Representation of gender and sexual diversity in Australian film and television. This project aims to investigate the cultural, health and identity impact of gender/sexually-diverse characters, themes and narratives in Australian film and television from 1990 to present. The project expects to generate new knowledge by providing the first comprehensive account of Australian media production’s contribution to sexual minority representation, in the context of its importance for fostering healthy i ....Representation of gender and sexual diversity in Australian film and television. This project aims to investigate the cultural, health and identity impact of gender/sexually-diverse characters, themes and narratives in Australian film and television from 1990 to present. The project expects to generate new knowledge by providing the first comprehensive account of Australian media production’s contribution to sexual minority representation, in the context of its importance for fostering healthy identities, and acceptance of minorities to mainstream audiences in a digital media era. This knowledge will provide significant benefit to the mental health, wellbeing and social harmony for both minority and mainstream Australians and help showcase an important aspect of Australian media inclusivity and diversity in international scholarship.Read moreRead less
Extinction Imaginaries: Mapping Affective Visual Cultures in Australasia. This project aims to provide NGOs with new strategies for raising awareness of environmental change by investigating what animal extinction means to Australians. Australasia has the highest global extinction rates, yet despite the wide circulation of visual images of extinction little is known about how they affect people. The project expects to address this critical gap by bringing innovative methodologies to the analysis ....Extinction Imaginaries: Mapping Affective Visual Cultures in Australasia. This project aims to provide NGOs with new strategies for raising awareness of environmental change by investigating what animal extinction means to Australians. Australasia has the highest global extinction rates, yet despite the wide circulation of visual images of extinction little is known about how they affect people. The project expects to address this critical gap by bringing innovative methodologies to the analysis of public responses to images of extinction and how they affect social imaginaries. Expected outcomes include research translations with environmental NGOs which should provide significant benefits by addressing public concern for the deteriorating ecosystems that future generations will inherit.
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Exploring Botanic Gardens Herbarium's value, via Environmental Aesthetics. . The project aims to aesthetically redefine engagement with the plant collection at Royal Botanic Gardens Herbarium (RBG) Sydney and to communicate its artistic, cultural and heritage value to the public through a Public Program of creative arts case studies. It's expected that new insights will arise from an environmental art methodology utilising the digitisation of the Herbarium specimens, so that audiences can intera ....Exploring Botanic Gardens Herbarium's value, via Environmental Aesthetics. . The project aims to aesthetically redefine engagement with the plant collection at Royal Botanic Gardens Herbarium (RBG) Sydney and to communicate its artistic, cultural and heritage value to the public through a Public Program of creative arts case studies. It's expected that new insights will arise from an environmental art methodology utilising the digitisation of the Herbarium specimens, so that audiences can interactively experience the plant archive through narratives that activate plants as underpinning ecosystems. Benefits to partners RBG, Bundanon Trust and Open Humanities Press will include the digital expansion of audience engagement with the Herbarium at RBG and Mt Annan and communication of collection’s significance.Read moreRead less
Digital photography: mediation, memory and visual communication. This project aims to address the social impact of major shifts in the production, distribution, viewing and storage of photographic images which have profoundly altered their everyday use. By adopting an interdisciplinary, user-centred approach to digitally networked photography, the project will provide a more holistic understanding of how photographs mediate communication, sociality and memory in the present. Expected outcomes i ....Digital photography: mediation, memory and visual communication. This project aims to address the social impact of major shifts in the production, distribution, viewing and storage of photographic images which have profoundly altered their everyday use. By adopting an interdisciplinary, user-centred approach to digitally networked photography, the project will provide a more holistic understanding of how photographs mediate communication, sociality and memory in the present. Expected outcomes include generating original empirical data, building international collaboration, and creating a new conceptual framework for assessing contemporary photographic practices. The research will provide community benefit by enabling insight into the social and ethical tensions affecting photography in the present.
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Discovery Early Career Researcher Award - Grant ID: DE220100795
Funder
Australian Research Council
Funding Amount
$412,606.00
Summary
Message sticks: Long-distance communication in Indigenous Australia. Message sticks are marked wooden objects that were once used throughout Indigenous Australia to convey important information between communities. The intended outcome of this project is to answer a central question: What role did message sticks play in Indigenous long-distance communication? Drawing on archival evidence and original fieldwork in the Top End, the project aims to be the first empirically grounded study of message ....Message sticks: Long-distance communication in Indigenous Australia. Message sticks are marked wooden objects that were once used throughout Indigenous Australia to convey important information between communities. The intended outcome of this project is to answer a central question: What role did message sticks play in Indigenous long-distance communication? Drawing on archival evidence and original fieldwork in the Top End, the project aims to be the first empirically grounded study of message sticks as a practice. The project expects to define message sticks as a class of material culture, explain their communicative dynamics, generate new cross-cultural insights, and strengthen collaborations between research institutions, museums and Indigenous cultural organisations. Read moreRead less
Graphic Encounters: Colonial Prints and the Inscription of Aboriginality. This project plans to collate the archive of prints depicting Indigenous Australians, from national and international collections, to ask how people's place in this newly encroached territory was inscribed by colonial prints. Before the 1890s, prints (engravings, etchings and lithographs) were the principal means of reproducing images. Prints disseminated imagery of Indigenous people and determined how they were 'put in th ....Graphic Encounters: Colonial Prints and the Inscription of Aboriginality. This project plans to collate the archive of prints depicting Indigenous Australians, from national and international collections, to ask how people's place in this newly encroached territory was inscribed by colonial prints. Before the 1890s, prints (engravings, etchings and lithographs) were the principal means of reproducing images. Prints disseminated imagery of Indigenous people and determined how they were 'put in the picture' of settlement. Our colonial-era cultural heritage includes many prints (engravings, etchings, lithographs, etcetera) of Aborigines, yet they have been overlooked and the story of their production, dissemination and consumption is untold. This project aims to collate and trace this visual archive of Indigenous Australians and present its imagery to all Australians, including descendants, in an exhibition and conference, catalogue, monograph and online database.Read moreRead less
“The Complete Craze”: Women’s Photography and Colonial Modernity in the Asia-Pacific, 1860-1930. To date there has been no sustained research into the photography produced by women in the Asia-Pacific region in the late colonial era even though much of it was aesthetically sophisticated and innovative. Combining historical research with postcolonial and gender theory, this project critically examines a large body of images by women photographers working across the region. It identifies the facto ....“The Complete Craze”: Women’s Photography and Colonial Modernity in the Asia-Pacific, 1860-1930. To date there has been no sustained research into the photography produced by women in the Asia-Pacific region in the late colonial era even though much of it was aesthetically sophisticated and innovative. Combining historical research with postcolonial and gender theory, this project critically examines a large body of images by women photographers working across the region. It identifies the factors enabling these women to be examined as a group, investigates their subject matter, techniques and styles, and establishes what was exciting and new, as well as conventional, about their methods. It also shows how their artworks both reflected and contributed to the region’s burgeoning modernity. Read moreRead less