In the Wake of the Sea Peoples, In the Footsteps of Goliath: Excavating the Philistine Site of Tell es-Safi/Gath. This project brings Australian research into the current scholarly debates on Philistine identity, a quickly growing sub-discipline in Mediterranean archaeology. Marginalized in the Bible as decadent, current research sees the Philistines as a cosmopolitan culture resulting from migration from Cyprus and the Aegean, and interaction with the local Canaanite population. In addition, Au ....In the Wake of the Sea Peoples, In the Footsteps of Goliath: Excavating the Philistine Site of Tell es-Safi/Gath. This project brings Australian research into the current scholarly debates on Philistine identity, a quickly growing sub-discipline in Mediterranean archaeology. Marginalized in the Bible as decadent, current research sees the Philistines as a cosmopolitan culture resulting from migration from Cyprus and the Aegean, and interaction with the local Canaanite population. In addition, Australian collaboration and interaction with Israeli colleagues and students will contribute to a more positive perception of the Jewish community in Australia, which has been the recent target of anti-Semitic activities as a result of the Israeli government's invasion of Gaza.Read moreRead less
Creative digital industries in Australia: innovation in quantitative and qualitative mapping. The creative digital industries have been identified as a national priority for research, policy analysis and industry development as they are a high growth sector of the global and Australian economy. The project will innovate in both quantitative and qualitative analysis. It will enhance the statistical base for this emerging part of the new economy, and examine creative enterprise dynamics as well as ....Creative digital industries in Australia: innovation in quantitative and qualitative mapping. The creative digital industries have been identified as a national priority for research, policy analysis and industry development as they are a high growth sector of the global and Australian economy. The project will innovate in both quantitative and qualitative analysis. It will enhance the statistical base for this emerging part of the new economy, and examine creative enterprise dynamics as well as digital outputs within the creative industries and wider service industry sectors including education, health and government. Project results will be used by policy makers, industry analysts, and sector leaders in formulating strategies to develop the sector.Read moreRead less
Genealogies of digital light. The first interdisciplinary account of practice in light technologies, this project will look in detail at the innovation process in the techniques and technologies used in depicting, recording and projecting light. It will explore how contemporary digital media imitate, advance or retreat from the achievements of older techniques and devices; how accidental artefacts of specific media become desirable outcomes in others; and how these past processes impact on desig ....Genealogies of digital light. The first interdisciplinary account of practice in light technologies, this project will look in detail at the innovation process in the techniques and technologies used in depicting, recording and projecting light. It will explore how contemporary digital media imitate, advance or retreat from the achievements of older techniques and devices; how accidental artefacts of specific media become desirable outcomes in others; and how these past processes impact on design and innovation of new tools. Outcomes will include print and online publications, a conference and collaboration between three universities.Read moreRead less
Cinematic Ethics: Exploring Ethical Experience through Film. This project develops a new interdisciplinary framework for understanding cinema’s unique power to evoke ethical experience via audiovisual means. Combining philosophy with film analysis, it moves beyond the prevalent view that cinema merely illustrates moral situations, and challenges the long-held suspicion toward film’s manipulative aesthetic power. This project proposes instead a model of cinematic ethics: an investigation of how c ....Cinematic Ethics: Exploring Ethical Experience through Film. This project develops a new interdisciplinary framework for understanding cinema’s unique power to evoke ethical experience via audiovisual means. Combining philosophy with film analysis, it moves beyond the prevalent view that cinema merely illustrates moral situations, and challenges the long-held suspicion toward film’s manipulative aesthetic power. This project proposes instead a model of cinematic ethics: an investigation of how cinema evokes ethical experience through emotional, cognitive, and aesthetic engagement. This project will advance the emerging interdisciplinary field of film-philosophy by highlighting film’s under-recognised potential to enhance ethical understanding, and thus to promote greater social awareness and intercultural communication.Read moreRead less
Discovery Early Career Researcher Award - Grant ID: DE130101712
Funder
Australian Research Council
Funding Amount
$369,706.00
Summary
Disability and digital TV: access, representation and reception. Digital television has the potential to lesson the social exclusion of people with disability, if it is made accessible. This project will provide a much-needed user-focused analysis of two areas of key concern to Australians with disability as the nation switches over to digital TV - access and representation.
Cinema and the Senses: Temporality of the films of Stanley Kubrick, Terrence Malick and Kumar Shahani. The resulting monograph, articles and seminars will provide new methodologies for Australian cinema studies which has tended to depend on Euro-American models. The project offers three distinct ways of thinking about an ecology of the human senses in and through cinema. The ideas on cine-synaesthesia would link up with current research on this topic in other disciplines such as neurophysiology, ....Cinema and the Senses: Temporality of the films of Stanley Kubrick, Terrence Malick and Kumar Shahani. The resulting monograph, articles and seminars will provide new methodologies for Australian cinema studies which has tended to depend on Euro-American models. The project offers three distinct ways of thinking about an ecology of the human senses in and through cinema. The ideas on cine-synaesthesia would link up with current research on this topic in other disciplines such as neurophysiology, painting and music. The interdisciplinarity of the project offers, to the public sphere of Australian cinema, cross-cultural and cross-media perspectives on film aesthetics. Read moreRead less
Discovery Early Career Researcher Award - Grant ID: DE160100120
Funder
Australian Research Council
Funding Amount
$303,000.00
Summary
Citizen photo-journalism: how is it shaping the news? This project aims to investigate contemporary practices in photojournalism in the Australian news media in the wake of massive layoffs among press photographers. In a media landscape that is more visual than ever, a critical question is whether the news media still has the capacity to bear effective witness. Combining ethnographic and social semiotic approaches, this mixed-method project aims to assess the extent to which contemporary photo-j ....Citizen photo-journalism: how is it shaping the news? This project aims to investigate contemporary practices in photojournalism in the Australian news media in the wake of massive layoffs among press photographers. In a media landscape that is more visual than ever, a critical question is whether the news media still has the capacity to bear effective witness. Combining ethnographic and social semiotic approaches, this mixed-method project aims to assess the extent to which contemporary photo-journalistic practices enable high-quality visual storytelling. It also aims to assess the ways in which citizens and organisations outside of journalism, through their engagement with the digital economy, are re-shaping and re-defining photojournalistic practice.Read moreRead less
The Power of the Image: affect, audience and disturbing imagery. In a period of fear and uncertainty about terrorism and war there is a pressing need to examine the specific contemporary modes of teenagers' engagements with media violence and the ways it contributes to their understanding of violence in the world around them. This project will identify the links young people make between affective and emotional reactions to media imagery, their own values and attitudes about the violence in ever ....The Power of the Image: affect, audience and disturbing imagery. In a period of fear and uncertainty about terrorism and war there is a pressing need to examine the specific contemporary modes of teenagers' engagements with media violence and the ways it contributes to their understanding of violence in the world around them. This project will identify the links young people make between affective and emotional reactions to media imagery, their own values and attitudes about the violence in everyday life (e.g. sexual harassment, bullying, fights at school), and their assessment of their own power and agency. It adds much needed Australian research to a field lacking a distinctive Australian perspective.Read moreRead less
Representing Kanaks: Generic Variation, Identity, and the Politics of the Everyday Semiotic. The project hypothesizes that representational struggles over indigenous identity are crucially shaped by the range of genres in which identity is asserted. Through the case of Kanaks in New Caledonia, as represented by several everyday genres hitherto neglected by scholarship, the representational politics of indigeneity are interrogated with the aim of demonstrating that Kanak existence is constituted ....Representing Kanaks: Generic Variation, Identity, and the Politics of the Everyday Semiotic. The project hypothesizes that representational struggles over indigenous identity are crucially shaped by the range of genres in which identity is asserted. Through the case of Kanaks in New Caledonia, as represented by several everyday genres hitherto neglected by scholarship, the representational politics of indigeneity are interrogated with the aim of demonstrating that Kanak existence is constituted in the semiotic detail of everyday generic variation. The project's significance lies in its radical reconception of identity and representational politics: going beyond indigenous versus colonial binaries, it reveals the complexity of day-to-day competition over and consolidation of indigenous identity through representational systems.Read moreRead less
Aboriginal Femininity and Modern Identity: Gender and Race in the Late Colonial Visual Scene. The project is the first sustained cultural history of Aboriginal femininity in Australian from 1870-1967. It will draw on diverse forms of modern visual culture: painting, black and white drawing, mass commodity spectacle, film and photography, to investigate six modes of production of Aboriginal feminine visibility: the 'primitive' woman in Western exhibiting practices such as colonial museums: the pe ....Aboriginal Femininity and Modern Identity: Gender and Race in the Late Colonial Visual Scene. The project is the first sustained cultural history of Aboriginal femininity in Australian from 1870-1967. It will draw on diverse forms of modern visual culture: painting, black and white drawing, mass commodity spectacle, film and photography, to investigate six modes of production of Aboriginal feminine visibility: the 'primitive' woman in Western exhibiting practices such as colonial museums: the perceived failure of 'Mission Mary' to appear modern; the relation of Aboriginal femininity to imported forms of exoticism; the fetishism of Indigenous women; girl piccaninny kitsch in domestic and tourist ornaments; and the entrance of public Aboriginal women and celebrities into modernity.
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