To map and enhance Australian musical improvisation as a creative industry. The project maps transforming improviser networks in Australian music since 1970, to inform how cultural innovation develops and disseminates. Application of new statistical techniques (temporal network analysis) will combine with in-depth focus groups to show how improvisation excellence depends on a mix of artistic craft, networked collaboration and institutional support. This knowledge will assist music venues and ind ....To map and enhance Australian musical improvisation as a creative industry. The project maps transforming improviser networks in Australian music since 1970, to inform how cultural innovation develops and disseminates. Application of new statistical techniques (temporal network analysis) will combine with in-depth focus groups to show how improvisation excellence depends on a mix of artistic craft, networked collaboration and institutional support. This knowledge will assist music venues and industry in nurturing improvisation as a cultural force and commercial opportunity for export and tourism attraction post Covid-19. The novel method, integrating computational network analysis with qualitative research, will also inform and build capacity for future understandings of cultural fields and industries.Read moreRead less
The Western Australia New Music Archive: 1970 - today: finding, accessing, remembering, performing. This project sees the creation of the Western Australian New Music Archive, a digital repository of and interface to Western Australian music composed from 1970 to the present day. A partnership between peak state and national bodies, the project will also involve the performance and recording of works from the archive.
Loudness moves! Roles of changing acoustic intensity in the perception of music. Changing loudness of a sound is an urgent cue for object location, and an emotional cue in speech and music. With new empirical techniques, we will identify roles of loudness in perception of structure, arousal and emotion in music. The work has application in inter-personal communication, sonic information display and, and in music selling online.
Signature pedagogies for creative collaboration: Lessons for and from music. This project aims to develop a model of the signature pedagogies and environmental supports that foster the 21st century skills of creativity, innovation, collaboration and cooperation. The project's significance lies in its unique focus on pedagogies of expert creative collaborative practice in four internationally renowned chamber music training environments. These are characterised by individual risk in performance, ....Signature pedagogies for creative collaboration: Lessons for and from music. This project aims to develop a model of the signature pedagogies and environmental supports that foster the 21st century skills of creativity, innovation, collaboration and cooperation. The project's significance lies in its unique focus on pedagogies of expert creative collaborative practice in four internationally renowned chamber music training environments. These are characterised by individual risk in performance, intensified need for collaborative exchange, and the capacity to juxtapose individual accountability within collaborative practices. Expected outcomes and benefits of the project include a model that has translational application and impact for those professions that rely on generating new knowledge in collaborative settings.Read moreRead less
Discovery Early Career Researcher Award - Grant ID: DE200100555
Funder
Australian Research Council
Funding Amount
$410,587.00
Summary
The role of post-instrumental practice in twenty-first century music. This project investigates post-instrumental music by documenting, analysing and developing the new musical forms that are emerging globally. Understanding its musical, cultural and social significance will be advantageous in the development of a wide range of music genres, through the creation of new musical language, notations, performance practices and dissemination relevant to our twenty-first century context. Expected outc ....The role of post-instrumental practice in twenty-first century music. This project investigates post-instrumental music by documenting, analysing and developing the new musical forms that are emerging globally. Understanding its musical, cultural and social significance will be advantageous in the development of a wide range of music genres, through the creation of new musical language, notations, performance practices and dissemination relevant to our twenty-first century context. Expected outcomes include articles, a book, new musical works and recordings. This research has the potential to change the way we make and listen to music, highlighting how approaches to post-instrumental music can be integrated into ongoing music practice through the application of the methodologies discovered and developed.Read moreRead less
Controlling interactive music performance: enhancing live performances by human musicians and algorithmic computer systems. This project will investigate techniques for the control of computer music systems during performances with a musician. It will identify and evaluate parameters and patterns for expressive variation of music algorithms, contribute new theories of music representation, and provide insights into human interactions with semi-autonomous technologies.
Understanding motivation and practice quality in elite music performance. This project examines motivation and practice quality in elite music performance. It applies major theoretical explanations from other domains where optimising motivation and practice quality has consistently been found to increase performance, persistence, learning, creativity, and wellbeing. The expected outcomes of the project address the competitiveness of Australian musicians, particularly in light of significantly lo ....Understanding motivation and practice quality in elite music performance. This project examines motivation and practice quality in elite music performance. It applies major theoretical explanations from other domains where optimising motivation and practice quality has consistently been found to increase performance, persistence, learning, creativity, and wellbeing. The expected outcomes of the project address the competitiveness of Australian musicians, particularly in light of significantly lower funding for music institutions compared to international counterparts. The research endeavours to inform understandings about the nature of motivation and practice more generally, by extending conceptions that have until now been formed largely through research in non-artistic domains of human accomplishment.Read moreRead less
Enhancing the impact of Australian performing arts: virtual scenography and opera for the 21st century. Digitally created scenography has the potential to create immersive stage environments that are designed for 21st century visual impact, and to re-model the economics of live performance by reducing the cost of touring. Deakin Motion.Lab and the Victorian Opera aim to work together to design, test and evaluate the artistic and economic value of virtual scenography for touring performing arts c ....Enhancing the impact of Australian performing arts: virtual scenography and opera for the 21st century. Digitally created scenography has the potential to create immersive stage environments that are designed for 21st century visual impact, and to re-model the economics of live performance by reducing the cost of touring. Deakin Motion.Lab and the Victorian Opera aim to work together to design, test and evaluate the artistic and economic value of virtual scenography for touring performing arts companies. This project aims to enable opera companies to present large scale productions in previously inaccessible regional and rural areas, enhancing both artistic experience and access to this cultural experience for audiences. These outcomes aim to be transferable to other theatre forms such as ballet and theatre that require large-scale set production.Read moreRead less
The shock of the old: Rediscovering the sounds of bel canto 1700-1900. Bel canto—beautiful singing—describes a forgotten tradition (1700–1900), epitomising clear communication of expression and meaning of text. This project aims to generate new research-based knowledge of bel canto sound vocabulary, music, and history through implementation of a multi-modal method—working with an international community of singers—to produce multi-faceted outputs that inform future scholarship and creativity in ....The shock of the old: Rediscovering the sounds of bel canto 1700-1900. Bel canto—beautiful singing—describes a forgotten tradition (1700–1900), epitomising clear communication of expression and meaning of text. This project aims to generate new research-based knowledge of bel canto sound vocabulary, music, and history through implementation of a multi-modal method—working with an international community of singers—to produce multi-faceted outputs that inform future scholarship and creativity in singing. Modern classical singing fails to communicate the meaning of the text in bel canto repertory. Expected outcomes are revitalisation of global practices to produce classical singers better equipped to convey the text, increasing audience engagement, and the sustainability of the classical music industry.Read moreRead less
Deciphering nineteenth-century pianism. The project aims to investigate the nature of 19th-century piano playing and offer new and alternative ways of interpreting 19th-century repertoire. Current approaches to playing 19th-century piano music differ from evidence of historical practices. The project will address this with ideas on 19th-century piano practice, the relationship between music notation and performance, increased interpretive choices, and a method for historically informed performan ....Deciphering nineteenth-century pianism. The project aims to investigate the nature of 19th-century piano playing and offer new and alternative ways of interpreting 19th-century repertoire. Current approaches to playing 19th-century piano music differ from evidence of historical practices. The project will address this with ideas on 19th-century piano practice, the relationship between music notation and performance, increased interpretive choices, and a method for historically informed performance. Published multi-modal outputs will serve as industry models fostering diversity in performing styles.The project aims to bring social and psychological health benefits, increase wellbeing in our culture and society, and boost the music economy.Read moreRead less