Discovery Early Career Researcher Award - Grant ID: DE240100038
Funder
Australian Research Council
Funding Amount
$430,000.00
Summary
Truth-telling Australia's colonial past with art by non-Indigenous artists. This project aims to address creative practices by non-Indigenous artists that confront Australia's difficult colonial past by advancing best practice approaches for the creation of such artworks. This project expects to generate new knowledge in the area of contemporary art using an innovative approach that combines practice-led, artistic research with interdisciplinary decolonial methodologies. Expected outcomes of thi ....Truth-telling Australia's colonial past with art by non-Indigenous artists. This project aims to address creative practices by non-Indigenous artists that confront Australia's difficult colonial past by advancing best practice approaches for the creation of such artworks. This project expects to generate new knowledge in the area of contemporary art using an innovative approach that combines practice-led, artistic research with interdisciplinary decolonial methodologies. Expected outcomes of this project include improved approaches to how the art sector engages with uncomfortable colonial histories. This should provide significant benefits such as enhanced relations between Indigenous and non-Indigenous people by supporting non-Indigenous artists to engage in sensitive truth-telling about Australia’s colonial past.Read moreRead less
The Shifting Locus of Artistic Practice: A survey and critical analysis of solo exhibitions in Australian public galleries, 1970-2000. The aim of this research project is to provide a critical analysis of the monographic solo survey exhibition and its significance as a primary mode of representation of the career development of Australian artists since the late 1960s. A suite of six thematically linked monographic exhibitions of mid- to late- career artists will be the focus and primary output o ....The Shifting Locus of Artistic Practice: A survey and critical analysis of solo exhibitions in Australian public galleries, 1970-2000. The aim of this research project is to provide a critical analysis of the monographic solo survey exhibition and its significance as a primary mode of representation of the career development of Australian artists since the late 1960s. A suite of six thematically linked monographic exhibitions of mid- to late- career artists will be the focus and primary output of the research. The goal will be to develop an innovative curatorial model to account for the oeuvre of the selected artists within the context of institutional developments in Australian art and culture in the late twentieth and early twenty-first century.Read moreRead less
Care and Repair: Rethinking Contemporary Curation for Conditions of Crisis. This project aims to address the significant challenge of how to curate contemporary art under conditions of crisis, made acute by the pandemic. It expects to generate new knowledge in the growth areas of contemporary art and curatorial practice, which will be translatable to creative industries seeking solutions to similar challenges. Anticipated outcomes include new models for sustainable, future-oriented creative prac ....Care and Repair: Rethinking Contemporary Curation for Conditions of Crisis. This project aims to address the significant challenge of how to curate contemporary art under conditions of crisis, made acute by the pandemic. It expects to generate new knowledge in the growth areas of contemporary art and curatorial practice, which will be translatable to creative industries seeking solutions to similar challenges. Anticipated outcomes include new models for sustainable, future-oriented creative practice; a stronger international profile for Australian artists and curators; and the establishment of a regional network of artists and curators between Australia and Southeast Asia. This should significantly aid our understanding of how to meet current and future challenges to producers and audiences of contemporary art.Read moreRead less
The Picturesque in Modernity: object image and architecture. The idea of the picturesque its emergence in the eighteenth century are relatively well known. However, the longer history of the picturesque, through to its use in the present, has not been studied. This Project proposes to describe the key concepts and techniques that constitute the latter history of the picturesque. Against claims that the eighteenth century picturesque was a generic and abstract art, this longer history will show t ....The Picturesque in Modernity: object image and architecture. The idea of the picturesque its emergence in the eighteenth century are relatively well known. However, the longer history of the picturesque, through to its use in the present, has not been studied. This Project proposes to describe the key concepts and techniques that constitute the latter history of the picturesque. Against claims that the eighteenth century picturesque was a generic and abstract art, this longer history will show that the picturesque is better understood as an intra-disciplinary relation of architecture and the visual arts. The Project will be of relevance to issues of the historical status of architecture as an art discipline. At a more general level, the Project will be of significance in present issues in the conceptualization of images and objects, including those that arise in virtual environments, issues which first arose in the picturesque.Read moreRead less
You had to be there: contemporary art, craft and the audience. This project addresses issues of audiences and contemporary art and craft,particularly in regional Australia. It breaks new ground in developing models for public galleries in programming, presenting and interpreting contemporary work. A broad audience research framework will be developed as well as innovative strategies for interpretation, drawing on an interdisciplinary theoretical basis which includes media studies, narrative a ....You had to be there: contemporary art, craft and the audience. This project addresses issues of audiences and contemporary art and craft,particularly in regional Australia. It breaks new ground in developing models for public galleries in programming, presenting and interpreting contemporary work. A broad audience research framework will be developed as well as innovative strategies for interpretation, drawing on an interdisciplinary theoretical basis which includes media studies, narrative and visual culture theory. The project will run over three years, a variety of media, including craft, digital media and installation, and dispersed exhibition sites; documentation and dissemination of outcomes, to be developed with the project partners, will address specific industry development needs.Read moreRead less
Special Research Initiatives - Grant ID: SR200200052
Funder
Australian Research Council
Funding Amount
$271,000.00
Summary
The war at home: art describes Australia’s turbulent present. This project investigates the friction between the nation’s stories of itself, and the current massive fracturing of health, of places and of peoples. Because Australia is changing beyond measure, it is even appropriate to talk about the war at home. From World War 1 onwards, the Australian government decided that war artists be commissioned to make art about the nation at war. Our project proposes that a team of Australian artists, w ....The war at home: art describes Australia’s turbulent present. This project investigates the friction between the nation’s stories of itself, and the current massive fracturing of health, of places and of peoples. Because Australia is changing beyond measure, it is even appropriate to talk about the war at home. From World War 1 onwards, the Australian government decided that war artists be commissioned to make art about the nation at war. Our project proposes that a team of Australian artists, with a deep experience of picturing conflict, investigates the current war at home, guided by a senior Gunditjimara elder and in collaboration with an eminent biomedical scientist. Future Australians will benefit from the heritage created by art portraying a new understanding of the current war at home.Read moreRead less
War and peace: how and why contemporary conflict and its aftermath is framed by war art. Building on all three applicants' recent, unique track records as Australia's Official War Artists, we will record the aftermath of conflicts in which Australia has been involved, both as participant and as peacekeeper from Vietnam to Iraq, taking account of recent theoretical advances in the understanding of images, archives and affect.
Real-time Porosity: Using computer gaming technology to map and analyse pedestrian movement in public and private space. This project will make a major, and ongoing, contribution to our understanding of urban space in a major Australian city. The Porosity Lenses will enable a more complete understanding of pedestrian movement that the Emergency Information Coordination Unit (EICU) believes will directly contribute to protecting Australia from terrorism and crime. In the case of terrorism the soc ....Real-time Porosity: Using computer gaming technology to map and analyse pedestrian movement in public and private space. This project will make a major, and ongoing, contribution to our understanding of urban space in a major Australian city. The Porosity Lenses will enable a more complete understanding of pedestrian movement that the Emergency Information Coordination Unit (EICU) believes will directly contribute to protecting Australia from terrorism and crime. In the case of terrorism the socio/economic benefits of even the smallest success can be immeasurable. The need to anticipate and mitigate the impact of catastrophic events on the city will be balanced, in this study, by a concern to maintain freedom of circulation and promote civic opportunities within previously under-utilised zones.Read moreRead less
World-pictures: Path-finding across a century of wars, 1917-2017. This project aims to redefine war art in artistic and scholarly research. Public understandings of war are significantly shaped by war art and images of war. This project will investigate the artistic potential of scholars’ methodologies –timelines and the atlas form – to revise the Australian understanding of the century-long and global aftermath of war from WW1 into the present, in major exhibitions of new art. The project will ....World-pictures: Path-finding across a century of wars, 1917-2017. This project aims to redefine war art in artistic and scholarly research. Public understandings of war are significantly shaped by war art and images of war. This project will investigate the artistic potential of scholars’ methodologies –timelines and the atlas form – to revise the Australian understanding of the century-long and global aftermath of war from WW1 into the present, in major exhibitions of new art. The project will to investigate how international 21st century artists explored recent wars and will produce a systematic, art historical account of international 21st century war art. The project aims to provide a better understanding of Australia’s heritage and of war art.Read moreRead less
Holoshop: The design, implementation and evaluation of rapid 3D drawing technology for content creation in holograms and other three-dimensional displays. This project, in developing tools and technologies to enable rapid, free-hand, three-dimensional electronic drawing will give a particular visual impetus to the development of display systems technology. It further strengthens Australia's already strong record of applying aesthetic criteria to technological questions and contributing to the in ....Holoshop: The design, implementation and evaluation of rapid 3D drawing technology for content creation in holograms and other three-dimensional displays. This project, in developing tools and technologies to enable rapid, free-hand, three-dimensional electronic drawing will give a particular visual impetus to the development of display systems technology. It further strengthens Australia's already strong record of applying aesthetic criteria to technological questions and contributing to the international development of virtual media. The resulting intellectual exchanges will raise consciousness of the crucial nature of representation in spatial imaging display. Collaborating with the world class Media Lab (Massachusetts Institute of Technology) as they invent holographic television for the consumer market will give Australia a key role in the experimental design of 3D content creation.Read moreRead less