The Persistence of Television: how the medium adapts to survive in the digital world. The project investigates the way television program content modulates over time to retain audiences, even when the audience itself fragments across different reception technologies. It explores the substantial degree of stability in both fiction and non-fiction programming by considering a range of British, Australian and American texts which have been altered to remain relevant, been sequentially adapted to re ....The Persistence of Television: how the medium adapts to survive in the digital world. The project investigates the way television program content modulates over time to retain audiences, even when the audience itself fragments across different reception technologies. It explores the substantial degree of stability in both fiction and non-fiction programming by considering a range of British, Australian and American texts which have been altered to remain relevant, been sequentially adapted to reflect contemporary preferences, and been made as local versions of international formats. It uses empirical and qualitative methods to compare programs from the beginning of mass broadcast television in Australia, the UK and the US. Outcomes will include a scholarly monograph and several articles.Read moreRead less
Only at the movies: mapping the contemporary Australian cinema market. Only at the movies? is a three-year project that asks: What is the enduring appeal of cinemagoing and how is it changing? It will provide detailed analyses of formal film exhibition and distribution in Australia by combining economic, cultural and geospatial research with industry expertise.
Alternative Public Spheres: Alexander Kluge's Film and Television Experiments. This project will make a significant contribution to the emphasis on 'Promoting an Innovation Culture and Economy' outlined in Research Priority 3 through its analysis of the important role film and television producers can play in the establishment of alternative public spheres. Taking Alexander Kluge's groundbreaking work as a case study, it will highlight the integral relationship between an active public sphere an ....Alternative Public Spheres: Alexander Kluge's Film and Television Experiments. This project will make a significant contribution to the emphasis on 'Promoting an Innovation Culture and Economy' outlined in Research Priority 3 through its analysis of the important role film and television producers can play in the establishment of alternative public spheres. Taking Alexander Kluge's groundbreaking work as a case study, it will highlight the integral relationship between an active public sphere and the sustenance of an innovative and democratic culture in which the capacity to think 'outside the square' is fostered, supported, and appreciated. In doing so, it will internationalise Australia's knowledge base in the field, and place Australia at the forefront of international debates in Screen Studies.Read moreRead less
Willing collaborators: Negotiating Change in East Asian Media Production. This project examines how media producers and investors from China, Korea, Taiwan, and Hong Kong are moving into flexible and innovative forms of collaboration. Focusing on cinema, television, online video and mobile content in East Asia, the study enhances academic, industry and policy understandings of the dynamics of regional media production. In addition, the project investigates opportunities and challenges for Austra ....Willing collaborators: Negotiating Change in East Asian Media Production. This project examines how media producers and investors from China, Korea, Taiwan, and Hong Kong are moving into flexible and innovative forms of collaboration. Focusing on cinema, television, online video and mobile content in East Asia, the study enhances academic, industry and policy understandings of the dynamics of regional media production. In addition, the project investigates opportunities and challenges for Australian and other international media companies. It addresses the urgent need to foster understanding of the media industries and cultures of Australia's regional neighbours in order to better equip the nation and its screen sectors to participate in the forthcoming "Asian Century". Read moreRead less
Border Crossing: The Transnational Career of the Television Crime Drama. This project aims to shed new light on the evolving dynamics of the global television industry in an era of post-broadcast production and distribution with particular attention to the television crime drama. As one of television's most enduring and popular genres, the crime drama has routinely reflected local, regional and national concerns about law and order issues. Through a series of case studies, this project plans to ....Border Crossing: The Transnational Career of the Television Crime Drama. This project aims to shed new light on the evolving dynamics of the global television industry in an era of post-broadcast production and distribution with particular attention to the television crime drama. As one of television's most enduring and popular genres, the crime drama has routinely reflected local, regional and national concerns about law and order issues. Through a series of case studies, this project plans to explore how national frames of reference in terms of policy and content are being negotiated in different production contexts within the global market place. The television crime drama may thus provide an illuminating lens through which to examine the impact of globalisation on the rapidly evolving television industry as it enters a new era.Read moreRead less
Cinema and the Senses: Temporality of the films of Stanley Kubrick, Terrence Malick and Kumar Shahani. The resulting monograph, articles and seminars will provide new methodologies for Australian cinema studies which has tended to depend on Euro-American models. The project offers three distinct ways of thinking about an ecology of the human senses in and through cinema. The ideas on cine-synaesthesia would link up with current research on this topic in other disciplines such as neurophysiology, ....Cinema and the Senses: Temporality of the films of Stanley Kubrick, Terrence Malick and Kumar Shahani. The resulting monograph, articles and seminars will provide new methodologies for Australian cinema studies which has tended to depend on Euro-American models. The project offers three distinct ways of thinking about an ecology of the human senses in and through cinema. The ideas on cine-synaesthesia would link up with current research on this topic in other disciplines such as neurophysiology, painting and music. The interdisciplinarity of the project offers, to the public sphere of Australian cinema, cross-cultural and cross-media perspectives on film aesthetics. Read moreRead less
The new screen ecology and innovation in production and distribution. The project aims to explore new models of online and screen content creation. Major United States information technology corporations are challenging Hollywood and television networks and are likely to come to dominate new screen services into the future. This project focuses on the most challenging and potentially disruptive and innovative forms of production and distribution this new screen ecology is taking. Processes of pr ....The new screen ecology and innovation in production and distribution. The project aims to explore new models of online and screen content creation. Major United States information technology corporations are challenging Hollywood and television networks and are likely to come to dominate new screen services into the future. This project focuses on the most challenging and potentially disruptive and innovative forms of production and distribution this new screen ecology is taking. Processes of professionalisation and monetisation of previously amateur content creation are underpinning an explosive growth of a lower-budget, more diverse and structurally innovative tier of advertising- and sponsor-supported online content. Centred on strategies of platforms such as YouTube, but international in scope, the project aims to contribute to innovation in Australian screen production and distribution.Read moreRead less
Utilitarian Filmmaking in Australia 1945 - 1980. The project plans to discover, document, analyse and compile a lasting archive of utilitarian filmmaking in Australia. 'Utilitarian' describes client-sponsored, instructional and governmental filmmaking existing outside the conventional theatrical contexts by which cinema is usually defined. Focused on the post-World War Two decades before the proliferation of video in the late 1970s, the project aims to highlight previously-unstudied aspects of t ....Utilitarian Filmmaking in Australia 1945 - 1980. The project plans to discover, document, analyse and compile a lasting archive of utilitarian filmmaking in Australia. 'Utilitarian' describes client-sponsored, instructional and governmental filmmaking existing outside the conventional theatrical contexts by which cinema is usually defined. Focused on the post-World War Two decades before the proliferation of video in the late 1970s, the project aims to highlight previously-unstudied aspects of the media industries. This is designed to deliver new knowledge of the skills and subject matter that sustained filmmaking, communication and education in Australia during a time when conventional scholarship assumes there was almost no significant filmmaking.Read moreRead less
The Democractisation of Documentary Cinema in China. The Democratisation of Documentary Cinema in China has cultural, political, economic, and research benefits for Australia. Culturally, the Project provides an analysis of the ways China views itself and the world. Politically, the Project enriches Australia's understanding of how media control in China has been transformed from 1949 to the age of globalisation. Economically, the Project enhances Australia's chances of finding a niche in the wo ....The Democractisation of Documentary Cinema in China. The Democratisation of Documentary Cinema in China has cultural, political, economic, and research benefits for Australia. Culturally, the Project provides an analysis of the ways China views itself and the world. Politically, the Project enriches Australia's understanding of how media control in China has been transformed from 1949 to the age of globalisation. Economically, the Project enhances Australia's chances of finding a niche in the world's largest documentary film market. As a contribution to research, the Project will produce the first in-depth study of Chinese documentary film, its industry and politics and so offers Australia a new perspective on how political change is reflected in one of China's leading media productions.Read moreRead less
Informal economies and audiovisual industries: histories, dynamics, legal and policy responses. This project will uncover new information about the connections between formal and informal media industries. It will generate valuable new knowledge about innovation in contemporary media, and will contribute to policy discussions in the lead-up to the National Broadband Network.