The rediscovery of Senecan tragedy in 14th century Europe. This project aims to provide a new understanding of the emergence of classical tragedy by reassessing how classical Latin drama was revived in 14th century Europe after a long period of neglect. Classical tragedy, which incorporates the myths of the Graeco-Roman world in its fabric, was virtually unknown from late antiquity until the high middle ages when the tragedies of Seneca became popular. In the early 14th century, commentaries by ....The rediscovery of Senecan tragedy in 14th century Europe. This project aims to provide a new understanding of the emergence of classical tragedy by reassessing how classical Latin drama was revived in 14th century Europe after a long period of neglect. Classical tragedy, which incorporates the myths of the Graeco-Roman world in its fabric, was virtually unknown from late antiquity until the high middle ages when the tragedies of Seneca became popular. In the early 14th century, commentaries by Albertino Mussato and Nicholas Trevet allowed a new readership access to these complex ancient works; this analysis also provides new insights into trends of popularity across the ages. Using recent advances in digitisation technology and scholarship, the project will establish a model for research into the history of the book, the image, and text.Read moreRead less
Greek drama in ancient Italy. This project aims to reconstruct how ancient Italian communities – Greek colonies, indigenous populations and Rome – appropriated Greek drama, made it part of their cultural heritage and drew upon it to create their own forms of drama. The project will document and analyse how Greek plays became a shared cultural product despite racial, social and linguistic barriers, to illuminate the significance and effect of cross-cultural exchange in antiquity. The analysis of ....Greek drama in ancient Italy. This project aims to reconstruct how ancient Italian communities – Greek colonies, indigenous populations and Rome – appropriated Greek drama, made it part of their cultural heritage and drew upon it to create their own forms of drama. The project will document and analyse how Greek plays became a shared cultural product despite racial, social and linguistic barriers, to illuminate the significance and effect of cross-cultural exchange in antiquity. The analysis of cultural negotiations in ancient Italy also aims to provide points for reflection on today’s debate on multiculturalism and globalisation.Read moreRead less