Locating LGBTIQ+ youth in the archive: Telling new stories for belonging. This project aims to produce the first study of LGBTIQ+ youth in Australia’s past and investigate what these histories mean to LGBTIQ+ youth today. We will generate new knowledge of Australian LGBTIQ+ history and links between historical knowledge and wellbeing in relation to LGBTIQ+ youth. Working with LGBTIQ+ youth we will also develop new archival storytelling techniques, theorising archives as ‘laboratories of belongin ....Locating LGBTIQ+ youth in the archive: Telling new stories for belonging. This project aims to produce the first study of LGBTIQ+ youth in Australia’s past and investigate what these histories mean to LGBTIQ+ youth today. We will generate new knowledge of Australian LGBTIQ+ history and links between historical knowledge and wellbeing in relation to LGBTIQ+ youth. Working with LGBTIQ+ youth we will also develop new archival storytelling techniques, theorising archives as ‘laboratories of belonging’. In doing so, the project forges links between cultural studies of storytelling, LGBTIQ+ youth studies and Australian history. Benefits include innovations in reparative historical methodologies, new resources for the GLAM, youth and education sectors and improvements in LGBTIQ+ youth wellbeing.Read moreRead less
Graphic Encounters: Colonial Prints and the Inscription of Aboriginality. This project plans to collate the archive of prints depicting Indigenous Australians, from national and international collections, to ask how people's place in this newly encroached territory was inscribed by colonial prints. Before the 1890s, prints (engravings, etchings and lithographs) were the principal means of reproducing images. Prints disseminated imagery of Indigenous people and determined how they were 'put in th ....Graphic Encounters: Colonial Prints and the Inscription of Aboriginality. This project plans to collate the archive of prints depicting Indigenous Australians, from national and international collections, to ask how people's place in this newly encroached territory was inscribed by colonial prints. Before the 1890s, prints (engravings, etchings and lithographs) were the principal means of reproducing images. Prints disseminated imagery of Indigenous people and determined how they were 'put in the picture' of settlement. Our colonial-era cultural heritage includes many prints (engravings, etchings, lithographs, etcetera) of Aborigines, yet they have been overlooked and the story of their production, dissemination and consumption is untold. This project aims to collate and trace this visual archive of Indigenous Australians and present its imagery to all Australians, including descendants, in an exhibition and conference, catalogue, monograph and online database.Read moreRead less
Cultural Conversations: A History of ABC Radio National. From old media to the digital, this project offers a detailed study and critical assessment of the national ideas network, Radio National. This ensemble of practices, identified within traditions of 'cultural radio', constitutes one of the most significant yet still underestimated platforms of public media internationally, and remains a singular cultural and media institution in Australia. The project will map practices and programs to und ....Cultural Conversations: A History of ABC Radio National. From old media to the digital, this project offers a detailed study and critical assessment of the national ideas network, Radio National. This ensemble of practices, identified within traditions of 'cultural radio', constitutes one of the most significant yet still underestimated platforms of public media internationally, and remains a singular cultural and media institution in Australia. The project will map practices and programs to understand their changing contribution to Australian public life, media and culture, whether through fostering the arts or contributing to the national conversation around science, politics, art or religion.Read moreRead less
Contemporary Indigenous film and television: new frames of understanding. Australian Indigenous film and television has exploded into the mainstream of the national media landscape over the last five years and is now a leading sector of the local industry. This research project, an interdisciplinary collaboration between an Indigenous and two non-indigenous scholars, aims to produce new frames for understanding this film and television in its local, national and international contexts. The resea ....Contemporary Indigenous film and television: new frames of understanding. Australian Indigenous film and television has exploded into the mainstream of the national media landscape over the last five years and is now a leading sector of the local industry. This research project, an interdisciplinary collaboration between an Indigenous and two non-indigenous scholars, aims to produce new frames for understanding this film and television in its local, national and international contexts. The research will result in a re-evaluation of the Australian audio-visual heritage that will result in greater recognition of and opportunities for Indigenous creative producers in the future.Read moreRead less
Special Research Initiatives - Grant ID: SR200200350
Funder
Australian Research Council
Funding Amount
$282,726.00
Summary
Metaphors and identities in the Australian vernacular. This project investigates the uniqueness of Australian vernacular English from the late 1800s until today. This is an area of vocabulary which most people find fascinating, and yet its formal study has been largely ignored. The project expects to develop a new understanding of Australia’s novel, often entertaining, use of words. Expected project outcomes include a better appreciation of Australian culture and identity, and by employing a new ....Metaphors and identities in the Australian vernacular. This project investigates the uniqueness of Australian vernacular English from the late 1800s until today. This is an area of vocabulary which most people find fascinating, and yet its formal study has been largely ignored. The project expects to develop a new understanding of Australia’s novel, often entertaining, use of words. Expected project outcomes include a better appreciation of Australian culture and identity, and by employing a new interdisciplinary approach. Benefits of the project include the development of podcasts, educational materials, and publications aimed at building an increased awareness of Australian English and its reflection of Australian culture and values. Read moreRead less
Empathy and evolution: the history of emotions and the literary and visual representation of animals. A study of emotions in human and animals is a key area of contemporary research in both the sciences and humanities. It has crucial implications for our future. This project will investigate how humans have represented the emotions in literary and visual discourses from the eighteenth-century to the present.
Ancestors' words: Noongar writing in WA government archives (1860-1960s). This project aims to produce the first account of Noongar letter writing in Western Australian archives from 1860 to 1960. The project’s significance lies in revealing this hidden activism in the archive, restoring silenced Noongar stories to the documents, advancing scholarly understanding, and promoting decolonisation of the Western Australian archive. Expected outcomes include an ethical Noongar research model and commu ....Ancestors' words: Noongar writing in WA government archives (1860-1960s). This project aims to produce the first account of Noongar letter writing in Western Australian archives from 1860 to 1960. The project’s significance lies in revealing this hidden activism in the archive, restoring silenced Noongar stories to the documents, advancing scholarly understanding, and promoting decolonisation of the Western Australian archive. Expected outcomes include an ethical Noongar research model and community research knowledge space developed with Noongar leaders. This new evidence of Noongar political agency could benefit sustainability for the emerging Noongar nation and advance equity and reconciliation for all citizens of the Australian settler nation and advocacy for Indigenous rights internationally.Read moreRead less
Saibai Island language and cultural knowledge project. This project aims to record the Saibai Island Kalaw Kawaw Ya dialect, using the Australian Descriptive Framework. The diaspora of Saibai Islanders, the impact of climate change, and the ageing and passing away of knowledge custodians make it crucial to capture the language and cultural knowledge. Under the direction of elders and cultural knowledge custodians, this project will record and document the dialect, particularly ‘Big’ Sabai langua ....Saibai Island language and cultural knowledge project. This project aims to record the Saibai Island Kalaw Kawaw Ya dialect, using the Australian Descriptive Framework. The diaspora of Saibai Islanders, the impact of climate change, and the ageing and passing away of knowledge custodians make it crucial to capture the language and cultural knowledge. Under the direction of elders and cultural knowledge custodians, this project will record and document the dialect, particularly ‘Big’ Sabai language. It will use recording technology and digital analysis to document cultural knowledge and language for current and future generations of Saibailagal (Saibai people). A culturally appropriate endangered language community methodology that preserves language and cultural knowledge will benefit Indigenous communities and researchers.Read moreRead less
From colonial to modern: transnational girlhood in Australian, New Zealand, and Canadian print cultures (1840-1940). This project will produce new histories of girlhood through the examination of Australian, New Zealand, and Canadian print culture. It will shed new light on how colonial girlhood reflected transitional ideals and how Australia related to fellow colonies through its print culture and developed unique national ideals for girls in the modern period.
Creative Micro-computing in Australia, 1976-1992. 1980s micro-computers introduced many to the digital age. Despite the importance of early micro-computing to the digital present, this early period is yet to be scrutinised by digital media scholars. This project recovers the local history of this most important media technology in the period 1976-1992, across the spectrum of practices in digital arts and culture. Delving deeply into the history of creative software and hardware practices, seekin ....Creative Micro-computing in Australia, 1976-1992. 1980s micro-computers introduced many to the digital age. Despite the importance of early micro-computing to the digital present, this early period is yet to be scrutinised by digital media scholars. This project recovers the local history of this most important media technology in the period 1976-1992, across the spectrum of practices in digital arts and culture. Delving deeply into the history of creative software and hardware practices, seeking to understand early users and their encounters with computers, and collating metadata on the products of their practice, this project builds the foundation for securing and remembering Australian digital cultural heritage.Read moreRead less