Encountering diversity: communities of learning, intellectual confrontations and transformations of religious thinking in Latin Europe, 1050-1350. This project will analyse how intellectual confrontations between different communities in medieval Europe (from 1050-1350), including Jews and Muslims, were generated by competition between teachers from different groups, both within and outside formal educational structures and established religious communities, thus helping to transform religious t ....Encountering diversity: communities of learning, intellectual confrontations and transformations of religious thinking in Latin Europe, 1050-1350. This project will analyse how intellectual confrontations between different communities in medieval Europe (from 1050-1350), including Jews and Muslims, were generated by competition between teachers from different groups, both within and outside formal educational structures and established religious communities, thus helping to transform religious thinking.Read moreRead less
Imagining Poverty: conceptualising and representing poverty and the poor in mendicant inspired literature, preaching and visual art 1220-1520. This project explores understandings and representation of poverty, both voluntary and involuntary, in literature and art in Europe 1220-1520 that were inspired by mendicant (particularly Franciscan and Dominican) ideals. It will lead to a jointly authored study on the different ways poverty was understood and represented in this period.
Discovery Early Career Researcher Award - Grant ID: DE200101675
Funder
Australian Research Council
Funding Amount
$419,950.00
Summary
War-Widow, Mother, Slave, Refugee: Andromache in Romantic Europe. This project aims to uncover how Andromache, a prominent classical figure in the Trojan wars, was represented and deployed to shape the literature, politics and culture of Romantic-era Europe. Its expected outcome is a significant reassessment of an understudied figure, focusing on her portrayals as a grieving widow, slave and refugee in times of national crisis and change, especially the Napoleonic wars. Its innovative method com ....War-Widow, Mother, Slave, Refugee: Andromache in Romantic Europe. This project aims to uncover how Andromache, a prominent classical figure in the Trojan wars, was represented and deployed to shape the literature, politics and culture of Romantic-era Europe. Its expected outcome is a significant reassessment of an understudied figure, focusing on her portrayals as a grieving widow, slave and refugee in times of national crisis and change, especially the Napoleonic wars. Its innovative method combines literary studies, musicology, cultural and material history, and emotions history. The project intends to strengthen Australia’s leading role in Romantic studies, enrich cultural life, and foster community reflection on the significant challenges of migration, refugees, gender and violence, war and emotions.Read moreRead less
Historicising orientalism: the French, the Jews, and the modern world. This project will rethink the history of the relationship between East and West. It will look at the role played by interactions between Europeans and Jews in the Orient. It will break down the overly simplistic and politically-driven dialectic that governs understandings of Orientalism, offering important new insights into this phenomenon.
Battlefields of memory: places of war and remembrance in medieval and early modern England and Scotland. This project investigates how sites of war are negotiated and remembered. By analysing the battlefields of England and Scotland during the pivotal period 1250-1700, this project will show how places of war became important sites of remembrance and how remembrance of war became central to western national cultures. The project will establish significant advances in our understanding of how sit ....Battlefields of memory: places of war and remembrance in medieval and early modern England and Scotland. This project investigates how sites of war are negotiated and remembered. By analysing the battlefields of England and Scotland during the pivotal period 1250-1700, this project will show how places of war became important sites of remembrance and how remembrance of war became central to western national cultures. The project will establish significant advances in our understanding of how sites of violent conflict have become socially and politically meaningful. Read moreRead less
ARC Centre of Excellence for the History of Emotions. Emotions change over time; yet the long-term causes and consequences of changing emotional experiences and expressions remain largely unknown. This Centre will revolutionize research in the Humanities and Creative Arts by initiating innovative research collaborations across many disciplines to account for long-term changes and continuities in emotional regimes in Europe 1100-1800. For the first time we will fully analyse the social, cultural ....ARC Centre of Excellence for the History of Emotions. Emotions change over time; yet the long-term causes and consequences of changing emotional experiences and expressions remain largely unknown. This Centre will revolutionize research in the Humanities and Creative Arts by initiating innovative research collaborations across many disciplines to account for long-term changes and continuities in emotional regimes in Europe 1100-1800. For the first time we will fully analyse the social, cultural and political effects of mass emotional events. Links with cultural industry partners in art, drama and music will enable reflective performance research on communication of emotions, and illuminate the Western cultural foundations of emotions in modern Australia.Read moreRead less
Scripts without a stage: Roman comedy in the Early Italian Renaissance. In the early Italian Renaissance at a time when theatrical infrastructure was still lacking, rapid advances in learning and technology helped scholars to show how the Latin plays, which had only survived as teaching texts, were in fact works to be performed, eventually leading to stage revivals. This project proposes to build on the successes of an Australian team working on the Roman playwright Terence, and demonstrate the ....Scripts without a stage: Roman comedy in the Early Italian Renaissance. In the early Italian Renaissance at a time when theatrical infrastructure was still lacking, rapid advances in learning and technology helped scholars to show how the Latin plays, which had only survived as teaching texts, were in fact works to be performed, eventually leading to stage revivals. This project proposes to build on the successes of an Australian team working on the Roman playwright Terence, and demonstrate the importance of humanist scholars to intellectual history. It intends to utilise a range of historical resources, many only available in recent years through digitisation.Read moreRead less
The rediscovery of Senecan tragedy in 14th century Europe. This project aims to provide a new understanding of the emergence of classical tragedy by reassessing how classical Latin drama was revived in 14th century Europe after a long period of neglect. Classical tragedy, which incorporates the myths of the Graeco-Roman world in its fabric, was virtually unknown from late antiquity until the high middle ages when the tragedies of Seneca became popular. In the early 14th century, commentaries by ....The rediscovery of Senecan tragedy in 14th century Europe. This project aims to provide a new understanding of the emergence of classical tragedy by reassessing how classical Latin drama was revived in 14th century Europe after a long period of neglect. Classical tragedy, which incorporates the myths of the Graeco-Roman world in its fabric, was virtually unknown from late antiquity until the high middle ages when the tragedies of Seneca became popular. In the early 14th century, commentaries by Albertino Mussato and Nicholas Trevet allowed a new readership access to these complex ancient works; this analysis also provides new insights into trends of popularity across the ages. Using recent advances in digitisation technology and scholarship, the project will establish a model for research into the history of the book, the image, and text.Read moreRead less
William Blake in the 21st century: poetry, prophecy, the history of imagination, and the futures of romanticism. William Blake, one of the most important Romantic artists, provides an exemplary instance of the creative and iconoclastic. By recovering Blake's dialogue with London's prophetic subcultures, this project offers an original account of his oeuvre, the cultural resources that enabled his originality, and the role played by creativity in modernity.
Visual evidence: transforming modern sex research (1880s - 1930s). This project aims to explore how photography and film transformed understandings of human sexuality. By analysing how and why doctors and scientists shifted their attention from textual to visual evidence, the project will contribute to understandings about how images have been used historically to create medical norms and communicate scientific knowledge to broad audiences. Focusing on Germany as the international centre of earl ....Visual evidence: transforming modern sex research (1880s - 1930s). This project aims to explore how photography and film transformed understandings of human sexuality. By analysing how and why doctors and scientists shifted their attention from textual to visual evidence, the project will contribute to understandings about how images have been used historically to create medical norms and communicate scientific knowledge to broad audiences. Focusing on Germany as the international centre of early twentieth-century sex research, the project will examine how the turn to visual evidence had a transnational impact by paving the way for post-war researchers such as Kinsey, Masters and Johnson, and for a better understanding of the history of human sexuality in Australia.Read moreRead less