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Planning the 'creative' city: reconciling global strategies with local subcultures. Increasing land values in all major Australian cities are placing pressure on local creative initiatives. Displacement of small cultural producers and the consequent dispersal of local networks is damaging to the urban social and economic fabric. This research will assess the challenges to strong and thriving creative subcultures in gentrifying cities. By identifying cases of best practice in Australia, and with ....Planning the 'creative' city: reconciling global strategies with local subcultures. Increasing land values in all major Australian cities are placing pressure on local creative initiatives. Displacement of small cultural producers and the consequent dispersal of local networks is damaging to the urban social and economic fabric. This research will assess the challenges to strong and thriving creative subcultures in gentrifying cities. By identifying cases of best practice in Australia, and with reference to similar practices overseas, the project will expand the range of regulatory and negotiating tools available to state and local governments to maintain their valuable creativity and local cultural diversity.
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Regenerating the Body: Modern Art, Neo-Darwinism and the Fitness Imperative. Drawing upon histories of art, popular culture, medicine, science and sport, this project proposes that a reconceptualization and reimaging of the human body occurred in Western art and culture, from the end of the nineteenth century, through fitness becoming a Neo-Darwinist imperative. By demonstrating how regeneration facilitated the normalization and 'subjectification? of the body for procreative sexuality, technol ....Regenerating the Body: Modern Art, Neo-Darwinism and the Fitness Imperative. Drawing upon histories of art, popular culture, medicine, science and sport, this project proposes that a reconceptualization and reimaging of the human body occurred in Western art and culture, from the end of the nineteenth century, through fitness becoming a Neo-Darwinist imperative. By demonstrating how regeneration facilitated the normalization and 'subjectification? of the body for procreative sexuality, technologized industry and modern warfare, it substantially revises Michel Foucault's ?biopolitical? theories. In identifying how beauty became inscribed upon the regenerated body and abjection upon the degenerate ?other?, it reveals that the quest for biogenetics emerged long before it became a reality in Nazi Germany.Read moreRead less
Aesthetic Strategies in Neo-Conceptual Art, 1980s-1990s. The decline of formalist aesthetics figured prominently in Neo-Conceptual art and postmodern theory of the 1980s. In the 1990s, this trend began to reverse, and revisionist aesthetic theory re-emerged as a salient force in contemporary art scholarship. Using the perspective of revisionist aesthetic theory, this study will show evidence of aesthetic strategies in Neo-Conceptual art that have been neglected in post modern, anti-aesthetic int ....Aesthetic Strategies in Neo-Conceptual Art, 1980s-1990s. The decline of formalist aesthetics figured prominently in Neo-Conceptual art and postmodern theory of the 1980s. In the 1990s, this trend began to reverse, and revisionist aesthetic theory re-emerged as a salient force in contemporary art scholarship. Using the perspective of revisionist aesthetic theory, this study will show evidence of aesthetic strategies in Neo-Conceptual art that have been neglected in post modern, anti-aesthetic interpretations. As the first systematic analysis of how aesthetic and conceptual operations interact in Neo-Conceptual art, the study will change how conceptualist art is understood within both post modern art discourse and revisionist aesthetic theory.Read moreRead less
Ethical Globalism: Changing Strategies of Political Critique and Intervention in Art and Curatorial Practice after 1989. This project identifies and analyses changing strategies of political critique and intervention in the international artworld over the last fifteen years. The first comprehensive study of the impact of globalisation on both art making and international survey exhibitions, it identifies new forms of "transnational" art and curatorial practice that engage affective techniques to ....Ethical Globalism: Changing Strategies of Political Critique and Intervention in Art and Curatorial Practice after 1989. This project identifies and analyses changing strategies of political critique and intervention in the international artworld over the last fifteen years. The first comprehensive study of the impact of globalisation on both art making and international survey exhibitions, it identifies new forms of "transnational" art and curatorial practice that engage affective techniques to achieve political effects. By drawing on theories of globalisation and developing an analysis of affectivity in art, it demonstrates the distinctive contribution of visual imagery to an understanding of issues such as racism, economic globalisation, violence and conflict, refugees and displacement.
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Dynamic media: innovative social and artistic developments in new media in Australia, Britain, Canada and Scandinavia since 1990. This study will foreground strengths and remedy weaknesses in Australian new media arts and innovative social uses of new media. By studying the international strategies for social use of dynamic media, this study will provide information for Australians to more extensively implement dynamic media within a social context. It will highlight the innovation of Australian ....Dynamic media: innovative social and artistic developments in new media in Australia, Britain, Canada and Scandinavia since 1990. This study will foreground strengths and remedy weaknesses in Australian new media arts and innovative social uses of new media. By studying the international strategies for social use of dynamic media, this study will provide information for Australians to more extensively implement dynamic media within a social context. It will highlight the innovation of Australian artists and researchers in the development of dynamic media and position these internationally. A major long-term benefit of this study will be an online database that will both profile and be accessible to Australian artists, arts organizations, new media researchers and social innovators. Read moreRead less
Australian Film Theory and Criticism. Australian film theory and criticism has burgeoned over the past thirty years, but there is no dedicated book-length study of the field. This research project will fill the gap, not only tracing the specificity of Australian film theory and criticism but also reasserting its place on the international scholarly agenda. In tracing the critical positions, personalities and institutions that have shaped film theory and criticism in this country, this project wi ....Australian Film Theory and Criticism. Australian film theory and criticism has burgeoned over the past thirty years, but there is no dedicated book-length study of the field. This research project will fill the gap, not only tracing the specificity of Australian film theory and criticism but also reasserting its place on the international scholarly agenda. In tracing the critical positions, personalities and institutions that have shaped film theory and criticism in this country, this project will at once disseminate and preserve (for scholars and the general public alike) the legacy of those critical intellectuals who have striven to understand the nation's most popular art and entertainment form, the cinema. Read moreRead less
Affect and Expression in Women's Art in Art Movements of the 1960s and 70s. Through a study of four artists, this project will constitute a major revision of the way art history understands the key art movements of the 1960s and 70s. The study will focus on four women artists?each representing a key movement of the period: Hesse (minimalism), Clark (conceptualism), Cha (conceptualism), Mendieta (land art)?and will demonstrate that their approach to affective expression is the key to understandin ....Affect and Expression in Women's Art in Art Movements of the 1960s and 70s. Through a study of four artists, this project will constitute a major revision of the way art history understands the key art movements of the 1960s and 70s. The study will focus on four women artists?each representing a key movement of the period: Hesse (minimalism), Clark (conceptualism), Cha (conceptualism), Mendieta (land art)?and will demonstrate that their approach to affective expression is the key to understanding their contribution to the development of late-modern art. In the process it will reveal the shortcomings of existing art historical interpretations that see these movements as aiming to eliminate expression and subjectivity.Read moreRead less
The Other Orient. Reinterpreting Orientalist Art by studying the priorities of Ottoman painters and patrons in Constantinople, 1839-1909. My aim is to produce a new understanding of Orientalism through intensive research into the role of Ottoman elites in the development of art in nineteenth-century Constantinople. This will be the first comprehensive study of the complex web of cross-cultural interactions in the capital of the Ottoman Empire in this period, including the major art exhibitions, ....The Other Orient. Reinterpreting Orientalist Art by studying the priorities of Ottoman painters and patrons in Constantinople, 1839-1909. My aim is to produce a new understanding of Orientalism through intensive research into the role of Ottoman elites in the development of art in nineteenth-century Constantinople. This will be the first comprehensive study of the complex web of cross-cultural interactions in the capital of the Ottoman Empire in this period, including the major art exhibitions, the Sultan's patronage and the unique collaborations between European and Ottoman women artists and patrons. The result will be a major innovation within post-colonial and feminist art histories through the inclusion of indigenous perspectives on the production and reception of Orientalist art. The outcome will be two refereed journal articles and a book entitled, The Other Orient.Read moreRead less
Light, place and presence in the history of Australian photography. Photography is central to Australian history and national identity. It is a powerful tool through which our identities are forged, and through photography our understanding of our place in relation to our environments, each other and the world are made visible. By grounding this research in the unique status of light as a physical agent in photography and a key symbol of identity and place in Australia, this project will develop ....Light, place and presence in the history of Australian photography. Photography is central to Australian history and national identity. It is a powerful tool through which our identities are forged, and through photography our understanding of our place in relation to our environments, each other and the world are made visible. By grounding this research in the unique status of light as a physical agent in photography and a key symbol of identity and place in Australia, this project will develop a new approach to photography that enriches our social and cultural imagination, and propels Australian scholarship onto the international agenda. Read moreRead less
A Non-National History of Australian Art. With their emphasis on national identity, the existing accounts of Australian art remain stuck in the 19th century. In a time of increased globalisation and international co-operation, it is worth remembering that Australian art has long been part of the wider community. This new history of Australian art seeks to recount a long and confident history of artistic collaboration between Australia and the rest of the world. It thus seeks to provide a new und ....A Non-National History of Australian Art. With their emphasis on national identity, the existing accounts of Australian art remain stuck in the 19th century. In a time of increased globalisation and international co-operation, it is worth remembering that Australian art has long been part of the wider community. This new history of Australian art seeks to recount a long and confident history of artistic collaboration between Australia and the rest of the world. It thus seeks to provide a new understanding of ourselves and a refutation of the long-running notion of cultural cringe, which can only be maintained -- in the visual arts, at least -- in denial of the historical record.Read moreRead less