience through Film. This project develops a new interdisciplinary framework for understanding cinema’s unique power to evoke ethical experience via audiovisual means. Combining philosophy with film analysis, it moves beyond the prevalent view that cinema merely illustrates moral situations, and challenges the long-held suspicion toward film’s manipulative aesthetic power. This project proposes instead a model of cinematic ethics: an investigation of how cinema evokes ethical experience through emotional, cognitive, and aesthetic engagement. This project will advance the emerging interdisciplinary field of film-philosophy by highlighting film’s under-recognised potential to enhance ethical understanding, and thus to promote greater social awareness and intercultural communication.Read moreRead less
Discovery Early Career Researcher Award - Grant ID: DE140100878
Funder
Australian Research Council
Funding Amount
$394,605.00
Summary
The Other War: An investigation via documentary film into images of race and otherness in WW1 and their implications for Indigenous communities today.
. In 1915, German scientists began an immense task of wartime science designed to categorise 'the peoples of the world'. This ideological experiment involved Indigenous Australian and Pacific prisoners of war, and paved the way to post-war Nazi racial ideology. The sound, image and other cultural records captured during this wartime experiment ....The Other War: An investigation via documentary film into images of race and otherness in WW1 and their implications for Indigenous communities today.
. In 1915, German scientists began an immense task of wartime science designed to categorise 'the peoples of the world'. This ideological experiment involved Indigenous Australian and Pacific prisoners of war, and paved the way to post-war Nazi racial ideology. The sound, image and other cultural records captured during this wartime experiment are now listed by the United Nations Educational, Scientific and Cultural Organisation. This project will use documentary film and will apply innovative and socially inclusive 'reconciling' research methodologies to repatriate significant Australian cultural records from this World War I prisoners of war archive. It will document a post-colonial chapter in the aesthetics of 'otherness', and describe an important history of indigenous involvement in the foundational Australian narrative of World War I conflict.Read moreRead less