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Status : Active
Field of Research : Cultural Theory
Research Topic : Interactive Media
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  • Active Funded Activity

    Special Research Initiatives - Grant ID: SR200200604

    Funder
    Australian Research Council
    Funding Amount
    $125,000.00
    Summary
    Extremism and the Australian National Imaginary. The project will use innovative temporal methods to assess the influence of extreme nationalist discourses on mainstream political discussion in Australia. It will develop computational tools to unpick the relationship between digital media, speed and increasing polarisation in political discourse. Expected outcomes include a dataset describing extreme discourses in Australia, an empirical evaluation of the influence of extremism within mainstream .... Extremism and the Australian National Imaginary. The project will use innovative temporal methods to assess the influence of extreme nationalist discourses on mainstream political discussion in Australia. It will develop computational tools to unpick the relationship between digital media, speed and increasing polarisation in political discourse. Expected outcomes include a dataset describing extreme discourses in Australia, an empirical evaluation of the influence of extremism within mainstream publics, and the development of software, methods and a collaborative framework to support research excellence. Expected outcomes include training governmental and non-governmental advocates and policy makers seeking to address extremism for a socially cohesive Australia.
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    Active Funded Activity

    Discovery Projects - Grant ID: DP200102781

    Funder
    Australian Research Council
    Funding Amount
    $266,574.00
    Summary
    Digital photography: mediation, memory and visual communication. This project aims to address the social impact of major shifts in the production, distribution, viewing and storage of photographic images which have profoundly altered their everyday use. By adopting an interdisciplinary, user-centred approach to digitally networked photography, the project will provide a more holistic understanding of how photographs mediate communication, sociality and memory in the present. Expected outcomes i .... Digital photography: mediation, memory and visual communication. This project aims to address the social impact of major shifts in the production, distribution, viewing and storage of photographic images which have profoundly altered their everyday use. By adopting an interdisciplinary, user-centred approach to digitally networked photography, the project will provide a more holistic understanding of how photographs mediate communication, sociality and memory in the present. Expected outcomes include generating original empirical data, building international collaboration, and creating a new conceptual framework for assessing contemporary photographic practices. The research will provide community benefit by enabling insight into the social and ethical tensions affecting photography in the present.
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    Active Funded Activity

    Discovery Early Career Researcher Award - Grant ID: DE190100486

    Funder
    Australian Research Council
    Funding Amount
    $363,182.00
    Summary
    Drone witnessing: technologies of perception in war and culture. This project aims to investigate how drones and other technologies of perception are changing how we bear witness and determine the meaning, importance and truth of events. The project will generate new knowledge about the impact of drone warfare and drone technologies on forms and processes of witnessing by analysing both primary and creative texts and by conducting field research into new practices of testimony. Anticipated outco .... Drone witnessing: technologies of perception in war and culture. This project aims to investigate how drones and other technologies of perception are changing how we bear witness and determine the meaning, importance and truth of events. The project will generate new knowledge about the impact of drone warfare and drone technologies on forms and processes of witnessing by analysing both primary and creative texts and by conducting field research into new practices of testimony. Anticipated outcomes include a critical and conceptual framework for witnessing, new terms to inform public debates about the cultural impact of increased reliance on drones in war and culture, and new channels for knowledge exchange between drone and autonomous system designers, humanities scholars and creative practitioners.
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