The Construction of Race and Racial Identity at the Antipodes of Empire, 1788-1840. The view that Australia was always a racially based society, pursuing racial policies to the detriment of indigenous Australians and our Asian neighbours, is subject to rancorous national debate. Polemical assertion by high profile journalists that race was never a driving force in Australian history is not conducive to understanding complex history, nor are derogatory attacks on historians helpful in explaining ....The Construction of Race and Racial Identity at the Antipodes of Empire, 1788-1840. The view that Australia was always a racially based society, pursuing racial policies to the detriment of indigenous Australians and our Asian neighbours, is subject to rancorous national debate. Polemical assertion by high profile journalists that race was never a driving force in Australian history is not conducive to understanding complex history, nor are derogatory attacks on historians helpful in explaining the past to our neighbours. Whether colonial Australia was a race-based society remains to be established. With indigenous uncertainty over the demise of ATSIC and rising antagonism among our Islamic neighbours, there is need, as never before, for dispassionate scholarship to provide a complex interpretation of Australia's past.Read moreRead less
Feminist theory meets indigenous art. Aboriginal reconciliation is high on the social and cultural agenda in Australian life. The place of art in this political moment has been critical - the culture of Australian indigenous people has come to international attention, and won recognition, largely through art works. This reflects in many cases a political strategy on the part of indigenous communities to use art to depict their traditional Dreamings, of which the world was ignorant. But underlyin ....Feminist theory meets indigenous art. Aboriginal reconciliation is high on the social and cultural agenda in Australian life. The place of art in this political moment has been critical - the culture of Australian indigenous people has come to international attention, and won recognition, largely through art works. This reflects in many cases a political strategy on the part of indigenous communities to use art to depict their traditional Dreamings, of which the world was ignorant. But underlying this, is the assumption made in Aboriginal philosophies that the art is the knowledge it portrays, which in turn evokes title to land through the law of Dreaming, of belonging to "country". To better understand this negotiation advances debate on issues surrounding reconciliation.Read moreRead less