Affect and Expression in Women's Art in Art Movements of the 1960s and 70s. Through a study of four artists, this project will constitute a major revision of the way art history understands the key art movements of the 1960s and 70s. The study will focus on four women artists?each representing a key movement of the period: Hesse (minimalism), Clark (conceptualism), Cha (conceptualism), Mendieta (land art)?and will demonstrate that their approach to affective expression is the key to understandin ....Affect and Expression in Women's Art in Art Movements of the 1960s and 70s. Through a study of four artists, this project will constitute a major revision of the way art history understands the key art movements of the 1960s and 70s. The study will focus on four women artists?each representing a key movement of the period: Hesse (minimalism), Clark (conceptualism), Cha (conceptualism), Mendieta (land art)?and will demonstrate that their approach to affective expression is the key to understanding their contribution to the development of late-modern art. In the process it will reveal the shortcomings of existing art historical interpretations that see these movements as aiming to eliminate expression and subjectivity.Read moreRead less
Feminist theory meets indigenous art. Aboriginal reconciliation is high on the social and cultural agenda in Australian life. The place of art in this political moment has been critical - the culture of Australian indigenous people has come to international attention, and won recognition, largely through art works. This reflects in many cases a political strategy on the part of indigenous communities to use art to depict their traditional Dreamings, of which the world was ignorant. But underlyin ....Feminist theory meets indigenous art. Aboriginal reconciliation is high on the social and cultural agenda in Australian life. The place of art in this political moment has been critical - the culture of Australian indigenous people has come to international attention, and won recognition, largely through art works. This reflects in many cases a political strategy on the part of indigenous communities to use art to depict their traditional Dreamings, of which the world was ignorant. But underlying this, is the assumption made in Aboriginal philosophies that the art is the knowledge it portrays, which in turn evokes title to land through the law of Dreaming, of belonging to "country". To better understand this negotiation advances debate on issues surrounding reconciliation.Read moreRead less
Investigation into digital games and Australian female digital game culture. The project investigates new paradigms for digital games specifically oriented to young female users, aged from 16 to 25 years. This study explores female digital game culture, particularly in Australia, to create solutions that support gender equity, and will involve research into innovative design of multi-user online games. It aims to produce, test and refine online prototypes involving different gameplay scenarios, ....Investigation into digital games and Australian female digital game culture. The project investigates new paradigms for digital games specifically oriented to young female users, aged from 16 to 25 years. This study explores female digital game culture, particularly in Australia, to create solutions that support gender equity, and will involve research into innovative design of multi-user online games. It aims to produce, test and refine online prototypes involving different gameplay scenarios, as well as produce theoretical reports to be published in journals, mailing lists and conference proceedings.Read moreRead less
Regenerating the Body: Modern Art, Neo-Darwinism and the Fitness Imperative. Drawing upon histories of art, popular culture, medicine, science and sport, this project proposes that a reconceptualization and reimaging of the human body occurred in Western art and culture, from the end of the nineteenth century, through fitness becoming a Neo-Darwinist imperative. By demonstrating how regeneration facilitated the normalization and 'subjectification? of the body for procreative sexuality, technol ....Regenerating the Body: Modern Art, Neo-Darwinism and the Fitness Imperative. Drawing upon histories of art, popular culture, medicine, science and sport, this project proposes that a reconceptualization and reimaging of the human body occurred in Western art and culture, from the end of the nineteenth century, through fitness becoming a Neo-Darwinist imperative. By demonstrating how regeneration facilitated the normalization and 'subjectification? of the body for procreative sexuality, technologized industry and modern warfare, it substantially revises Michel Foucault's ?biopolitical? theories. In identifying how beauty became inscribed upon the regenerated body and abjection upon the degenerate ?other?, it reveals that the quest for biogenetics emerged long before it became a reality in Nazi Germany.Read moreRead less
The impact of Aboriginal art on contemporary urban Australian art. With art people picture and shape their sense of self and national identity. In a time of increasing fragmentation of these identities it is imperative to better understand the shifting politics of representation in today's world. Australia's relationship with its indigenous populations has been the source of major divisions in the Australian community. By showing the positive impact of Aboriginal art on contemporary art, this pr ....The impact of Aboriginal art on contemporary urban Australian art. With art people picture and shape their sense of self and national identity. In a time of increasing fragmentation of these identities it is imperative to better understand the shifting politics of representation in today's world. Australia's relationship with its indigenous populations has been the source of major divisions in the Australian community. By showing the positive impact of Aboriginal art on contemporary art, this project will contribute to a more cohesive national identity. The publication of three books, a national touring exhibition and a web-based database will contribute significantly to the intellectual life of the country and bring this important achievement of Australian cultural life to the wider public.Read moreRead less
The role of recent international exhibitions in creating a new 'Asian Art'. The project will examine the reasons for the advent in the 1990s of many new international Biennales and Trienales in the Asia-Pacific region at Brisbane, Kwangju, Fukuoka, Shanghai, and Yokohama, alongside slightly older ones at Delhi and Sydney. It will investigate what role these played in the creation of a new 'Asian Art' by looking at the cycling of art works and artists between the domestic and international levels ....The role of recent international exhibitions in creating a new 'Asian Art'. The project will examine the reasons for the advent in the 1990s of many new international Biennales and Trienales in the Asia-Pacific region at Brisbane, Kwangju, Fukuoka, Shanghai, and Yokohama, alongside slightly older ones at Delhi and Sydney. It will investigate what role these played in the creation of a new 'Asian Art' by looking at the cycling of art works and artists between the domestic and international levels, between these new exhibition sites and older ones like Venice, São Paolo, and Kassel, and at the role of local, international and transnational curators as mediators in these processes.Read moreRead less
Aesthetic Strategies in Neo-Conceptual Art, 1980s-1990s. The decline of formalist aesthetics figured prominently in Neo-Conceptual art and postmodern theory of the 1980s. In the 1990s, this trend began to reverse, and revisionist aesthetic theory re-emerged as a salient force in contemporary art scholarship. Using the perspective of revisionist aesthetic theory, this study will show evidence of aesthetic strategies in Neo-Conceptual art that have been neglected in post modern, anti-aesthetic int ....Aesthetic Strategies in Neo-Conceptual Art, 1980s-1990s. The decline of formalist aesthetics figured prominently in Neo-Conceptual art and postmodern theory of the 1980s. In the 1990s, this trend began to reverse, and revisionist aesthetic theory re-emerged as a salient force in contemporary art scholarship. Using the perspective of revisionist aesthetic theory, this study will show evidence of aesthetic strategies in Neo-Conceptual art that have been neglected in post modern, anti-aesthetic interpretations. As the first systematic analysis of how aesthetic and conceptual operations interact in Neo-Conceptual art, the study will change how conceptualist art is understood within both post modern art discourse and revisionist aesthetic theory.Read moreRead less
Ethical Globalism: Changing Strategies of Political Critique and Intervention in Art and Curatorial Practice after 1989. This project identifies and analyses changing strategies of political critique and intervention in the international artworld over the last fifteen years. The first comprehensive study of the impact of globalisation on both art making and international survey exhibitions, it identifies new forms of "transnational" art and curatorial practice that engage affective techniques to ....Ethical Globalism: Changing Strategies of Political Critique and Intervention in Art and Curatorial Practice after 1989. This project identifies and analyses changing strategies of political critique and intervention in the international artworld over the last fifteen years. The first comprehensive study of the impact of globalisation on both art making and international survey exhibitions, it identifies new forms of "transnational" art and curatorial practice that engage affective techniques to achieve political effects. By drawing on theories of globalisation and developing an analysis of affectivity in art, it demonstrates the distinctive contribution of visual imagery to an understanding of issues such as racism, economic globalisation, violence and conflict, refugees and displacement.
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THE UNWRITTEN HISTORY OF AUSTRALIAN MODERNISM. Most histories treat modernism in Australia as a phenomenon of ?fine art,? or simply painting. This project will instead reveal modernism's highly public impact across a range of media (design, photography, advertising, architecture and art). This new history will better explain how modernist visual idioms became ubiquitous in everyday contemporary design and our built environment after their initial, often hostile reception. The project will provid ....THE UNWRITTEN HISTORY OF AUSTRALIAN MODERNISM. Most histories treat modernism in Australia as a phenomenon of ?fine art,? or simply painting. This project will instead reveal modernism's highly public impact across a range of media (design, photography, advertising, architecture and art). This new history will better explain how modernist visual idioms became ubiquitous in everyday contemporary design and our built environment after their initial, often hostile reception. The project will provide an integrated research analysis of the extensive, but disparate, archives on Australian modernism. It will communicate its research findings through a new scholarly study, a major large-scale travelling public exhibition, a CD, and a website.Read moreRead less
The Other Orient. Reinterpreting Orientalist Art by studying the priorities of Ottoman painters and patrons in Constantinople, 1839-1909. My aim is to produce a new understanding of Orientalism through intensive research into the role of Ottoman elites in the development of art in nineteenth-century Constantinople. This will be the first comprehensive study of the complex web of cross-cultural interactions in the capital of the Ottoman Empire in this period, including the major art exhibitions, ....The Other Orient. Reinterpreting Orientalist Art by studying the priorities of Ottoman painters and patrons in Constantinople, 1839-1909. My aim is to produce a new understanding of Orientalism through intensive research into the role of Ottoman elites in the development of art in nineteenth-century Constantinople. This will be the first comprehensive study of the complex web of cross-cultural interactions in the capital of the Ottoman Empire in this period, including the major art exhibitions, the Sultan's patronage and the unique collaborations between European and Ottoman women artists and patrons. The result will be a major innovation within post-colonial and feminist art histories through the inclusion of indigenous perspectives on the production and reception of Orientalist art. The outcome will be two refereed journal articles and a book entitled, The Other Orient.Read moreRead less