The global impact of Chinese martial arts films and their potential to use Australian technology. A study of martial arts film is of national benefit in several ways. First, it makes a scholarly contribution to film studies in our Asia Pacific region. Second, it enhances our understanding of issues arising from Chinese popular culture, such as soft power, cultural nationalism, regional rivalries, combat, and justice. Finally, Australian companies have been involved in the high-technology end of ....The global impact of Chinese martial arts films and their potential to use Australian technology. A study of martial arts film is of national benefit in several ways. First, it makes a scholarly contribution to film studies in our Asia Pacific region. Second, it enhances our understanding of issues arising from Chinese popular culture, such as soft power, cultural nationalism, regional rivalries, combat, and justice. Finally, Australian companies have been involved in the high-technology end of landmark Chinese martial arts films, which provides Australians with opportunities for developing business relationships, producing new creative content, and expanding innovative technologies with an important market in the global environment.Read moreRead less
Experimental Cinemas and their Publics. The aim of this project is to undertake a major study of the cultural organisations and institutions that have shaped different types of cinematic experiment and their publics in Australia, Britain, and the United States since the mid-1940s. This study's assertion that all experiment in the cinema has been undertaken in an environment of culturally and institutionally controlled risk, has been designed both to contribute to an important revision of the wa ....Experimental Cinemas and their Publics. The aim of this project is to undertake a major study of the cultural organisations and institutions that have shaped different types of cinematic experiment and their publics in Australia, Britain, and the United States since the mid-1940s. This study's assertion that all experiment in the cinema has been undertaken in an environment of culturally and institutionally controlled risk, has been designed both to contribute to an important revision of the way experimental cinema is thought about and taught, and to engage film and new media producers themselves in critical discussion about the roles of institutions in experimental media cultures. Read moreRead less