Destination: developing hologram recording and replay technologies to enable the world's largest mass audience viewing of deep volume water images. The exhibition of 'Destination', the world's largest hologram installation at Federation Square in Melbourne, will impact both local and international audiences through engagement with the globally important subject - WATER. Wide public access to the new perceptions of water available though the holograms will be accessible in progress via web interf ....Destination: developing hologram recording and replay technologies to enable the world's largest mass audience viewing of deep volume water images. The exhibition of 'Destination', the world's largest hologram installation at Federation Square in Melbourne, will impact both local and international audiences through engagement with the globally important subject - WATER. Wide public access to the new perceptions of water available though the holograms will be accessible in progress via web interface, broadcast live video and an international conference hosted at Federation Square. The technological advances forged by the international and national multi-disciplinary expert team (media art, urban design, holography and laser technology) will establish a strong knowledge base and expertise in Australia thus providing opportunities for PhD students.Read moreRead less
Luminous presence: Using early mosaics and gilded aureoles to augment the interface between holographic images and the beholder. This project seeks to develop a new style of representation for holographic subjects through the modulation effects of "scintillating" backgrounds. As the purpose of holographic displays moves away from the replication of extant objects towards the artistic generation of synthetic/creative content, holographic images call increasingly upon conventions of pictorial sty ....Luminous presence: Using early mosaics and gilded aureoles to augment the interface between holographic images and the beholder. This project seeks to develop a new style of representation for holographic subjects through the modulation effects of "scintillating" backgrounds. As the purpose of holographic displays moves away from the replication of extant objects towards the artistic generation of synthetic/creative content, holographic images call increasingly upon conventions of pictorial style as well as the tacit perceptions of beholders for their successful interpretation. In this study the reflected light of traditional mosaics is used to modulate projected light articulating the holographic subject. The augmented image activates cues such as occlusion and retinal disparity employed by beholders in the perception of holograms.Read moreRead less
The reformulation of narrative within digital cinema as the integration of three models of interactivity. The rise of digital media has led to a decline in the use of traditional single-layered narrative and the corresponding loss of a major instrument of cinematic representation. This study investigates the reformulation of narrative within digital cinema through the integration of three models of interactivity so as to produce a new emergent digital narrative form. The study tests the proposit ....The reformulation of narrative within digital cinema as the integration of three models of interactivity. The rise of digital media has led to a decline in the use of traditional single-layered narrative and the corresponding loss of a major instrument of cinematic representation. This study investigates the reformulation of narrative within digital cinema through the integration of three models of interactivity so as to produce a new emergent digital narrative form. The study tests the proposition predicted in revisionist cinematic theory that narrative, when generated as a complex of digitally interactive forms, provides the opportunity to recapture the representational significance of narrative within digital cinema, through its enactment within a multi-layered, emergent virtual space.
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Reformulating narrative in virtual heritage using a co-evolutionary model of immersive interactivity. The application of machine intelligence research within virtual heritage, interactive cinema and the entertainment industries, with its application across a range of new media art forms, home theatre, location based entertainment, and on-line education, captures pioneering cultural and economic benefits for Australia. This study integrates autonomous machine agent and interface technology with t ....Reformulating narrative in virtual heritage using a co-evolutionary model of immersive interactivity. The application of machine intelligence research within virtual heritage, interactive cinema and the entertainment industries, with its application across a range of new media art forms, home theatre, location based entertainment, and on-line education, captures pioneering cultural and economic benefits for Australia. This study integrates autonomous machine agent and interface technology with the artistic potential of digital cinema. It provides innovative ways of satisfying the voracious demand for sophisticated content and narrative enrichment in new media and of exploiting the intense global interest in digital forms of entertainment. Read moreRead less
Interactive Narrative as a Form of Recombinatory Search in the Cinematic Transcription of Televisual Information. This study investigates the role of interactive narrative in the cinematic reconstruction of televisual information. Through the design of software enabling the recombinatory search of televisual data within virtual environments, it tests the conduct of narrative transcription as a model for interactive cinematic production. The value of the study is set against the fact that while n ....Interactive Narrative as a Form of Recombinatory Search in the Cinematic Transcription of Televisual Information. This study investigates the role of interactive narrative in the cinematic reconstruction of televisual information. Through the design of software enabling the recombinatory search of televisual data within virtual environments, it tests the conduct of narrative transcription as a model for interactive cinematic production. The value of the study is set against the fact that while narrative is central to conventional cinema emphasis upon simulation has caused the narrative potential of digital media to be overlooked. Advancing the world's first cinematic concept of transcriptive narrative it seeks evidence of the multi-temporal agency of interactivity as expanded within revisionist cinematic theory.
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Linkage Infrastructure, Equipment And Facilities - Grant ID: LE0453517
Funder
Australian Research Council
Funding Amount
$205,800.00
Summary
240 x 360 degree digital video camera for interactive immersive visualization research applications. This proposal involves the acquisition of a high resolution 240x360 degree digital video camera and three post-production facilities. The equipment will allow, for the first time, the development of truly global interactive and immersive imaging and projection systems possessing digital capture at 25FPS on a scale to match conventional cinematic techniques. It will provide Australia's leading gro ....240 x 360 degree digital video camera for interactive immersive visualization research applications. This proposal involves the acquisition of a high resolution 240x360 degree digital video camera and three post-production facilities. The equipment will allow, for the first time, the development of truly global interactive and immersive imaging and projection systems possessing digital capture at 25FPS on a scale to match conventional cinematic techniques. It will provide Australia's leading group of interactive cinema and new media researchers with facilities to employ globally immersive cinematic formats in the research and development of interactive narrative systems, and will allow benefits of these new systems to be realised by the cultural sector and entertainment industry.Read moreRead less
Reformulating museological narrative using three models of cinematic interactivity. This study aims to dramatically enhance the presentational flexibility of museum information delivery through the application of an immersive system of cinematic visualisation, modelling the integration of three kinds of interactive narrative. By allocating selective agency to both objects displayed and to viewers within a virtual environment, the system allows museum visitors to invest even static artefacts with ....Reformulating museological narrative using three models of cinematic interactivity. This study aims to dramatically enhance the presentational flexibility of museum information delivery through the application of an immersive system of cinematic visualisation, modelling the integration of three kinds of interactive narrative. By allocating selective agency to both objects displayed and to viewers within a virtual environment, the system allows museum visitors to invest even static artefacts with a range of vivid narrative purpose. Through its installation within a major exhibition of the decorative arts at the Powerhouse Museum, Sydney, the application tests the semantic scope, museological integrity, and the interactive autonomy of the narrative agents foreshadowed in the model.Read moreRead less
NAVIGABLE CINEMATIC SYSTEMS. The reformulation of cinematic narrative and the development of next generation interactive technology in new media. The Fellowship will launch a major reformulation of the key driver of new media technology, the theoretical innovation and testing of three models of interactive narrative - the polychronic, transcriptive, and co-evolutionary - as well as accelerating development of a new generation of accompanying cinematic technology. Through the design and demonstra ....NAVIGABLE CINEMATIC SYSTEMS. The reformulation of cinematic narrative and the development of next generation interactive technology in new media. The Fellowship will launch a major reformulation of the key driver of new media technology, the theoretical innovation and testing of three models of interactive narrative - the polychronic, transcriptive, and co-evolutionary - as well as accelerating development of a new generation of accompanying cinematic technology. Through the design and demonstration of a range of navigable, multi-user, virtual applications that enable the recreation of cinematic meaning from a mass of digital information, the Fellowship will develop interactive technology to the stage where it can be commercially evaluated in a way likely to maximise benefits to Australia.
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Co-evolutionary narrative as machine autonomy in the relationship between artificial agents and human participants in interactive cinema. The research has pioneering cultural and economic benefits for Australia and is focused on integrating machine and human intelligence within interactive cinema with potential application across a range of new media art forms, location based entertainment, home theatre and on-line education. This study anticipates autonomous machine agent and human convergences ....Co-evolutionary narrative as machine autonomy in the relationship between artificial agents and human participants in interactive cinema. The research has pioneering cultural and economic benefits for Australia and is focused on integrating machine and human intelligence within interactive cinema with potential application across a range of new media art forms, location based entertainment, home theatre and on-line education. This study anticipates autonomous machine agent and human convergences, where there is high demand for narrative enrichment as a way of satisfying a voracious demand for content and experiential permutations. The capacity for investing autonomous machine agent and human interactions with aesthetic potential represents a significant cultural aggregation for an expanded cinema, entertainment and educational industry.
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