A cultural history of West Australian popular music, 1945 to 2010. The Valentines, The Triffids, The John Butler Trio all had their origins in the western Australian musical scene. This is the first cultural history of West Australia's popular music industry. It documents the life and times of its musical artists, bands, managers, recording studios, relevant radio programs since 1945.
Collecting at the Crossroads: Anthropology, Art & Cultural Change (1939-85). This project will apply current scholarship on museum collecting practices, art and anthropology to produce a better understanding of one of Australia’s most significant, yet little known, collections of Aboriginal art and culture —the Berndt Museum collection. The project will explore the legacy of this collection and generate new ways of appreciating its depth in partnership with the descendants of the Aboriginal peop ....Collecting at the Crossroads: Anthropology, Art & Cultural Change (1939-85). This project will apply current scholarship on museum collecting practices, art and anthropology to produce a better understanding of one of Australia’s most significant, yet little known, collections of Aboriginal art and culture —the Berndt Museum collection. The project will explore the legacy of this collection and generate new ways of appreciating its depth in partnership with the descendants of the Aboriginal people who made it. Focusing on materials collected in inland Australia, we will develop a collaborative means of interrogating the collection. The project will benefit Aboriginal communities and the wider Australian public via the production of on-line resources and public exhibitions celebrating this unique cultural collection.Read moreRead less
Heritage of the air: how aviation transformed Australia. This project aims to generate new understandings of how aviation has transformed Australian society over the last hundred years, and how the technology of global mobility has shaped people, cultures and communities. Whilst aviation has transformed Australian society over the last hundred years, its heritage is under-appreciated and at risk. The project will build a partnership between the aviation industry, community groups, museums and a ....Heritage of the air: how aviation transformed Australia. This project aims to generate new understandings of how aviation has transformed Australian society over the last hundred years, and how the technology of global mobility has shaped people, cultures and communities. Whilst aviation has transformed Australian society over the last hundred years, its heritage is under-appreciated and at risk. The project will build a partnership between the aviation industry, community groups, museums and a multidisciplinary academic team to develop fresh insights from under-utilised sources of aviation heritage, communicate their unique stories to the public through innovative exhibitions and publications, and help conserve it for future generations. As a result, the project will make an important contribution to culture and society by enabling community access to neglected and at-risk sources of aviation heritage, and engage the public’s fascination with aviation through new interpretations of its extraordinary social and cultural impact.Read moreRead less
Quandamooka Aboriginal women on the colonial frontier in the nineteenth century. This project aims to produce new insights about gender and race on the colonial frontier in Australia through revealing Aboriginal women's agency beyond the usual themes of labour and sexual exploitation. The historical record has too often represented Aboriginal women as victims, which has affected self-esteem and caused poor health and social alienation. This project will research how Aboriginal women resisted and ....Quandamooka Aboriginal women on the colonial frontier in the nineteenth century. This project aims to produce new insights about gender and race on the colonial frontier in Australia through revealing Aboriginal women's agency beyond the usual themes of labour and sexual exploitation. The historical record has too often represented Aboriginal women as victims, which has affected self-esteem and caused poor health and social alienation. This project will research how Aboriginal women resisted and negotiated with colonisation by examining the everyday and public performances of Quandamooka women on their own lands, Moreton Bay, Queensland, in the nineteenth century. The project aims to benefit the health and well-being of Aboriginal women.Read moreRead less
Discovery Early Career Researcher Award - Grant ID: DE180100559
Funder
Australian Research Council
Funding Amount
$410,022.00
Summary
Decolonising the archives of Aboriginal domestic history. This project aims to investigate an undocumented history of Aboriginal domestic service in South Australia. It will create new knowledge about historical assimilation-based policies, particularly those that targeted girls for removal from their families, and that enabled indentured domestic labour. This work will improve understandings of local, national and international colonial histories.
ARC Centre of Excellence for the History of Emotions. Emotions change over time; yet the long-term causes and consequences of changing emotional experiences and expressions remain largely unknown. This Centre will revolutionize research in the Humanities and Creative Arts by initiating innovative research collaborations across many disciplines to account for long-term changes and continuities in emotional regimes in Europe 1100-1800. For the first time we will fully analyse the social, cultural ....ARC Centre of Excellence for the History of Emotions. Emotions change over time; yet the long-term causes and consequences of changing emotional experiences and expressions remain largely unknown. This Centre will revolutionize research in the Humanities and Creative Arts by initiating innovative research collaborations across many disciplines to account for long-term changes and continuities in emotional regimes in Europe 1100-1800. For the first time we will fully analyse the social, cultural and political effects of mass emotional events. Links with cultural industry partners in art, drama and music will enable reflective performance research on communication of emotions, and illuminate the Western cultural foundations of emotions in modern Australia.Read moreRead less
Reconciling with the Frontier: Accounting for Colonial Conflict. This project aims to widen public access to different kinds of historical knowledge about colonial frontier conflict, and thereby to contribute to contemporary processes of truth telling and reconciliation. It will use the innovative technology of Story Map digital software to open up new dialogue on how different communities interpret the past. In addition to scholarly publications, outcomes include an updatable story-map of front ....Reconciling with the Frontier: Accounting for Colonial Conflict. This project aims to widen public access to different kinds of historical knowledge about colonial frontier conflict, and thereby to contribute to contemporary processes of truth telling and reconciliation. It will use the innovative technology of Story Map digital software to open up new dialogue on how different communities interpret the past. In addition to scholarly publications, outcomes include an updatable story-map of frontier relations for use by the partner museums and history organisations. Other expected public outcomes include a touring exhibition, education packs on frontier history for classroom use, and ongoing community applications of the Story Map digital database for use in regional reconciliation projects.Read moreRead less
Photography and Reconciliation: the Ngarrindjeri and the SA Museum. The project aims to recover, curate and exhibit a large archive of photographs of national significance created by Aboriginal photographers in the mid-20th century. Working with Ngarrindjeri custodians and the South Australian Museum, it expects to raise the status and diversity of Aboriginal voices in Australian visual culture and public life, undertaking a process of healing. Cultural revitalisation and generational learning v ....Photography and Reconciliation: the Ngarrindjeri and the SA Museum. The project aims to recover, curate and exhibit a large archive of photographs of national significance created by Aboriginal photographers in the mid-20th century. Working with Ngarrindjeri custodians and the South Australian Museum, it expects to raise the status and diversity of Aboriginal voices in Australian visual culture and public life, undertaking a process of healing. Cultural revitalisation and generational learning via the creation of a Living Archive and public exhibition are expected outcomes. Benefits include ensuring longevity of endangered heritage, broadening knowledge of southeastern Aboriginal lives and contributing new evidence to better understand the correlation between cultural revitalisation and community wellbeing.Read moreRead less
A long history of foster care in Australia: hidden stories of growing up in foster care in the nineteenth and twentieth centuries. Foster care has been the most widely used means to provide for vulnerable children in Australia and yet little is known about the practice. This project will make a significant contribution toward shaping the future of out-of-home care in Australia by making available the first national history of foster care.
Graphic Encounters: Colonial Prints and the Inscription of Aboriginality. This project plans to collate the archive of prints depicting Indigenous Australians, from national and international collections, to ask how people's place in this newly encroached territory was inscribed by colonial prints. Before the 1890s, prints (engravings, etchings and lithographs) were the principal means of reproducing images. Prints disseminated imagery of Indigenous people and determined how they were 'put in th ....Graphic Encounters: Colonial Prints and the Inscription of Aboriginality. This project plans to collate the archive of prints depicting Indigenous Australians, from national and international collections, to ask how people's place in this newly encroached territory was inscribed by colonial prints. Before the 1890s, prints (engravings, etchings and lithographs) were the principal means of reproducing images. Prints disseminated imagery of Indigenous people and determined how they were 'put in the picture' of settlement. Our colonial-era cultural heritage includes many prints (engravings, etchings, lithographs, etcetera) of Aborigines, yet they have been overlooked and the story of their production, dissemination and consumption is untold. This project aims to collate and trace this visual archive of Indigenous Australians and present its imagery to all Australians, including descendants, in an exhibition and conference, catalogue, monograph and online database.Read moreRead less