The shock of the old: Rediscovering the sounds of bel canto 1700-1900. Bel canto—beautiful singing—describes a forgotten tradition (1700–1900), epitomising clear communication of expression and meaning of text. This project aims to generate new research-based knowledge of bel canto sound vocabulary, music, and history through implementation of a multi-modal method—working with an international community of singers—to produce multi-faceted outputs that inform future scholarship and creativity in ....The shock of the old: Rediscovering the sounds of bel canto 1700-1900. Bel canto—beautiful singing—describes a forgotten tradition (1700–1900), epitomising clear communication of expression and meaning of text. This project aims to generate new research-based knowledge of bel canto sound vocabulary, music, and history through implementation of a multi-modal method—working with an international community of singers—to produce multi-faceted outputs that inform future scholarship and creativity in singing. Modern classical singing fails to communicate the meaning of the text in bel canto repertory. Expected outcomes are revitalisation of global practices to produce classical singers better equipped to convey the text, increasing audience engagement, and the sustainability of the classical music industry.Read moreRead less
Comedy Country: Australian Performance Comedy as an Agent of Change. Comedy Country aims to investigate the development of comic performance and its transformational relation with, and impact on, Australian society, culture and the creative industries from the aftermath of World War 2 until the present. The project’s key hypothesis is that since the 1950s comic performance has not merely reflected a changing Australia but helped drive social and cultural transformation. The project partners with ....Comedy Country: Australian Performance Comedy as an Agent of Change. Comedy Country aims to investigate the development of comic performance and its transformational relation with, and impact on, Australian society, culture and the creative industries from the aftermath of World War 2 until the present. The project’s key hypothesis is that since the 1950s comic performance has not merely reflected a changing Australia but helped drive social and cultural transformation. The project partners with two festivals, five cultural collecting organisations and a media production company to build interdisciplinary Humanities and Social Sciences/industry collaborations in digital methods for archive research and transmedia communication, and deliver digital exhibitions, documentaries, podcasts and scholarly histories.Read moreRead less