Superheroes: Creative Force, Cultural Zeitgeist and Transmedia Phenomenon. Since their emergence in 1938 comic book heroes have become imbedded in our popular culture, becoming part of our modern mythology. In each form and every generation these characters serve as cultural signposts, articulating our loftiest ideals and deep-seated anxieties. The project aims to explore the historic, creative and artistic development of the genre across multiple media and its political and social significance. ....Superheroes: Creative Force, Cultural Zeitgeist and Transmedia Phenomenon. Since their emergence in 1938 comic book heroes have become imbedded in our popular culture, becoming part of our modern mythology. In each form and every generation these characters serve as cultural signposts, articulating our loftiest ideals and deep-seated anxieties. The project aims to explore the historic, creative and artistic development of the genre across multiple media and its political and social significance. The genre has been enormously successful in film, with the top 100 films accounting for approximately $13 billion in profit for the companies that produced them. The project will explore how the successful transmedia crossover further offers insight into the strategies that drive creative industries such as film, television, video games and comics. The project will work with the Australian Centre for the Moving Image to develop a Melbourne Winter Masterpiece exhibition and a series of research projects, public events and an international conference to engage both the general public and academics.Read moreRead less
"Welcome to Television": A Cultural History of Australian Television 1956-1992. A5 PROJECT SUMMARY
Television is arguably the most significant cultural technology of the 20th century. It gives us a sense of nationhood within a globalised world, contributes to democratic discourse and fosters creative expression. This is a history of that important institution in Australia and will cover the period from its inception to 1992, when multi-channel, pay and internet forms of television began to t ...."Welcome to Television": A Cultural History of Australian Television 1956-1992. A5 PROJECT SUMMARY
Television is arguably the most significant cultural technology of the 20th century. It gives us a sense of nationhood within a globalised world, contributes to democratic discourse and fosters creative expression. This is a history of that important institution in Australia and will cover the period from its inception to 1992, when multi-channel, pay and internet forms of television began to transform it. It will focus principally on commercial free to air television and will promote debate about the changing significance of television in Australia and lead to better public understanding and appreciation of its cultural and creative legacy.
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Using community engagement and enhanced visual information to promote FireWatch satellite communication as a support for collaborative decision-making. Using continuously updated satellite data, FireWatch will repurpose its professional service for use by the wider public, informing community-based decision-making and action. Communication flows and community decision-making will promote informed action at times of fire stress. Complex visual data will be communicated in clear and compelling way ....Using community engagement and enhanced visual information to promote FireWatch satellite communication as a support for collaborative decision-making. Using continuously updated satellite data, FireWatch will repurpose its professional service for use by the wider public, informing community-based decision-making and action. Communication flows and community decision-making will promote informed action at times of fire stress. Complex visual data will be communicated in clear and compelling ways.Read moreRead less
Museum Digital Social Futures. This project aims to understand and transform the digital experience of museum audiences post COVID-19 through collaborating with ACMI who pioneered digital curation methods through a Living Lab model. This project will generate new methods for engaging diverse audiences across social and digital worlds in domestic and public spaces through codesigning with national museum peak body, AGaMA, stakeholders. Expected outcomes include resources (i.e. toolkits for implem ....Museum Digital Social Futures. This project aims to understand and transform the digital experience of museum audiences post COVID-19 through collaborating with ACMI who pioneered digital curation methods through a Living Lab model. This project will generate new methods for engaging diverse audiences across social and digital worlds in domestic and public spaces through codesigning with national museum peak body, AGaMA, stakeholders. Expected outcomes include resources (i.e. toolkits for implementation), online repository (website) and symposium for knowledge sharing and transferring of learnings. This should provide significant benefits to the museums sector including digital innovation for social inclusion strategies and resources.
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Investigating the future of Australian television. This project investigates the future of Australian television and the society 'served' by it. Regulation of free-to-air TV has tightly controlled the production and dissemination of news, information and entertainment in Australia. Now digital technology offers audio-visual content on many extra platforms, fixed and mobile. This sets up profound changes in Australian economics, politics and culture. Yet there is a marked lack of independent rese ....Investigating the future of Australian television. This project investigates the future of Australian television and the society 'served' by it. Regulation of free-to-air TV has tightly controlled the production and dissemination of news, information and entertainment in Australia. Now digital technology offers audio-visual content on many extra platforms, fixed and mobile. This sets up profound changes in Australian economics, politics and culture. Yet there is a marked lack of independent research available to Government and Industry to assist them to plan for the changes. And there is almost no context for careful public debate about these crucial changes. This project will play a vital role in promoting knowledge and informed, strategic decision-making for all constituencies.Read moreRead less
Young People, Technology, and Wellbeing Research Facility. Large numbers of initiatives now mobilise technology to support the wellbeing of young Australians. However, amongst communities undertaking this work, there is currently significant duplication and insufficient sharing of research and best practice models. A Research Facility that consolidates existing research, and guides new research and initiatives will improve service delivery to young Australians by: reducing duplication between or ....Young People, Technology, and Wellbeing Research Facility. Large numbers of initiatives now mobilise technology to support the wellbeing of young Australians. However, amongst communities undertaking this work, there is currently significant duplication and insufficient sharing of research and best practice models. A Research Facility that consolidates existing research, and guides new research and initiatives will improve service delivery to young Australians by: reducing duplication between organizations working with young people; providing an accessible interface with research that can help address the community’s concerns about the role of technology in young people’s lives, and inform future policy and programs; and model effective cross-sector knowledge brokering to Australian industry. Read moreRead less
The Internationalisation Of Charlie Chaplin's Tramp. This project is a cross-cultural and interdisciplinary study of the multifarious reincarnations of Charlie Chaplin's The Tramp across the world's film, theatre, television and advertising industries over the last nine decades. The project examines the appeal of Chaplin's Tramp in different languages and cultures, and the ways in which the figure has been adapted, translated, reconfigured and indigenised for local audiences and their individu ....The Internationalisation Of Charlie Chaplin's Tramp. This project is a cross-cultural and interdisciplinary study of the multifarious reincarnations of Charlie Chaplin's The Tramp across the world's film, theatre, television and advertising industries over the last nine decades. The project examines the appeal of Chaplin's Tramp in different languages and cultures, and the ways in which the figure has been adapted, translated, reconfigured and indigenised for local audiences and their individual contexts and traditions. The Internationalisation Of Chaplin's Tramp draws on theoretical perspectives and methodologies from screen studies, history, the visual arts, anthropology and cultural studies and the writing and production practices of documentary film.Read moreRead less
Archiving Australian Media Arts: Towards a method and national collection. The early years of Australian digital media arts heritage are at risk. Australians were significant contributors to the development of media arts internationally, as well as making and exhibiting work nationally, yet only a tiny portion of the digital artwork by Australian artists has made it into institutional collections. Deteriorating disks and reliance on obsolete hardware and software mean that innovative digital pre ....Archiving Australian Media Arts: Towards a method and national collection. The early years of Australian digital media arts heritage are at risk. Australians were significant contributors to the development of media arts internationally, as well as making and exhibiting work nationally, yet only a tiny portion of the digital artwork by Australian artists has made it into institutional collections. Deteriorating disks and reliance on obsolete hardware and software mean that innovative digital preservation and access solutions are needed if these artworks are to be saved. Working with key cultural institutions, this project will conserve key media art case studies from the archives of media arts organisations, and develop a best practice method for the preservation of our digital media arts heritage.Read moreRead less
Play it again: creating a playable history of Australasian digital games, for industry, community and research purposes. This project provides a unique account of the role played by computer games in familiarising the public to new technologies. The computer game industry grosses billions of dollars each year, and yet game technology is quickly superseded. This project redresses this gap by writing histories of the early digital age, and preserving key artefacts.
Play it again: preserving Australian videogame history. This project aims to demonstrate and evaluate the emulation of obsolete operating systems and programs in a cloud-based environment to document, preserve, and exhibit digital cultural heritage. The challenge of preserving and accessing complex digital cultural heritage such as software is one that collecting institutions worldwide are facing. This project will address this challenge by recovering the history of Australian made videogames of ....Play it again: preserving Australian videogame history. This project aims to demonstrate and evaluate the emulation of obsolete operating systems and programs in a cloud-based environment to document, preserve, and exhibit digital cultural heritage. The challenge of preserving and accessing complex digital cultural heritage such as software is one that collecting institutions worldwide are facing. This project will address this challenge by recovering the history of Australian made videogames of the 1990s, preserving significant local digital game artefacts currently at risk, and investigating how these can be exhibited as playable software using the newest emulation techniques. The project expects to generate new knowledge needed by government, museums and industry to inform future strategy and infrastructure investment aimed at making a range of digital cultural heritage available to the public.Read moreRead less