Conviction Politics: the convict routes of Australian democracy. This transnational digital history project aims to demonstrate the importance of collective convict protest to the early development of democracy in colonial Australia. It generates new knowledge about Australian convict history, documenting for the first time the extent and character of convict activism 1788-1850 and offers fresh perspectives on the role of ‘political’ transportees in the mobilisation of the wider convict and free ....Conviction Politics: the convict routes of Australian democracy. This transnational digital history project aims to demonstrate the importance of collective convict protest to the early development of democracy in colonial Australia. It generates new knowledge about Australian convict history, documenting for the first time the extent and character of convict activism 1788-1850 and offers fresh perspectives on the role of ‘political’ transportees in the mobilisation of the wider convict and free population for reform. Expected project outcomes include building international and interdisciplinary HASS/STEM/industry collaborations in digital methods for archive research and communication, delivering significant benefits, notably innovative media ensuring impact with domestic and international audiences.Read moreRead less
Comedy Country: Australian Performance Comedy as an Agent of Change. Comedy Country aims to investigate the development of comic performance and its transformational relation with, and impact on, Australian society, culture and the creative industries from the aftermath of World War 2 until the present. The project’s key hypothesis is that since the 1950s comic performance has not merely reflected a changing Australia but helped drive social and cultural transformation. The project partners with ....Comedy Country: Australian Performance Comedy as an Agent of Change. Comedy Country aims to investigate the development of comic performance and its transformational relation with, and impact on, Australian society, culture and the creative industries from the aftermath of World War 2 until the present. The project’s key hypothesis is that since the 1950s comic performance has not merely reflected a changing Australia but helped drive social and cultural transformation. The project partners with two festivals, five cultural collecting organisations and a media production company to build interdisciplinary Humanities and Social Sciences/industry collaborations in digital methods for archive research and transmedia communication, and deliver digital exhibitions, documentaries, podcasts and scholarly histories.Read moreRead less