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Status : Active
Socio-Economic Objective : Visual Communication
Research Topic : Gender
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  • Active Funded Activity

    Discovery Projects - Grant ID: DP180103321

    Funder
    Australian Research Council
    Funding Amount
    $120,763.00
    Summary
    Representation of gender and sexual diversity in Australian film and television. This project aims to investigate the cultural, health and identity impact of gender/sexually-diverse characters, themes and narratives in Australian film and television from 1990 to present. The project expects to generate new knowledge by providing the first comprehensive account of Australian media production’s contribution to sexual minority representation, in the context of its importance for fostering healthy i .... Representation of gender and sexual diversity in Australian film and television. This project aims to investigate the cultural, health and identity impact of gender/sexually-diverse characters, themes and narratives in Australian film and television from 1990 to present. The project expects to generate new knowledge by providing the first comprehensive account of Australian media production’s contribution to sexual minority representation, in the context of its importance for fostering healthy identities, and acceptance of minorities to mainstream audiences in a digital media era. This knowledge will provide significant benefit to the mental health, wellbeing and social harmony for both minority and mainstream Australians and help showcase an important aspect of Australian media inclusivity and diversity in international scholarship.
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    Active Funded Activity

    Discovery Projects - Grant ID: DP200100597

    Funder
    Australian Research Council
    Funding Amount
    $202,851.00
    Summary
    Women marginalised by mental health, disability or refugee status. Women impacted by mental illness, disability or refugee status are among society’s most vulnerable and disenfranchised groups. Such women can experience significant social exclusion, marginalisation and stigma, associated with reduced help seeking, deprivation of dignity and human rights, and threats to health, well-being and quality of life. However, many women demonstrate resilience and agency, associated with positive health o .... Women marginalised by mental health, disability or refugee status. Women impacted by mental illness, disability or refugee status are among society’s most vulnerable and disenfranchised groups. Such women can experience significant social exclusion, marginalisation and stigma, associated with reduced help seeking, deprivation of dignity and human rights, and threats to health, well-being and quality of life. However, many women demonstrate resilience and agency, associated with positive health outcomes. This research will identify how women negotiate stigma and potential marginalisation, to inform health policy, and target interventions for vulnerable women, generating much-needed insight on women’s embodiment of stigma, and strategies used to cope with, negotiate and resist their stigmatised identities.
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    Active Funded Activity

    Discovery Projects - Grant ID: DP140100633

    Funder
    Australian Research Council
    Funding Amount
    $318,097.00
    Summary
    “The Complete Craze”: Women’s Photography and Colonial Modernity in the Asia-Pacific, 1860-1930. To date there has been no sustained research into the photography produced by women in the Asia-Pacific region in the late colonial era even though much of it was aesthetically sophisticated and innovative. Combining historical research with postcolonial and gender theory, this project critically examines a large body of images by women photographers working across the region. It identifies the facto .... “The Complete Craze”: Women’s Photography and Colonial Modernity in the Asia-Pacific, 1860-1930. To date there has been no sustained research into the photography produced by women in the Asia-Pacific region in the late colonial era even though much of it was aesthetically sophisticated and innovative. Combining historical research with postcolonial and gender theory, this project critically examines a large body of images by women photographers working across the region. It identifies the factors enabling these women to be examined as a group, investigates their subject matter, techniques and styles, and establishes what was exciting and new, as well as conventional, about their methods. It also shows how their artworks both reflected and contributed to the region’s burgeoning modernity.
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